Uma Thurman
Template:Infobox actor
Uma Karuna Thurman (IPA: Template:IPA;[1] born April 29, 1970[2]) is an Academy Award nominated American actress. She performs predominantly in leading roles in a variety of films, ranging from romantic comedies and dramas to science fiction and action thrillers. She is best known for her work under the direction of Quentin Tarantino. Her most popular films include Dangerous Liaisons (1988), Pulp Fiction (1994), Gattaca (1997) and Kill Bill (2003–04).
She is the face of Virgin Media in the United Kingdom and, along with Scarlett Johansson, has modeled handbags and other items for French brand Louis Vuitton. At 6ft (1.83 m) tall, she is one of the tallest actresses in American movies.
Early life and family
Thurman's mother, Nena Birgitte Caroline von Schlebrügge was a fashion model born in Mexico City, Mexico in 1941, to German Friedrich Karl Johannes von Schlebrügge, and Birgit Holmquist, from Trelleborg, Sweden. In 1930, Birgit Holmquist, Thurman's grandmother, modeled for a nude statue that stands overlooking the harbor of Smygehuk.[3] Thurman's father, Robert Alexander Farrar Thurman, was born in New York City to Elizabeth Dean Farrar, a stage actress, and Beverly Reid Thurman, Jr., an Associated Press editor and U.N. translator.[4] Thurman's mother was introduced to LSD guru Timothy Leary by Salvador Dalí; and married Leary in 1964; then wed Thurman's father in 1967.
Thurman's father, Robert, a scholar and professor at Columbia University of Indo-Tibetan Buddhist studies, was the first westerner to be ordained as a Tibetan Buddhist monk.[5] He gave his children a Buddhist upbringing: Uma is named after an Dbuma Chenpo (in Tibetan, "db" is silent; Mahamadhyamaka in Sanskrit, meaning "Great Middle Way") and pronounced Template:IPA in General American, not Template:IPA. She has three brothers, Ganden (b. 1971), Dechen (b. 1973) and Mipam (b. 1978), and a half-sister named Taya (b. 1960) from her father's previous marriage. She and her siblings spent time in Almora, India as children, and the Dalai Lama sometimes visited their home.[6]
Thurman grew up mostly in Amherst, Massachusetts and Woodstock, New York. She is described as having been an awkward and introverted girl who was teased for her tall frame, angular bone structure, unusual name (sometimes using the name “Uma Karen” instead of her birth name) and size 11 feet[7] (Thurman's large feet would later be filmed by Quentin Tarantino in the films he made with her). When she was 10 years old, a friend's mother suggested a nose job.[6]
As a child, she suffered bouts of body dysmorphic disorder, which she discussed in an interview with Talk magazine in 2001.[8]
Thurman attended Northfield Mount Hermon, a college preparatory boarding school in Northfield, Massachusetts, where she was earned average grades, but excelled in acting. Talent scouts noticed her performance as Abigail in a production of The Crucible,[2] and offered her the chance to act professionally. Thurman moved to New York City to pursue acting and to attend the Professional Children's School, but she dropped out before graduating.[6]
Career
Early works, 1987–1989
Thurman began her career as a fashion model at age 15.[9] She signed with the agency Click Models.[10] Her modeling credits included Glamour Magazine.[10] In 1989, she appeared on the cover of Rolling Stone magazine's annual Hot issue.[11]
Thurman made her movie debut in 1988, appearing in four films that year. Her first two were the high school comedy Johnny Be Good and the teen thriller Kiss Daddy Goodnight.. Thurman appeared in The Adventures of Baron Munchausen, playing the goddess Venus alongside Oliver Reed’s Vulcan. During her entrance Thurman briefly appears nude in a homage to Botticelli’s painting The Birth of Venus. With a budget of $46 million and box office receipts of only $8 million, the film was a commercial failure.[12]
Her breakthrough came in her role as Cecile de Volanges in Dangerous Liaisons. Actresses Glenn Close and Michelle Pfeiffer earned Oscar nominations for their performances, and Thurman drew attention for her topless scene in the film. At the time, she was insecure about her appearance,[13] and fled to London for almost a year, during which she wore only loose, baggy clothing.[10]
Soon after the release of Dangerous Liaisons, the media were eager to profile Thurman. She was praised by her co-star John Malkovich, who said of her, “There is nothing twitchy teenager-ish about her, I haven’t met anyone like her at that age. Her intelligence and poise stand out. But there’s something else. She’s more than a little haunted.”[14]
Major works, 1990–1993
In 1990, Thurman co-starred with Fred Ward in the sexually provocative drama Henry & June, the first film to receive an NC-17 rating. Because of the rating, it never played in a wide release but critics embraced her; The New York Times wrote, “Thurman, as the Brooklyn-accented June, takes a larger-than-life character and makes her even bigger, though the performance is often as curious as it is commanding”.[15]
Thurman’s first starring role in a major production was Gus Van Sant's 1993 adaptation of Tom Robbins' Even Cowgirls Get the Blues. It was a critical and financial disappointment; Thurman was nominated for a Worst Actress Razzie. The Washington Post described her acting as shallow, writing that, “Thurman’s strangely passive characterization doesn’t go much deeper than drawling and flexing her prosthetic thumbs”.[16] Thurman also starred opposite Robert De Niro in the drama Mad Dog and Glory, another box office disappointment. Later that year, she auditioned for Stanley Kubrick while he was casting a movie to be called Wartime Lies, which was never produced. She described working with him as a “really bad experience”.[17]
1994–1998
After Mad Dog and Glory, Thurman auditioned for Quentin Tarantino’s Pulp Fiction, which would become one of the most successful cult hits of all time, grossing over $107 million on a budget of only $8 million USD.[18] The Washington Post wrote that Thurman was “serenely unrecognizable in a black wig, [and] is marvelous as a zoned-out gangster’s girlfriend”.[19] Noted SA J. Sidebottom was behind Uma's hairstyle and was at first very much opposed to the use of a wig to conjure the iconic look he sought. After a brief departure from the film's crew, Sidebottom was ultimately convinced by Tarantino that the faux-nature of the wig was consistent with the motif of the film. Thurman was nominated for the Best Supporting Actress Oscar the following year. Entertainment Weekly claimed that, “of the five women nominated in the Best Supporting Actress category this year, only [Thurman] can claim that her performance gave the audience fits”.[20] Thurman also became one of Tarantino’s favorite actresses to cast, stating in a 2003 issue of Time: “[Thurman]’s up there with Garbo and Dietrich in goddess territory”.[21]
She starred opposite Janeane Garofalo in the moderately successful 1996 romantic comedy The Truth About Cats & Dogs as a ditzy blonde supermodel. In 1998, she starred opposite her future husband Ethan Hawke in the dystopian science fiction film Gattaca. Although Gattaca was not a success at the box office, it drew many positive reviews and became successful on the home video market,[22] some critics were not as impressed with Thurman, such as the Los Angeles Times which stated she was “as emotionally uninvolved as ever”.[23]
The two biggest film flops of Thurman’s career came in 1997 and 1998. She played Poison Ivy in Batman & Robin, the fourth film of the popular franchise. Batman & Robin became one of the largest critical flops in history. Thurman’s performance in the campy film received mixed reviews, and critics compared her with actress Mae West. The New York Times wrote, “like Mae West, she mixes true femininity with the winking womanliness of a drag queen”.[24] A similar comparison was made by the Houston Chronicle: “Thurman, to arrive at a ’40s femme fatale, sometimes seems to be doing Mae West by way of Jessica Rabbit”.[25] The next year brought The Avengers, another major financial and critical flop. CNN described Thurman as, “so distanced you feel like you’re watching her through the wrong end of a telescope”.[26] She received Razzie Award nominations for both films. She closed out 1998 with Les Misérables, a film version of Victor Hugo’s novel of the same name, directed by Bille August, in which she played Fantine.
Hiatus, 1998–2002
After the birth of her first baby in 1998, Thurman took a rest from major roles to concentrate on motherhood. Her next roles were in low-budget and television films, including Tape, Vatel, and Hysterical Blindness. In 2000 she narrated a theatrical work by composer John Moran entitled Book of the Dead (2nd Avenue) at The Public Theater. She won a Golden Globe award for Hysterical Blindness, a film for which she also served as executive producer. In the film she played a New Jersey woman in the 1980s searching for romance. The San Francisco Chronicle review wrote, “Thurman so commits herself to the role, eyes blazing and body akimbo, that you start to believe that such a creature could exist — an exquisite-looking woman so spastic and needy that she repulses regular Joes. Thurman has bent the role to her will”.[27]
2003–present
After a five-year hiatus, Thurman returned in 2003 in John Woo's film Paycheck, followed by Tarantino's, Kill Bill. Paycheck was only moderately successful with critics and at the box office, but Kill Bill relaunched her career.
In Kill Bill she played assassin Beatrix Kiddo, out for revenge against her former lover. Tarantino wrote the part specifically for her. He also cited Thurman as his muse while writing the film, and also gave her joint credit for the character, whom the two conceived on the set of Pulp Fiction from the sole image of a bride covered in blood.
Production was delayed for several months after Thurman became pregnant, as Tarantino refused to recast the part.[28] The film took nine months to shoot, and was filmed in five different countries. The role was also her most demanding , and she spent three months training in martial arts, swordsmanship, and Japanese.[29] The two-part action epic became an instant cult classic[30] and scored highly with critics. The film series earned Thurman Golden Globe nominations for both entries, and three MTV Movie Awards for Best Female Performance and twice for Best Fight. Rolling Stone likened Thurman to “an avenging angel out of a 1940s Hollywood melodrama”.[31]
The inspirations for “The Bride” were several B-movie action heroines. Thurman's main inspiration for the role was the title character of Coffy (played by Pam Grier) and the character of Gloria Swenson from Gloria (played by Gena Rowlands). She said that the two characters are “two of the only women I've ever seen be truly women [while] holding a weapon”.[32] Coffy was screened for Thurman by Tarantino prior to beginning production on the film, to help her model the character.[28]
By 2005, Thurman was one of Hollywood's highest paid actresses, commanding a salary of $12.5 million per film.[33] Her first film of the year was Be Cool, the sequel to 1995's Get Shorty, which reunited her with her Pulp Fiction castmate John Travolta. In the film she played the widow of a deceased music business executive. The film received poor reviews, and came in below expectations at the box office. In 2005 she starred in Prime with Meryl Streep, playing a woman in her late thirties romancing a man in his early twenties. Thurman's last film of the year was a remake of The Producers in which she played Ulla, a Swedish stage actress hoping to win a part in a new Broadway musical. Originally, the producers of the film planned to have another singer dub in Thurman's musical numbers, but she was eager to do her own vocals,[34] She is credited for her songs in the credits. The film was considered a bomb at the box office, but many praised Thurman's efforts, including A. O. Scott of the New York Times who said: "Uma Thurman as a would-be actress is the one bit of genuine radiance in this aggressively and pointlessly shiny, noisy spectacle."[35]
With a successful film career, Thurman once again became a desired model. Cosmetics company Lancôme selected her as their spokeswoman, and named several shades of lipstick after her, though they were sold only in Asia). In 2005, she became a spokeswoman for the French fashion house Louis Vuitton.
On February 7, 2006, Thurman was named a knight of the Ordre des Arts et des Lettres of France for outstanding achievement in the field of art and literature.
In May 2006 Thurman bought the film rights to the Frank Schätzing novel "The Swarm", which is in development and due for release in 2008.[36] When the movie "The Women" was in pre-production this year, Thurman was cast as Crytal Allen, along Anette Bening, Julia Roberts, Meg Ryan, Sandra Bullock, Ashley Judd, Lisa Kudrow and Anne Hathaway, being directed by James L. Brooks, but the director was changed and Thurman was not longer cast. In July 2006 Thurman starred opposite Luke Wilson in My Super Ex-Girlfriend. Thurman portrayed a super-heroine named "G-Girl" who is dumped by her boyfriend and then takes her revenge upon him. Thurman received a reported $14 million for the role, but the film flopped. Once again Thurman was well-received, yet the film was not.
- ↑ See inogolo:pronunciation of Uma Thurman.
- ↑ 2.0 2.1 Alex Schoumatoff (January 1996). The life and career of Uma Thurman. Vanity Fair. Archived from the original on 2007-02-01. Retrieved on 2007-12-06.
- ↑ Uma Thurmans mormor staty i Trelleborg, Sydsvenskan, July 30, 2006. Template:Sv icon
- ↑ Ancestry of Uma Thurman
- ↑ Rodger Kamanetz (1996-05-05). Robert Thurman Doesn't Look Buddhist. New York Times. Retrieved on 2007-11-21.
- ↑ 6.0 6.1 6.2 Tiscali Tiscali Film and TV Uma Thurman biography. Retrieved January 5, 2006.
- ↑ Thurman's Foot Rage. contactmusic.com (2006-07-30). Retrieved on 2007-09-01.
- ↑ Sherry Kahn.Talk. Golden Girl Uma admits to having Body Dysmorphic Disorder. May 15, 2001. Retrieved February 16, 2006.
- ↑ Uma on Men, Movies and Motherhood. Harper's Bazaar (March 1998). Archived from the original on 1998-04-01. Retrieved on 2007-12-06.
- ↑ 10.0 10.1 10.2 Uma Thurman Biography. thebiographychannel.co.uk. Retrieved on 2007-11-21.
- ↑ Rolling Stone cover archive. Rolling Stone. Retrieved April 6, 2006.
- ↑ IMDb business data for The Adventures of Baron Munchausen. Retrieved April 6, 2006.
- ↑ [1] allmovieportal: About Uma Thurman
- ↑ “Dangerous Liaisons’ violated beauty, Uma Thurman, 18, is a little risky herself”. People Weekly 31.n5 (Feb 6, 1989)
- ↑ Janet Maslin. “A Writer’s Awakening to the Erotic”. The New York Times. October 5, 1990.
- ↑ Joe Brown. Even Cowgirls Get the Blues. The Washington Post. May 20, 1994. Retrieved February 13, 2006.
- ↑ Erik Hedegaard Rolling Stone magazine A Magnificent Obsession. April 2004. Retrieved April 6, 2006.
- ↑ Pulp Fiction box office information. Box Office Mojo. Retrieved April 6, 2006.
- ↑ Desson Howe. Pulp Fiction review Washington Post. October 14, 1994. Retrieved February 7, 2006.
- ↑ Spingarn, Jed. “Uma Thurman: her piercing role in ‘Pulp’ is not for the fainthearted”. Entertainment Weekly nSPEISS (March 1995 nSPEISS)
- ↑ Josh Tyrangiel Time Magazine The Tao of Uma. Retrieved January 5, 2006.
- ↑ Gattaca. Crazy for Cinema. Retrieved April 6, 2006.
- ↑ Jack Mathews. Cautionary Tale in Genetically Pure “Gattaca”. The Los Angeles Times. October 24, 1997. Retrieved April 8, 2006.
- ↑ Janet Maslin. New York Times review, Batman and Robin. June 20, 1997. Retrieved February 7, 2006.
- ↑ Jeff Millar. If you like them busy, this “Batman” is for you. Houston Chronicle. June 19, 1997. Retrieved April 6, 2006.
- ↑ Paul Tatara. CNN. “Review: ‘The Avengers’ is retro-boring” August 21, 1998. Retrieved February 20, 2006.
- ↑ A repulsive beauty in ’80s Jersey Thurman’s histrionics fit “Hysterical Blindness” well. San Francisco Chronicle. August 23, 2002. Retrieved February 13, 2006.
- ↑ 28.0 28.1 Kill Bill Vol. 1 DVD bonus featurette
- ↑ Jamie Malanowski. Catching up with Uma Thurman. USA Today. October 5, 2003. Retrieved February 7, 2006.
- ↑ Kill Bill box office
- ↑ Kill Bill Vol. 2 review (2004). Retrieved on 2006-02-07.
- ↑ What Made Kill Bill. MTV News. June 10, 2004. Retrieved February 7, 2006.
- ↑ Uma Thurman IMDb salary report. Retrieved April 6, 2006.
- ↑ WENN daily news, April 1, 2005. Retrieved April 6, 2006.
- ↑ A. O. Scott (2005-12-16). 'The Producers,' Again (This Time With Uma). New York Times. Retrieved on 2007-11-21.
- ↑ The Swarm (2011)
