Moonstone Rocket

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Moonstone Rocket is a professional ballet dancer, burlesque performer and dancer.

She is a 32C, around 5'4", and very slight because of her dance training, working out most days with pilates and ballet exercises. She says, "I am about 34-23-34 natural bust and hips. It wasn't always the best thing for a classical ballet dancer to have a bust but in burlesque it doesn't make a difference!"

Ballet

She trained as a classical ballet dancer at the Royal Ballet School for 7 years, then joined English National Ballet, where she danced for 9 years, dancing many soloist and principal roles. After this she went freelance and began to do more photographic work including nudes. She worked as a ballerina for Balletomane, a charity-based company, for 2 years.

Burlesque

She began performing as a burlesque dancer in 2013 with Glitterbox Burlesque, having met their director, Glamour L'Amour, through an experimental 3D video by Amy Mathieson, who was using burlesque and contemporary pas de deux on camera to create more lifelike and close-up effects of the art forms. Glitterbox Burlesque put on a few shows at the old fire station in Windsor from 2013 to 2015 in which Moonstone Rocket performed regularly.

Now she performs frequently with Uncaged at Behind Burlesque at The Sinbin, Plough and Harrow, Leytonstone - London. She choreographs, designs, and dances the routine to suit the theme.

All her routines are her own work, often designing or decorating the costumes, choreographing a piece, and then of course dancing it. Some of her Routines to date include Black Coffee, Sealine Woman, Minnehaha, Sugar Plum Fairy, Sex on Fire, Funny Valentine, Windmills, Eskimo Dances, Syringe, and Betty Blue. As a classically trained dancer she tries to include ballet in many of her routines which helps make them stand out a bit or just adds that little bit of quirkiness to the piece.

Modeling

She has done much nude and topless photographic work and started more seriously becoming a model, involving nudes in 2006, and is still modeling today. She says, "Most photographers like to use my figure with dance movements because of my background training. I don't mind as often when I see the pictures its easier to have a glimpse of what needs improving, or needs a bit more work, then I'll go away and start stretching more or trying to strengthen the movement with weights and exercises."

She has appeared in the books Nutrition for the Dancer by Zerlina Mastin and Behind Burlesque Encore! by Neil Lewis.

Gallery