Mariah Carey

Mariah Carey
File:Mariahcarey.jpg
Personal
Born	March 27, 1970 Huntington, New York
Ethnicity	Black, Caucasian
Nationality	American
Body
Measurements	34-22-35
Cup size	C
Boobs	Enhanced
Height	5 ft 9 in (1.75 m)
Weight	125 lb (57 kg)
Body type	Average
Eye color	Brown
Hair	Blonde
Links and profiles
	Official website
Databases
IMDb

File:Mariah Carey in side cleavage.jpg

Mariah Carey (born March 27, 1970 in Huntington, New York) is an American singer, actress, song writer and model.

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Early years

Mariah Carey was born in Huntington, Long Island, New York in 1970. Carey is the third and youngest child of Patricia Hickey, a former opera singer and vocal coach of Irish American descent, and Alfred Roy Carey an aeronautical engineer of African American and Venezuelan descent. She grew up in a Roman Catholic family. As a multiethnic family, the Careys endured racial slurs, hostility, and sometimes violence, causing the family to frequently relocate throughout the New York area. The strain on the family led to the divorce of Carey's parents when she was three years old.

Carey had little contact with her father, and her mother worked several jobs to support the family. Spending much of her time at home alone, Carey turned to music as an outlet. She began singing at around the age of three. Her mother Patricia was her vocal coach; Patricia began teaching her how to sing after Carey imitated her practicing Verdi's opera Rigoletto in Italian. Carey performed for the first time in public during elementary school and was writing her own songs by junior high. Carey graduated from Harborfields High School in Greenlawn, New York although she was frequently absent because of her popularity as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage". Her renown within the Long Island music scene gave her opportunities to work with musicians such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After moving to New York City, Carey worked numerous part-time jobs to pay the rent and completed five hundred hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.

In 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave him Carey's demo tape. Mottola played the tape while leaving the party and was very impressed with what he heard. He returned to find Carey, but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity surrounding Carey's entrance into the industry.

Music career

1990-1992: Career Start

Carey co-wrote the tracks on her 1990 debut album, Mariah Carey, and she continued to co-write nearly all her material for the rest of her career. She expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom executives at Columbia had enlisted to help make the album commercially viable. With substantial promotion it ascended to number one on the U.S. Billboard 200 chart, where it remained for several weeks. It produced four number-one singles and made Carey a star in the United States, but it was less successful elsewhere. Critics rated the album highly, and Carey won Grammy Awards for Best New Artist and Best Female Pop Vocal Performance (for her debut single "Vision of Love").

Carey conceived Emotions, her second album, as a homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C&C Music Factory) on the record. It was released soon after her debut album in late 1991, but was neither critically nor commercially as successful; Rolling Stone described it as "more of the same, with less interesting material ... pop-psych love songs played with airless, intimidating expertise". The title track "Emotions" made Carey the only recording act to have their first five singles reach number-one on the U.S. Hot 100 chart, though the album's follow-up singles failed to match this feat. Carey had been lobbying to produce her own songs, and beginning with Emotions, she would co-produce most of her material. "I didn't want [Emotions] to be somebody else's vision of me," she said. "There's more of me on this album." She began writing and producing for other artists, such as Penny Ford and Daryl Hall, within the coming year.

Although she had occasionally performed live, stage fright had prevented Carey from embarking on any major tours. Her first widely seen concert appearance was on the television show MTV Unplugged in 1992, and she said she felt that her performance proved her vocal abilities were not, as some had previously speculated, simulated using studio techniques. In addition to acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5's "I'll Be There" with back-up singer Trey Lorenz. Released as a single, the duet reached number one in the U.S. and led to a record deal for Lorenz, whose debut album Carey co-produced. Because of strong ratings for the Unplugged television special, the concert's set list was released on the EP MTV Unplugged, which Entertainment Weekly called "the strongest, most genuinely musical record she has ever made ... Did this live performance help her take her first steps toward growing up?"

1993–1996: Worldwide Popularity

Carey and Tommy Mottola had become romantically involved during the making of her debut album, and in June 1993 they were married.

Kenneth "Babyface" Edmonds consulted on the album Music Box, which was released later that year and became Carey's most successful worldwide. It yielded her first UK Singles Chart number-one, a cover of Badfinger's "Without You", as well as the U.S. number-ones "Dreamlover" and "Hero". Billboard magazine proclaimed it as "heart-piercing ... easily the most elemental of Carey's releases, her vocal eurythmics in natural sync with the songs", but TIME magazine lamented Carey's attempt at a mellower work: "[Music Box] seems perfunctory and almost passionless ... Carey could be a pop-soul great; instead she has once again settled for Salieri-like mediocrity". When most critics slighted her subsequent U.S. Music Box Tour, Carey said, "As soon as you have a big success, a lot of people don't like that. There's nothing I can do about it. All I can do is make music I believe in."

In 1995, Columbia released Carey's fifth album, Daydream, which combined the pop sensibilities of Music Box with downbeat R&B and hip hop influences. A remix of "Fantasy", its first single, featured rapper Ol' Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: "Everybody was like 'What, are you crazy?'. They're very nervous about breaking the formula." It became her biggest-selling album in the U.S. and its singles achieved similar success: "Fantasy" became the second single to debut at number-one in the U.S. and topped the Canadian Singles Chart for twelve weeks, "One Sweet Day" (a duet with Boyz II Men) spent a still-record-holding sixteen weeks at number one in the U.S., and "Always Be My Baby" (co-produced by Jermaine Dupri) led the Hot 100's 1996 year-end airplay chart. Daydream generated career-best reviews for Carey and publications such as The New York Times named it one of 1995's best albums; the Times wrote that its "best cuts bring pop candy-making to a new peak of textural refinement ... Carey's songwriting has taken a leap forward, becoming more relaxed, sexier and less reliant on thudding clichés". The short but profitable Daydream World Tour augmented sales of the album, which received six Grammy Award nominations.

1997–2000: New image and independence

Carey and Mottola separated in 1996. Although the public image of the marriage was a happy one, she said that in reality she had felt trapped by her relationship with Mottola, whom she often described as controlling. They officially announced their separation in 1997, and their divorce became final the following year. Carey hired a new attorney and manager soon after the separation, as well as an independent publicist. She became a major songwriter and producer for other artists during this period, contributing to the debut albums of Allure and 7 Mile through her short-lived Crave Records imprint.

"Honey" (1997), one of Carey's first heavily hip hop-influenced single, presented a more overtly sexual image of her than had been previously seen. Audio sample (help·info)Carey's next album, Butterfly (1997), yielded the number-one single "Honey", the lyrics and music video for which presented a more overtly sexual image of her than had been previously seen. She stated that Butterfly marked the point that she attained full creative control over her music, which continued to move in a hip hop direction with material co-written and co-produced by rappers such as Sean "P. Diddy" Combs and Missy Elliott. However, she added: "I don't think it's that much of a departure from what I've done in the past ... It's not like I went psycho and thought I was going to be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Reviews were generally positive: LAUNCHcast said Butterfly "pushes the envelope", a move its critic thought "may prove disconcerting to more conservative fans" but praised as "a welcome change". The Los Angeles Times wrote: "[Butterfly] is easily the most personal, confessional-sounding record she's ever done ... Carey-bashing just might become a thing of the past." The album was a commercial success, and "My All" (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist. Towards the turn of the millennium, Carey was developing the film project Glitter, and she wrote songs for the films Men in Black (1997) and How the Grinch Stole Christmas (2000).

The year 1998 saw the release of #1's, a collection of her U.S. number-one singles up to that point. Carey said she recorded new material for the album as a way of rewarding her fans, and included "When You Believe", an Academy Award-winning duet with Whitney Houston; the song was from the soundtrack of The Prince of Egypt (1998). #1's sold above expectations, but a review in NME labeled Carey "a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow". Also that year she appeared on the first televised VH1 Divas benefit concert program, though her alleged prima donna behavior had already led many to consider her a diva. By the following year, she had entered a relationship with singer Luis Miguel.

Rainbow, Carey's sixth studio album, was released in 1999. It comprised more R&B/hip hop-oriented songs, many of them co-created with Jimmy Jam and Terry Lewis. "Heartbreaker" and "Thank God I Found You" (the former featuring Jay-Z, the latter featuring Joe and boy-band 98 Degrees) reached number one in the U.S., and the success of the former made Carey the only act to have a number-one single in each year of the 1990s. A cover of Phil Collins's "Against All Odds (Take a Look at Me Now)" went to number one in the UK after Carey re-recorded it with boy band Westlife. Media reception of Rainbow was generally enthusiastic, with the Sunday Herald saying the album "sees her impressively tottering between soul ballads and collaborations with R&B heavyweights like Snoop Doggy Dogg, Usher ... It's a polished collection of pop-soul." VIBE magazine expressed similar sentiments, writing, "She pulls out all stops...Rainbow will garner even more adoration", but despite this it became Carey's lowest-selling album up to that point, and there was a recurring criticism that the tracks were too alike. When the double A-side "Crybaby"/"Can't Take That Away (Mariah's Theme)" became her first single to peak outside the top twenty, Carey accused Sony of under promoting it: "The political situation in my professional career is not positive ... I'm getting a lot of negative feedback from certain corporate people", she wrote on her official website.

2001–2004: Personal and professional struggles

After receiving Billboard's "Artist of the Decade" Award and the World Music Award for "Best-Selling Female Artist of the Millennium", Carey parted from Columbia and signed a contract with EMI's Virgin Records worth a reported US$80 million. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website complaining of being overworked, and her relationship with Luis Miguel was ending. In an interview the following year, she said, "I was with people who didn't really know me, and I had no personal assistant. I'd be doing interviews all day long, getting two hours of sleep a night, if that." During an appearance on MTV's Total Request Live, Carey handed out popsicles to the audience and began what was later described as a "strip tease", removing a large, baggy t-shirt to reveal a halter top and Daisy Dukes. By the month's end, she had checked into a hospital, and her publicist announced that she would be taking a break from public appearances.

Critics panned Glitter, Carey's much delayed semi-autobiographical film, and it was a box office failure. The album Glitter, inspired by the music of the 1980s, generated her worst showing on the U.S. chart. The St. Louis Post-Dispatch dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful",while Blender magazine opined, "After years of trading her signature flourishes for a radio-ready purr, [Carey]'s left with almost no presence at all." "Loverboy" reached number two on the Hot 100 thanks to a price cut, but the album's follow-up singles failed to chart.

Columbia released the low-charting album Greatest Hits shortly after the failure of Glitter, and in early 2002 Virgin bought out Carey's contract for $28 million, creating further negative publicity. Carey said her time at Virgin had been "a complete and total stress-fest ... I made a total snap decision which was based on money, and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a $20 million contract with Island Records and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had had little contact since childhood, died of cancer that year.

Following a well-received supporting role in the 2002 film WiseGirls, Carey released the album Charmbracelet, which she said marked "a new lease on life" for her. Sales of Charmbracelet were moderate, and the quality of Carey's vocals came under severe criticism. The Boston Globe declared the album as "the worst of her career, revealing a voice no longer capable of either gravity-defying gymnastics or soft coos", and Rolling Stone commented: "Carey needs bold songs that help her use the power and range for which she is famous. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown." Singles such as "Through the Rain" failed on the charts and with pop radio, whose playlists had become less open to maturing "diva" stylists such as Carey, Whitney Houston and Celine Dion.

"I Know What You Want", a 2003 Busta Rhymes single on which Carey guest-starred, fared considerably better and reached the top five in the U.S. Columbia later included it on the remix collection The Remixes, Carey's lowest-selling album. That year, she embarked on the Charmbracelet World Tour and was awarded the Chopard Diamond award for selling over 100 million albums worldwide. She was featured on rapper Jadakiss' 2004 single "U Make Me Wanna", which reached the top ten on Billboard's R&B/Hip-Hop chart.

2005–present: Return to prominence

Carey's tenth studio album, The Emancipation of Mimi, was released in 2005 and contained contributions from producers such as The Neptunes, Kanye West, James "Big Jim" Wright and Carey's longtime collaborator, Jermaine Dupri. Carey said it was "very much like a party record... the process of putting on makeup and getting ready to go out... I wanted to make a record that was reflective of that." The Emancipation of Mimi became the year's best-selling album in the U.S in 2005, and received some of Carey's most favorable reviews in some time; The Guardian reviewer Caroline Sullivan defined it as "cool, focused and urban ... [some of] the first Mariah Carey tunes in years I wouldn't have to be paid to listen to again". The album earned Carey Grammy Awards for Best Contemporary R&B Album, as well as Best Female R&B Vocal Performance, and Best R&B Song for "We Belong Together". The album's second single, "We Belong Together", held the Hot 100's number-one position for fourteen weeks (her longest run at the top as a solo lead artist) and became the biggest hit of 2005 in the U.S., while "Shake It Off" made Carey the only solo female artist to occupy the Hot 100's top two positions simultaneously. "Don't Forget About Us" became her seventeenth number-one in the U.S., tying her with Elvis Presley for the most number-ones by a solo act according to Billboard magazine's revised methodology (their statistician Joel Whitburn still credits Presley with an eighteenth). The Beatles had twenty number-ones. Carey's singles have, collectively, topped the charts for seventy-seven weeks, which places her ahead of The Beatles (fifty-nine weeks), and behind Presley, who topped the charts for seventy-nine weeks collectively (once the Rock 'n' Roll and the Hot 100 charts are combined).

Carey has also had success on international charts, though not to the same degree as her native America. Thus far, she has had two number-one singles in Britain, two in Australia, and six in Canada. Carey's highest-charting single in Japan peaked at number-two.

Carey began a concert tour, The Adventures of Mimi Tour, in mid-2006. She appeared on the cover of the March 2007 edition of Playboy magazine on a non-nude photo session. In early 2007, she was featured with Bow Wow on the Bone Thugs-n-Harmony single "Lil' L.O.V.E.".

Later in the year, Carey received a "recording star" on the Hollywood Walk of Fame and will be inducted into the Long Island Music Hall of Fame on October 21, 2007.

According to an interview with Entertainment Tonight in mid-2006, she had already begun work on her next studio album. According to a November 2006 Reuters report, Universal Music Group CEO Doug Morris has stated that Carey will release two albums in 2007. It has also been reported that Carey booked a whole month in Anguilla's largest villa, and had a studio built in it.

Acting Career

Carey began to take professional acting lessons in 1997, and within the coming year, she was auditioning for film roles. She made her debut as an opera singer in the romantic comedy The Bachelor (1999) starring Chris O'Donnell and Renée Zellweger, and CNN derisively referred to her casting as a talentless diva as "letter-perfect ... the "can't act" part informs Carey's entire performance".

Carey's first starring role was in Glitter (2001), in which she played a struggling musician in the 1980s who breaks into the music industry after meeting a disc jockey (Max Beesley). While Roger Ebert said "[Carey]'s acting ranges from dutiful flirtatiousness to intense sincerity", most critics panned it: Halliwell's Film Guide called it a "vapid star vehicle for a pop singer with no visible acting ability", and The Village Voice observed: "When [Carey] tries for an emotion—any emotion—she looks as if she's lost her car keys." Glitter was a box office failure, and Carey earned a Razzie Award for her role. She later said that the film "started out as a concept with substance, but it ended up being geared to 10-year-olds. It lost a lot of grit ... I kind of got in over my head." The film has consistently been ranked as one of the worst of all time in user voting at the Internet Movie Database.

Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film WiseGirls (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts: The Hollywood Reporter predicted, "Those scathing notices for Glitter will be a forgotten memory for the singer once people warm up to Raychel", and Roger Friedman, referring to her as "a Thelma Ritter for the new millennium", said, "Her line delivery is sharp and she manages to get the right laughs". WiseGirls producer Anthony Esposito cast Carey in The Sweet Science, a film about an unknown female boxer who is recruited by a boxing manager, but it never entered production.

Carey was one of several musicians who appeared in the independently produced Damon Dash films Death of a Dynasty (2003) and State Property 2 (2005). Her television work has been limited to a January 2002 episode of Ally McBeal.

In 2006 Carey joined the cast of the indie film Tennessee (2007), taking the role of a waitress who travels with her two brothers to find their long-lost father.

JoBlo.com reported in June 2007 that Carey will join the set of Adam Sandler's upcoming film You Don't Mess with the Zohan, playing herself.

Personal Life

On June 5, 1993, Carey married her boss and the person who made her the star, Tommy Mottola. The couple divorced on March 5, 1998. In November 1996, Carey met New York Yankees shortstop Derek Jeter, both of them began dating in 1997. The couple however ended their relationship because of high media coverage in the late 90's.