Supervixens: Difference between revisions
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'''''Supervixens''''' (1975), is a story of a love-triangle turned love-quadrangle. | '''''Supervixens''''' (1975), is a story of a love-triangle turned love-quadrangle. An incredibly violent film from director [[Russ Meyer]]'s surreal period which features Meyer regulars Charles Napier, [[Uschi Digard]], and [[Haji]]. The film also features [[Shari Eubank]] in one of her only two film roles ever and [[Christy Hartburg]] in her only film role ever. | ||
== | ==Plot== | ||
Gas station attendant Clint Ramsey, who works at Martin Bormann's Super Service in the desert, finds himself too irresistible to a series of women, all of whom have the word "Super" in their given names. In the beginning, he is married to the large breasted hypersexual woman, the eponymous SuperAngel ([[Shari Eubank]]), who constantly harasses him at work. She orders him home at once when she calls Clint and overhears a large breasted customer, SuperLorna ([[Christy Hartburg]]), hits on him at work. Clint finds SuperAngel's constant accusations and arguing a turnoff and, back at home, they fight after he rejects her aggressive advances. | |||
Clint goes to relax in a pub, where the bartender is the very scantily clad SuperHaji ([[Haji]]). She offers him a room key, but he declines because her breasts are not as big as his wife's. Meanwhile, a tease, SuperAngel picks up and beds the well-hung but impotent motorcycle cop Harry Sledge (a character who earlier appeared in Meyer's ''Cherry, Harry & Raquel!''), who murders her after she mocks his inability to perform. Sledge then tries to pin the murder on Clint. Clint claims being in the pub all night, but SuperHaji has her revenge on him by refusing to confirm his aliby. Clint is then forced to flee. | |||
In his rush to escape, our hapless hero hitchhikes a ride. During the drive, the driver's large breasted girlfriend, SuperCherry ([[Sharon Kelly]]), comes on to him and puts his hand over her left breast, but he pulls his hand back. She then starts giving him a handjob over his pants, but he pulls her hand back. She soon starts again but he pulls her hand back once more. The driver takes offence by Clint rejecting his girlfriend, but she says he probably just wants a closer contact. She reaches with her hand this time touching him directly inside his pants, but he pulls her hand out and asks the driver to let him get out. The driver follows him out and robs him. After being left lying down injured, Clint is saved by an old farmer who agrees to give him a place to stay and work. Alas, the farmer has a huge breasted younger Austrian mail-order bride, SuperSoul ([[Uschi Digard]]), who is hypersexual. After taking her older husband to the limit, she comes knocking on Clint's door at night. She immediately pushes him into his bed where she proceeds to mount and rape him, until he manages to overpower her. However, she does the same the following day and this time overpowering him after jumping him from behind in the barn. After a while, the farmer spots them, chases our hero away and punches his own wife. Later on, a deaf African American, SuperEula ([[Deborah McGuire]]), convinces him to run off with her from her (inexplicably Caucasian) father. | |||
Clint eventually meets up with SuperVixen at a roadside diner. SuperVixen is (inexplicably) the reincarnation of SuperAngel (whose ghost comments on the impending action from her perch on a bedspring balanced on a mesa). Soon, their common nemesis, Harry Sledge, arrives on the scene and plots ending the bliss of the now happy couple. | |||
Despite Harry's physical and moral impotence, the films ends with a literal explosive climax. | |||
==External links== | ==External links== | ||
* [http://www.imdb.com/title/tt0073768/ | * ''[http://www.imdb.com/title/tt0073768/ Supervixens]'' at the Internet Movie Database | ||
* [http://www.brightlightsfilm.com/29/supervixens.html ''Russ Meyer on Supervixens'' by Gary Morris @ Bright Lights Films] | * [http://www.brightlightsfilm.com/29/supervixens.html ''Russ Meyer on Supervixens'' by Gary Morris @ Bright Lights Films] | ||
* [http://www.dvdmaniacs.net/Reviews/Q-T/supervixens.html ''Review at DVD Maniacs''] | * [http://www.dvdmaniacs.net/Reviews/Q-T/supervixens.html ''Review at DVD Maniacs''] | ||
{{GFDL}} | {{GFDL}} | ||
Revision as of 14:32, 1 December 2007
Supervixens (1975), is a story of a love-triangle turned love-quadrangle. An incredibly violent film from director Russ Meyer's surreal period which features Meyer regulars Charles Napier, Uschi Digard, and Haji. The film also features Shari Eubank in one of her only two film roles ever and Christy Hartburg in her only film role ever.
Plot
Gas station attendant Clint Ramsey, who works at Martin Bormann's Super Service in the desert, finds himself too irresistible to a series of women, all of whom have the word "Super" in their given names. In the beginning, he is married to the large breasted hypersexual woman, the eponymous SuperAngel (Shari Eubank), who constantly harasses him at work. She orders him home at once when she calls Clint and overhears a large breasted customer, SuperLorna (Christy Hartburg), hits on him at work. Clint finds SuperAngel's constant accusations and arguing a turnoff and, back at home, they fight after he rejects her aggressive advances.
Clint goes to relax in a pub, where the bartender is the very scantily clad SuperHaji (Haji). She offers him a room key, but he declines because her breasts are not as big as his wife's. Meanwhile, a tease, SuperAngel picks up and beds the well-hung but impotent motorcycle cop Harry Sledge (a character who earlier appeared in Meyer's Cherry, Harry & Raquel!), who murders her after she mocks his inability to perform. Sledge then tries to pin the murder on Clint. Clint claims being in the pub all night, but SuperHaji has her revenge on him by refusing to confirm his aliby. Clint is then forced to flee.
In his rush to escape, our hapless hero hitchhikes a ride. During the drive, the driver's large breasted girlfriend, SuperCherry (Sharon Kelly), comes on to him and puts his hand over her left breast, but he pulls his hand back. She then starts giving him a handjob over his pants, but he pulls her hand back. She soon starts again but he pulls her hand back once more. The driver takes offence by Clint rejecting his girlfriend, but she says he probably just wants a closer contact. She reaches with her hand this time touching him directly inside his pants, but he pulls her hand out and asks the driver to let him get out. The driver follows him out and robs him. After being left lying down injured, Clint is saved by an old farmer who agrees to give him a place to stay and work. Alas, the farmer has a huge breasted younger Austrian mail-order bride, SuperSoul (Uschi Digard), who is hypersexual. After taking her older husband to the limit, she comes knocking on Clint's door at night. She immediately pushes him into his bed where she proceeds to mount and rape him, until he manages to overpower her. However, she does the same the following day and this time overpowering him after jumping him from behind in the barn. After a while, the farmer spots them, chases our hero away and punches his own wife. Later on, a deaf African American, SuperEula (Deborah McGuire), convinces him to run off with her from her (inexplicably Caucasian) father.
Clint eventually meets up with SuperVixen at a roadside diner. SuperVixen is (inexplicably) the reincarnation of SuperAngel (whose ghost comments on the impending action from her perch on a bedspring balanced on a mesa). Soon, their common nemesis, Harry Sledge, arrives on the scene and plots ending the bliss of the now happy couple.
Despite Harry's physical and moral impotence, the films ends with a literal explosive climax.
External links
- Supervixens at the Internet Movie Database
- Russ Meyer on Supervixens by Gary Morris @ Bright Lights Films
- Review at DVD Maniacs
