Moria Casan: Difference between revisions
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{{Biobox | {{Biobox new | ||
|photo= [[Image: | | name = Moria Casán | ||
| | | photo = [[Image:Moria Casan.jpg|240px|Moria Casán]] | ||
|birth | | alias = | ||
|birth year= 1949 | | birth month = August | ||
|birth location= Buenos Aires, Argentina | | birth day = 16 | ||
|death | | birth year = 1949 | ||
| | | birth location = Buenos Aires, Argentina | ||
|measurements= 100-68-98 | | death year = | ||
| | | years active = 1973-2005 | ||
| | | measurements = 100-68-98 cm (39-26-38 in) | ||
|eye color= | | natural tits = n | ||
|hair color= | | implant type = | ||
|nationality= | | height = | ||
|topless= | | weight = | ||
|bush= | | body type = Slim | ||
|homepage= | | eye color = Blue | ||
|imdb= 0145784 | | hair color = Brown | ||
| hair color2 = | |||
| hair length = | |||
| hair shape = | |||
| underarm hair = | |||
| pubic hair = | |||
| blood = | |||
| ethnicity = | |||
| ethnicity2 = | |||
| nationality = Argentine | |||
| topless = | |||
| bush = | |||
| frontal = | |||
| solo = | |||
| lesbian = | |||
| blowjob = | |||
| hardcore = | |||
| anal = | |||
| homepage = | |||
| blog = | |||
| imdb = 0145784 | |||
| onemodelplace = | |||
| iafd = | |||
| afdb = | |||
| myspace = | |||
| instagram = moria_laone | |||
| twitter = moria_casan | |||
}} | }} | ||
'''Moria | '''Moria Casán''' (born August 16, [[1949]] in Buenos Aires, [[Argentina]]) is an [[actress]], [[dancer]] and [[singer]]. | ||
==Career== | ==Career== | ||
Casán was born in Buenos Aires. Following in the footsteps of Argentine revue diva Nélida Roca, Moria Casán became a stage sex symbol and chorus girl. She started as a dancer but immediately acquired major roles due to her versatility, powerful voice and on-screen presence. She worked with outstanding revue actors during the 1970s, such as Adolfo Stray, Don Pelele, Pablo Barbieri, Juan Verdaguer, and José Marrone. She was the first revue girl to demand to leave sexual comments directed at her person off the stage, and to be placed at an equal level with a man. This significant change revolutionized the revue genre locally, and numerous prospective female stars took their cues from Casán in subsequent years. | |||
Moria Casan was asked to express her opinion about a wide spectrum of topics in most of the country's leisure magazines. She became known for her musical shows and on television as a TV hostess and producer. She was the first to have the protagonist role in music halls on TV, both as dancer and actress. Most of her film career has been made up of picaresque comedies, acting with well-known comedians as Alberto Olmedo, Jorge Porcel, and her friend, Susana Giménez. She married fellow actor Mario Castiglione in 1986, with whom she had a daughter, and, following an acrimonious divorce, remarried with Luis Vadalá. | |||
Casán became among the most recognizable figures in Argentine television, and hosted numerous local variety shows since Monumental Moria in 1989, including A la cama con Moria in the early 1990s (in which guests were interviewed in a suggestively ample, round bed), Amor y Moria (Love and Moria) in the late '90s, and her 2000 talk show, Entre Moria y Vos (Between Moria and You). She has also apperaed in the theatre, notably in Sebastián Moncada's Brujas (Witches), between 1991 and 1996. Casán run a much-publicized, though unsuccessful, 2005 campaign for a seat in Parliament on the Movimiento Federal de Centro, a new center-right party she created. | |||
After many years in the entertainment industry, Moria evolved into a "show woman" – a Latin American term for a woman who can actually perform, rather than being a mere sex symbol – based on her multi-faceted talent and a peculiar phrasing that became popular among people of all ages. Her later appearances included those in the popular sitcom, Doble vida, and in recurring seasons of Bailando por un Sueño (Dancing for a Dream), where she appeared between 2006 and 2008 as a contest judge. Remaining active in the theatre, in 2009 she performed in Une visite inopportune, by local playwright Copi, and directed by the French dramatist Stéphan Druet. She has also established a restaurant and an actors' and dancing school, the Escuela de Arte Moria Casán. | |||
Among the phrases she popularized are "si queres llorar, llorá" (if you want to cry, cry), "a-hora!" (right now!), "te lo pido por favor!" (I am asking you please!), "se colgaron de nuevo" (they're hung-up again), and more recently "what pass? quá pasa papi?" ('what pass,' what's happening daddy?) or "cuando fumo me siento una geisha" (when i smoke i feel like a geisha) among many, many others. | |||
{{gfdl}} | |||
[[Category:Actresses]] | |||
[[Category:Dancers]] | |||
[[Category:Singers]] | |||
Latest revision as of 23:09, 4 April 2024
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Moria Casán |
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| Personal | |
| Born | August 16, 1949 Buenos Aires, Argentina |
| Years active | 1973-2005 |
| Nationality | Argentine |
| Body | |
| Measurements | 100-68-98 cm (39-26-38 in) |
| Boobs | Enhanced |
| Body type | Slim |
| Eye color | Blue |
| Hair | Brown |
Links and profiles |
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| IMDb | |
Moria Casán (born August 16, 1949 in Buenos Aires, Argentina) is an actress, dancer and singer.
Career
Casán was born in Buenos Aires. Following in the footsteps of Argentine revue diva Nélida Roca, Moria Casán became a stage sex symbol and chorus girl. She started as a dancer but immediately acquired major roles due to her versatility, powerful voice and on-screen presence. She worked with outstanding revue actors during the 1970s, such as Adolfo Stray, Don Pelele, Pablo Barbieri, Juan Verdaguer, and José Marrone. She was the first revue girl to demand to leave sexual comments directed at her person off the stage, and to be placed at an equal level with a man. This significant change revolutionized the revue genre locally, and numerous prospective female stars took their cues from Casán in subsequent years.
Moria Casan was asked to express her opinion about a wide spectrum of topics in most of the country's leisure magazines. She became known for her musical shows and on television as a TV hostess and producer. She was the first to have the protagonist role in music halls on TV, both as dancer and actress. Most of her film career has been made up of picaresque comedies, acting with well-known comedians as Alberto Olmedo, Jorge Porcel, and her friend, Susana Giménez. She married fellow actor Mario Castiglione in 1986, with whom she had a daughter, and, following an acrimonious divorce, remarried with Luis Vadalá.
Casán became among the most recognizable figures in Argentine television, and hosted numerous local variety shows since Monumental Moria in 1989, including A la cama con Moria in the early 1990s (in which guests were interviewed in a suggestively ample, round bed), Amor y Moria (Love and Moria) in the late '90s, and her 2000 talk show, Entre Moria y Vos (Between Moria and You). She has also apperaed in the theatre, notably in Sebastián Moncada's Brujas (Witches), between 1991 and 1996. Casán run a much-publicized, though unsuccessful, 2005 campaign for a seat in Parliament on the Movimiento Federal de Centro, a new center-right party she created.
After many years in the entertainment industry, Moria evolved into a "show woman" – a Latin American term for a woman who can actually perform, rather than being a mere sex symbol – based on her multi-faceted talent and a peculiar phrasing that became popular among people of all ages. Her later appearances included those in the popular sitcom, Doble vida, and in recurring seasons of Bailando por un Sueño (Dancing for a Dream), where she appeared between 2006 and 2008 as a contest judge. Remaining active in the theatre, in 2009 she performed in Une visite inopportune, by local playwright Copi, and directed by the French dramatist Stéphan Druet. She has also established a restaurant and an actors' and dancing school, the Escuela de Arte Moria Casán.
Among the phrases she popularized are "si queres llorar, llorá" (if you want to cry, cry), "a-hora!" (right now!), "te lo pido por favor!" (I am asking you please!), "se colgaron de nuevo" (they're hung-up again), and more recently "what pass? quá pasa papi?" ('what pass,' what's happening daddy?) or "cuando fumo me siento una geisha" (when i smoke i feel like a geisha) among many, many others.
