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	<id>https://www.boobpedia.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Seven_Minutes</id>
	<title>The Seven Minutes - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.boobpedia.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Seven_Minutes"/>
	<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;action=history"/>
	<updated>2026-06-16T20:38:41Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.40.1</generator>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=699674&amp;oldid=prev</id>
		<title>The Honorable at 00:57, 12 October 2020</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=699674&amp;oldid=prev"/>
		<updated>2020-10-12T00:57:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:57, 12 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039; is [[1971]] drama film directed and produced by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; The film was based on the [[1969]] novel of the same name by Irving Wallace. For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&#039;&#039;&#039;The Seven Minutes&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&#039;&#039;&#039; is [[1971]] drama film directed and produced by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; The film was based on the [[1969]] novel of the same name by Irving Wallace. For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Honorable</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=240454&amp;oldid=prev</id>
		<title>Smithy: /* Cast */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=240454&amp;oldid=prev"/>
		<updated>2012-03-23T15:48:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Cast&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:48, 23 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{colbegin|2}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|- bgcolor=&amp;quot;CCCCCC&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|- bgcolor=&amp;quot;CCCCCC&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot;&gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wolfman Jack || Himself&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wolfman Jack || Himself&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{colend}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=240453&amp;oldid=prev</id>
		<title>Smithy: /* Cast */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=240453&amp;oldid=prev"/>
		<updated>2012-03-23T15:47:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Cast&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:47, 23 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{colbegin|2}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|- bgcolor=&amp;quot;CCCCCC&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|- bgcolor=&amp;quot;CCCCCC&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot;&gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wolfman Jack || Himself&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wolfman Jack || Himself&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{colend}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239218&amp;oldid=prev</id>
		<title>Smithy: /* Reception */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239218&amp;oldid=prev"/>
		<updated>2012-03-10T01:08:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reception&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:08, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l53&quot;&gt;Line 53:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 53:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Seven Minutes&amp;#039;&amp;#039; received a lukewarm reception from both audiences and critics and was Meyer&amp;#039;s first commercial failure.&amp;lt;ref name=filmref /&amp;gt;&amp;lt;ref&amp;gt;{{cite news| last=Ebert| first=Roger| title=Russ Meyer: King of the Nudies| publisher = &amp;#039;&amp;#039;Film Comment&amp;#039;&amp;#039;| year =1973 | url =http://www.fmcinema.com/russmeyer/ebert.html | accessdate =2008-01-11}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Seven Minutes&amp;#039;&amp;#039; received a lukewarm reception from both audiences and critics and was Meyer&amp;#039;s first commercial failure.&amp;lt;ref name=filmref /&amp;gt;&amp;lt;ref&amp;gt;{{cite news| last=Ebert| first=Roger| title=Russ Meyer: King of the Nudies| publisher = &amp;#039;&amp;#039;Film Comment&amp;#039;&amp;#039;| year =1973 | url =http://www.fmcinema.com/russmeyer/ebert.html | accessdate =2008-01-11}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;New York Times&#039;&#039; reviewer Roger Greenspun wrote of the film, &quot;I don&#039;t think that a court of law is the right Russ Meyer arena, and &#039;&#039;The Seven Minutes&#039;&#039;, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J J Jadway&quot;, citing some problems with the film being its complicated plot and &quot;enormous cast of characters&quot;. In addressing the film&#039;s use of nudity, he wrote &quot;Meyers has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in &quot;The Seven Minutes&quot;) as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills.&quot;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;nyt&quot;&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;New York Times&#039;&#039; reviewer Roger Greenspun wrote of the film, &quot;I don&#039;t think that a court of law is the right Russ Meyer arena, and &#039;&#039;The Seven Minutes&#039;&#039;, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J J Jadway&quot;, citing some problems with the film being its complicated plot and &quot;enormous cast of characters&quot;. In addressing the film&#039;s use of nudity, he wrote &quot;Meyers has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in &quot;The Seven Minutes&quot;) as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills.&quot;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nyt1&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Variety&#039;&#039; wrote that Irving Wallace&#039;s original novel was a &quot;potboiler&quot; &quot;which averted the essence of the problem in resolving the story,&quot; and noted that Russ Meyer was himself a &quot;censor-exploited as well as a censor-exploiting filmmaker&quot;, who began with a story handicap and added a few of his own. They expanded that Meyer used &quot;cardboard-caricatures of his heavies&quot; which obscured issues, and included the &quot;regular time-out for the sexually-liberated dalliances which have been his stock in trade.&quot;&amp;lt;ref name=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;variety&quot;&lt;/del&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Variety&#039;&#039; wrote that Irving Wallace&#039;s original novel was a &quot;potboiler&quot; &quot;which averted the essence of the problem in resolving the story,&quot; and noted that Russ Meyer was himself a &quot;censor-exploited as well as a censor-exploiting filmmaker&quot;, who began with a story handicap and added a few of his own. They expanded that Meyer used &quot;cardboard-caricatures of his heavies&quot; which obscured issues, and included the &quot;regular time-out for the sexually-liberated dalliances which have been his stock in trade.&quot;&amp;lt;ref name=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;variety1&lt;/ins&gt;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239217&amp;oldid=prev</id>
		<title>Smithy: /* Reception */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239217&amp;oldid=prev"/>
		<updated>2012-03-10T01:07:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reception&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:07, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l53&quot;&gt;Line 53:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 53:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Seven Minutes&amp;#039;&amp;#039; received a lukewarm reception from both audiences and critics and was Meyer&amp;#039;s first commercial failure.&amp;lt;ref name=filmref /&amp;gt;&amp;lt;ref&amp;gt;{{cite news| last=Ebert| first=Roger| title=Russ Meyer: King of the Nudies| publisher = &amp;#039;&amp;#039;Film Comment&amp;#039;&amp;#039;| year =1973 | url =http://www.fmcinema.com/russmeyer/ebert.html | accessdate =2008-01-11}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Seven Minutes&amp;#039;&amp;#039; received a lukewarm reception from both audiences and critics and was Meyer&amp;#039;s first commercial failure.&amp;lt;ref name=filmref /&amp;gt;&amp;lt;ref&amp;gt;{{cite news| last=Ebert| first=Roger| title=Russ Meyer: King of the Nudies| publisher = &amp;#039;&amp;#039;Film Comment&amp;#039;&amp;#039;| year =1973 | url =http://www.fmcinema.com/russmeyer/ebert.html | accessdate =2008-01-11}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;New York Times&#039;&#039; reviewer Roger Greenspun wrote of the film, &quot;I don&#039;t think that a court of law is the right Russ Meyer arena, and &#039;&#039;The Seven Minutes&#039;&#039;, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J J Jadway&quot;, citing some problems with the film being its complicated plot and &quot;enormous cast of characters&quot;. In addressing the film&#039;s use of nudity, he wrote &quot;Meyers has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in &quot;The Seven Minutes&quot;) as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills.&quot;&amp;lt;ref name=&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nyt1&lt;/del&gt;&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;New York Times&#039;&#039; reviewer Roger Greenspun wrote of the film, &quot;I don&#039;t think that a court of law is the right Russ Meyer arena, and &#039;&#039;The Seven Minutes&#039;&#039;, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J J Jadway&quot;, citing some problems with the film being its complicated plot and &quot;enormous cast of characters&quot;. In addressing the film&#039;s use of nudity, he wrote &quot;Meyers has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in &quot;The Seven Minutes&quot;) as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills.&quot;&amp;lt;ref name=&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nyt&lt;/ins&gt;&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Variety&#039;&#039; wrote that Irving Wallace&#039;s original novel was a &quot;potboiler&quot; &quot;which averted the essence of the problem in resolving the story,&quot; and noted that Russ Meyer was himself a &quot;censor-exploited as well as a censor-exploiting filmmaker&quot;, who began with a story handicap and added a few of his own. They expanded that Meyer used &quot;cardboard-caricatures of his heavies&quot; which obscured issues, and included the &quot;regular time-out for the sexually-liberated dalliances which have been his stock in trade.&quot;&amp;lt;ref name=&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;variety1&lt;/del&gt;&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Variety&#039;&#039; wrote that Irving Wallace&#039;s original novel was a &quot;potboiler&quot; &quot;which averted the essence of the problem in resolving the story,&quot; and noted that Russ Meyer was himself a &quot;censor-exploited as well as a censor-exploiting filmmaker&quot;, who began with a story handicap and added a few of his own. They expanded that Meyer used &quot;cardboard-caricatures of his heavies&quot; which obscured issues, and included the &quot;regular time-out for the sexually-liberated dalliances which have been his stock in trade.&quot;&amp;lt;ref name=&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;variety&lt;/ins&gt;&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239216&amp;oldid=prev</id>
		<title>Smithy: /* Production notes */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239216&amp;oldid=prev"/>
		<updated>2012-03-10T01:06:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Production notes&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:06, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l46&quot;&gt;Line 46:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was Meyer&#039;s second, and last, mainstream production for Twentieth-Century Fox. The film began production soon after the success of Meyer&#039;s highest grossing film, &#039;&#039;[[Beyond the Valley of the Dolls]]&#039;&#039;.&amp;lt;ref name=filmref&amp;gt;[http://www.filmreference.com/Directors-Lu-Mi/Meyer-Russ.html Russ Meyer at filmreference.com]&amp;lt;/ref&amp;gt; As with many of his movies, Meyers used several actors from his previous productions, including then-wife [[Edy Williams]], Charles Napier, Henry Rowland, and James Inglehart. Established actress &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Yvonne De Carlo&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;makes an appearance along with veteran character actor Olan Soule. A young Tom Selleck also had a role in the film, and DJ Wolfman Jack made a cameo appearance.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was Meyer&#039;s second, and last, mainstream production for Twentieth-Century Fox. The film began production soon after the success of Meyer&#039;s highest grossing film, &#039;&#039;[[Beyond the Valley of the Dolls]]&#039;&#039;.&amp;lt;ref name=filmref&amp;gt;[http://www.filmreference.com/Directors-Lu-Mi/Meyer-Russ.html Russ Meyer at filmreference.com]&amp;lt;/ref&amp;gt; As with many of his movies, Meyers used several actors from his previous productions, including then-wife [[Edy Williams]], Charles Napier, Henry Rowland, and James Inglehart. Established actress Yvonne De Carlo makes an appearance along with veteran character actor Olan Soule. A young Tom Selleck also had a role in the film, and DJ Wolfman Jack made a cameo appearance.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Known as &quot;King of the Nudies&quot;&amp;lt;ref name=&quot;Toledo Blade, December 14, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=JAcVAAAAIBAJ&amp;amp;sjid=9AEEAAAAIBAJ&amp;amp;pg=6796,1123766&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Gal on the go|last=Meyers|first=Cynthia|date=December 14, 1969|work=[[Toledo Blade]]|publisher=Google News Archive|accessdate=9 July 2010}} {{Dead link|date=October 2010|bot=H3llBot}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Los Angeles Times, Nov 30, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/latimes/access/585084392.html?dids=585084392:585084392&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Nov+30%2C+1969&amp;amp;author=&amp;amp;pub=Los+Angeles+Times&amp;amp;desc=King+of+the+Nudies+on+Biggest+Film+Caper+Yet&amp;amp;pqatl=google|title=King of the Nudies on Biggest Film Caper Yet|last=Thomas|first=Kevin|date=November 30, 1969|work=[[Los Angeles Times]]|publisher=ProQuest Archiver|page=S18|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Eugene Register-Guard, October 19, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=c8IUAAAAIBAJ&amp;amp;sjid=IuEDAAAAIBAJ&amp;amp;pg=4884,4338282&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Sex Film Producer Gets Major Script|coauthors=[[Associated Press]]|date=October 19, 1969|work=[[Eugene Register-Guard]]|publisher=Google News Archive|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;chicago tribune February 16, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/chicagotribune/access/583320562.html?dids=583320562:583320562&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Feb+16%2C+1969&amp;amp;author=&amp;amp;pub=Chicago+Tribune&amp;amp;desc=Films&amp;amp;pqatl=google|title=The &#039;skin-flicks&#039; of producer Russ Meyer|last=Cross|first=Robert|date=February 16, 1969|work=[[Chicago Tribune]]|publisher=ProQuest Archiver|page=A8|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Albuquerque Tribune&quot;&amp;gt;{{cite news|title=Albuquerque, New Mexico, October 01, 1963|date=October 1, 1963|work=[[Albuquerque Tribune]]|page=B7|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Mt Vernon Register News&quot;&amp;gt;{{cite news|title=King Of The Nudies to Film &#039;Dolls&#039; Sequel|date=September 26, 1969|work=Mt Vernon Register News|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book9&quot;&amp;gt;{{cite book|coauthors=Todd McCarthy and Charles Flynn|editor=Todd McCarthy and Charles Flynn|title=Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism|url=http://books.google.com/books?id=53UIAAAAIAAJ&amp;amp;q=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;dq=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;hl=en&amp;amp;ei=9900TIGcLIb-nAeRs9SDBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwAA|edition=illustrated|year=1973|publisher=E. P. Dutton|location=Russ Meyer: King of the Nudies|isbn=0525140905|pages=110 through 132}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book10&quot;&amp;gt;{{cite book|last=Ebert|first=Roger|title=Roger Ebert&#039;s Movie Yearbook 2010|url=http://books.google.com/books?id=-1aM7D_ymdAC&amp;amp;pg=PA555&amp;amp;dq=%22King+of+the+Nudies%22,+Russ+Meyer&amp;amp;hl=en&amp;amp;ei=9tg0TPesGJTlnAft3NCJBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=3&amp;amp;ved=0CDYQ6AEwAg#v=onepage&amp;amp;q=%22King%20of%20the%20Nudies%22%2C%20Russ%20Meyer&amp;amp;f=false|year=2009|publisher=Andrews McMeel Publishing|isbn=0740785362|page=555}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book4&quot;&amp;gt;{{cite book|last=McDonough|first=Jimmy |title=Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film|url=http://books.google.com/books?id=iJoQi-OXBM4C&amp;amp;pg=PA426&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=3k8yTOSXEdT8nAfy7LGEBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEMQ6AEwBA#v=onepage&amp;amp;q&amp;amp;f=false|edition=reprint, illustrated|year=2006|publisher=Random House, Inc.|isbn=0307338444,|pages=278, 279, 280, 426}}&amp;lt;/ref&amp;gt; for his work in the [[Sexploitation film|sexploitation film genre]],&amp;lt;ref name=&quot;book6&quot;&amp;gt;{{cite book|last=Lisanti|first=Tom |title=Drive-in dream girls: a galaxy of B-movie starlets of the sixties|url=http://books.google.com/books?id=hwFbcgV_LDgC&amp;amp;pg=PA52&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwADgK#v=onepage&amp;amp;q=%22The%20Seven%20Minutes%22%2C%20film&amp;amp;f=false|edition=illustrated|year=2003|publisher=McFarland|isbn=0786415754|page=52}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book7&quot;&amp;gt;{{cite book|last=Landy|first=Marcia |title=Imitations of life: a reader on film &amp;amp; television melodrama|url=http://books.google.com/books?id=lgLJtSvfFd0C&amp;amp;pg=PA46&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEAQ6AEwBDgK#v=onepage&amp;amp;q&amp;amp;f=false|edition=illustrated|series=Contemporary film and television series|year=1991|publisher=Wayne State University Press|isbn=0814320651}}&amp;lt;/ref&amp;gt; Meyer planned nude scenes in this [[Mainstream#In film|mainstream film]].&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;&amp;gt;{{cite news| location=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Los Angeles&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;| title=Crenna Assumes His Executive Role |last= Haber |first= Joyce |date=May 11, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt;  He informed female lead candidates that nudity would integral to their roles,&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;/&amp;gt; and after casting interviews, considered Marianne McAndrew to be suitable.&amp;lt;ref name=&quot;LA Times 1970-10-07&quot;&amp;gt;{{cite news| location=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Los Angeles&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;| title=&#039;Portnoy&#039; Moves Off the Fox Lot |last= Haber |first= Joyce |date=October 7, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; He subsequently signed her for the lead role of Maggie Russell.&amp;lt;ref name=&quot;Victoria Advocate&quot;&amp;gt;{{cite news| location=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Victoria, Texas&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;| title=Show Beat|last= Kleiner |first=Dick |date=January 24, 1971|page = 11| work=&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;The Victoria Advocate&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Newspaper Enterprise Association|&lt;/del&gt;NEA&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;|accessdate=7 July 2010}}&amp;lt;/ref&amp;gt;  McAndrew, previously known for her work as the prim and proper &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Hello, Dolly! (film)#Principal cast|&lt;/del&gt;Irene Molloy&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;in &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Hello, Dolly&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;! (film)|Hello, Dolly!]]&lt;/del&gt;&#039;&#039;,&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=rzwgAAAAIBAJ&amp;amp;sjid=SmYEAAAAIBAJ&amp;amp;pg=6311,3710205&amp;amp;dq=marianne-mcandrew+film+nudity&amp;amp;hl=en|title=Nudity has its place in films, says actress|last=Scott|first=Vernon|date=January 29, 1971|work=&#039;&#039;[[Sarasota Herald-Tribune]]&#039;&#039; [[UPI]]|publisher=Google News Archive|accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; accepted the role based upon her wish to change her own image and in order to gain more work within the industry.&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;/&amp;gt;  She reported that during the filming itself, Meyers was &quot;considerate and gentlemanly&quot;.&amp;lt;ref name=&quot;Victoria Advocate&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Known as &quot;King of the Nudies&quot;&amp;lt;ref name=&quot;Toledo Blade, December 14, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=JAcVAAAAIBAJ&amp;amp;sjid=9AEEAAAAIBAJ&amp;amp;pg=6796,1123766&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Gal on the go|last=Meyers|first=Cynthia|date=December 14, 1969|work=[[Toledo Blade]]|publisher=Google News Archive|accessdate=9 July 2010}} {{Dead link|date=October 2010|bot=H3llBot}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Los Angeles Times, Nov 30, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/latimes/access/585084392.html?dids=585084392:585084392&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Nov+30%2C+1969&amp;amp;author=&amp;amp;pub=Los+Angeles+Times&amp;amp;desc=King+of+the+Nudies+on+Biggest+Film+Caper+Yet&amp;amp;pqatl=google|title=King of the Nudies on Biggest Film Caper Yet|last=Thomas|first=Kevin|date=November 30, 1969|work=[[Los Angeles Times]]|publisher=ProQuest Archiver|page=S18|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Eugene Register-Guard, October 19, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=c8IUAAAAIBAJ&amp;amp;sjid=IuEDAAAAIBAJ&amp;amp;pg=4884,4338282&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Sex Film Producer Gets Major Script|coauthors=[[Associated Press]]|date=October 19, 1969|work=[[Eugene Register-Guard]]|publisher=Google News Archive|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;chicago tribune February 16, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/chicagotribune/access/583320562.html?dids=583320562:583320562&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Feb+16%2C+1969&amp;amp;author=&amp;amp;pub=Chicago+Tribune&amp;amp;desc=Films&amp;amp;pqatl=google|title=The &#039;skin-flicks&#039; of producer Russ Meyer|last=Cross|first=Robert|date=February 16, 1969|work=[[Chicago Tribune]]|publisher=ProQuest Archiver|page=A8|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Albuquerque Tribune&quot;&amp;gt;{{cite news|title=Albuquerque, New Mexico, October 01, 1963|date=October 1, 1963|work=[[Albuquerque Tribune]]|page=B7|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Mt Vernon Register News&quot;&amp;gt;{{cite news|title=King Of The Nudies to Film &#039;Dolls&#039; Sequel|date=September 26, 1969|work=Mt Vernon Register News|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book9&quot;&amp;gt;{{cite book|coauthors=Todd McCarthy and Charles Flynn|editor=Todd McCarthy and Charles Flynn|title=Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism|url=http://books.google.com/books?id=53UIAAAAIAAJ&amp;amp;q=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;dq=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;hl=en&amp;amp;ei=9900TIGcLIb-nAeRs9SDBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwAA|edition=illustrated|year=1973|publisher=E. P. Dutton|location=Russ Meyer: King of the Nudies|isbn=0525140905|pages=110 through 132}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book10&quot;&amp;gt;{{cite book|last=Ebert|first=Roger|title=Roger Ebert&#039;s Movie Yearbook 2010|url=http://books.google.com/books?id=-1aM7D_ymdAC&amp;amp;pg=PA555&amp;amp;dq=%22King+of+the+Nudies%22,+Russ+Meyer&amp;amp;hl=en&amp;amp;ei=9tg0TPesGJTlnAft3NCJBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=3&amp;amp;ved=0CDYQ6AEwAg#v=onepage&amp;amp;q=%22King%20of%20the%20Nudies%22%2C%20Russ%20Meyer&amp;amp;f=false|year=2009|publisher=Andrews McMeel Publishing|isbn=0740785362|page=555}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book4&quot;&amp;gt;{{cite book|last=McDonough|first=Jimmy |title=Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film|url=http://books.google.com/books?id=iJoQi-OXBM4C&amp;amp;pg=PA426&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=3k8yTOSXEdT8nAfy7LGEBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEMQ6AEwBA#v=onepage&amp;amp;q&amp;amp;f=false|edition=reprint, illustrated|year=2006|publisher=Random House, Inc.|isbn=0307338444,|pages=278, 279, 280, 426}}&amp;lt;/ref&amp;gt; for his work in the [[Sexploitation film|sexploitation film genre]],&amp;lt;ref name=&quot;book6&quot;&amp;gt;{{cite book|last=Lisanti|first=Tom |title=Drive-in dream girls: a galaxy of B-movie starlets of the sixties|url=http://books.google.com/books?id=hwFbcgV_LDgC&amp;amp;pg=PA52&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwADgK#v=onepage&amp;amp;q=%22The%20Seven%20Minutes%22%2C%20film&amp;amp;f=false|edition=illustrated|year=2003|publisher=McFarland|isbn=0786415754|page=52}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book7&quot;&amp;gt;{{cite book|last=Landy|first=Marcia |title=Imitations of life: a reader on film &amp;amp; television melodrama|url=http://books.google.com/books?id=lgLJtSvfFd0C&amp;amp;pg=PA46&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEAQ6AEwBDgK#v=onepage&amp;amp;q&amp;amp;f=false|edition=illustrated|series=Contemporary film and television series|year=1991|publisher=Wayne State University Press|isbn=0814320651}}&amp;lt;/ref&amp;gt; Meyer planned nude scenes in this [[Mainstream#In film|mainstream film]].&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;&amp;gt;{{cite news| location=Los Angeles| title=Crenna Assumes His Executive Role |last= Haber |first= Joyce |date=May 11, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt;  He informed female lead candidates that nudity would integral to their roles,&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;/&amp;gt; and after casting interviews, considered Marianne McAndrew to be suitable.&amp;lt;ref name=&quot;LA Times 1970-10-07&quot;&amp;gt;{{cite news| location=Los Angeles| title=&#039;Portnoy&#039; Moves Off the Fox Lot |last= Haber |first= Joyce |date=October 7, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; He subsequently signed her for the lead role of Maggie Russell.&amp;lt;ref name=&quot;Victoria Advocate&quot;&amp;gt;{{cite news| location=Victoria, Texas| title=Show Beat|last= Kleiner |first=Dick |date=January 24, 1971|page = 11| work=&#039;&#039;The Victoria Advocate&#039;&#039; NEA |accessdate=7 July 2010}}&amp;lt;/ref&amp;gt;  McAndrew, previously known for her work as the prim and proper Irene Molloy in &#039;&#039;Hello, Dolly&#039;&#039;,&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=rzwgAAAAIBAJ&amp;amp;sjid=SmYEAAAAIBAJ&amp;amp;pg=6311,3710205&amp;amp;dq=marianne-mcandrew+film+nudity&amp;amp;hl=en|title=Nudity has its place in films, says actress|last=Scott|first=Vernon|date=January 29, 1971|work=&#039;&#039;[[Sarasota Herald-Tribune]]&#039;&#039; [[UPI]]|publisher=Google News Archive|accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; accepted the role based upon her wish to change her own image and in order to gain more work within the industry.&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;/&amp;gt;  She reported that during the filming itself, Meyers was &quot;considerate and gentlemanly&quot;.&amp;lt;ref name=&quot;Victoria Advocate&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239214&amp;oldid=prev</id>
		<title>Smithy: /* Production notes */</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239214&amp;oldid=prev"/>
		<updated>2012-03-10T00:59:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Production notes&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:59, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l46&quot;&gt;Line 46:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Production notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was Meyer&#039;s second, and last, mainstream production for Twentieth-Century Fox. The film began production soon after the success of Meyer&#039;s highest grossing film, &#039;&#039;[[Beyond the Valley of the Dolls]]&#039;&#039;.&amp;lt;ref name=filmref&amp;gt;[http://www.filmreference.com/Directors-Lu-Mi/Meyer-Russ.html Russ Meyer at filmreference.com]&amp;lt;/ref&amp;gt; As with many of his movies, Meyers used several actors from his previous productions, including then-wife [[Edy Williams]], &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Charles Napier&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Henry Rowland&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;James Inglehart&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. Established actress [[Yvonne De Carlo]] makes an appearance along with veteran character actor &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Olan Soule&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. A young &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Tom Selleck&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;also had a role in the film, and DJ Wolfman Jack made a cameo appearance.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was Meyer&#039;s second, and last, mainstream production for Twentieth-Century Fox. The film began production soon after the success of Meyer&#039;s highest grossing film, &#039;&#039;[[Beyond the Valley of the Dolls]]&#039;&#039;.&amp;lt;ref name=filmref&amp;gt;[http://www.filmreference.com/Directors-Lu-Mi/Meyer-Russ.html Russ Meyer at filmreference.com]&amp;lt;/ref&amp;gt; As with many of his movies, Meyers used several actors from his previous productions, including then-wife [[Edy Williams]], Charles Napier, Henry Rowland, and James Inglehart. Established actress [[Yvonne De Carlo]] makes an appearance along with veteran character actor Olan Soule. A young Tom Selleck also had a role in the film, and DJ Wolfman Jack made a cameo appearance.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Known as &amp;quot;King of the Nudies&amp;quot;&amp;lt;ref name=&amp;quot;Toledo Blade, December 14, 1969&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=JAcVAAAAIBAJ&amp;amp;sjid=9AEEAAAAIBAJ&amp;amp;pg=6796,1123766&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Gal on the go|last=Meyers|first=Cynthia|date=December 14, 1969|work=[[Toledo Blade]]|publisher=Google News Archive|accessdate=9 July 2010}} {{Dead link|date=October 2010|bot=H3llBot}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Los Angeles Times, Nov 30, 1969&amp;quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/latimes/access/585084392.html?dids=585084392:585084392&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Nov+30%2C+1969&amp;amp;author=&amp;amp;pub=Los+Angeles+Times&amp;amp;desc=King+of+the+Nudies+on+Biggest+Film+Caper+Yet&amp;amp;pqatl=google|title=King of the Nudies on Biggest Film Caper Yet|last=Thomas|first=Kevin|date=November 30, 1969|work=[[Los Angeles Times]]|publisher=ProQuest Archiver|page=S18|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Eugene Register-Guard, October 19, 1969&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=c8IUAAAAIBAJ&amp;amp;sjid=IuEDAAAAIBAJ&amp;amp;pg=4884,4338282&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Sex Film Producer Gets Major Script|coauthors=[[Associated Press]]|date=October 19, 1969|work=[[Eugene Register-Guard]]|publisher=Google News Archive|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;chicago tribune February 16, 1969&amp;quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/chicagotribune/access/583320562.html?dids=583320562:583320562&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Feb+16%2C+1969&amp;amp;author=&amp;amp;pub=Chicago+Tribune&amp;amp;desc=Films&amp;amp;pqatl=google|title=The &amp;#039;skin-flicks&amp;#039; of producer Russ Meyer|last=Cross|first=Robert|date=February 16, 1969|work=[[Chicago Tribune]]|publisher=ProQuest Archiver|page=A8|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Albuquerque Tribune&amp;quot;&amp;gt;{{cite news|title=Albuquerque, New Mexico, October 01, 1963|date=October 1, 1963|work=[[Albuquerque Tribune]]|page=B7|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Mt Vernon Register News&amp;quot;&amp;gt;{{cite news|title=King Of The Nudies to Film &amp;#039;Dolls&amp;#039; Sequel|date=September 26, 1969|work=Mt Vernon Register News|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book9&amp;quot;&amp;gt;{{cite book|coauthors=Todd McCarthy and Charles Flynn|editor=Todd McCarthy and Charles Flynn|title=Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism|url=http://books.google.com/books?id=53UIAAAAIAAJ&amp;amp;q=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;dq=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;hl=en&amp;amp;ei=9900TIGcLIb-nAeRs9SDBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwAA|edition=illustrated|year=1973|publisher=E. P. Dutton|location=Russ Meyer: King of the Nudies|isbn=0525140905|pages=110 through 132}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book10&amp;quot;&amp;gt;{{cite book|last=Ebert|first=Roger|title=Roger Ebert&amp;#039;s Movie Yearbook 2010|url=http://books.google.com/books?id=-1aM7D_ymdAC&amp;amp;pg=PA555&amp;amp;dq=%22King+of+the+Nudies%22,+Russ+Meyer&amp;amp;hl=en&amp;amp;ei=9tg0TPesGJTlnAft3NCJBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=3&amp;amp;ved=0CDYQ6AEwAg#v=onepage&amp;amp;q=%22King%20of%20the%20Nudies%22%2C%20Russ%20Meyer&amp;amp;f=false|year=2009|publisher=Andrews McMeel Publishing|isbn=0740785362|page=555}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book4&amp;quot;&amp;gt;{{cite book|last=McDonough|first=Jimmy |title=Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film|url=http://books.google.com/books?id=iJoQi-OXBM4C&amp;amp;pg=PA426&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=3k8yTOSXEdT8nAfy7LGEBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEMQ6AEwBA#v=onepage&amp;amp;q&amp;amp;f=false|edition=reprint, illustrated|year=2006|publisher=Random House, Inc.|isbn=0307338444,|pages=278, 279, 280, 426}}&amp;lt;/ref&amp;gt; for his work in the [[Sexploitation film|sexploitation film genre]],&amp;lt;ref name=&amp;quot;book6&amp;quot;&amp;gt;{{cite book|last=Lisanti|first=Tom |title=Drive-in dream girls: a galaxy of B-movie starlets of the sixties|url=http://books.google.com/books?id=hwFbcgV_LDgC&amp;amp;pg=PA52&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwADgK#v=onepage&amp;amp;q=%22The%20Seven%20Minutes%22%2C%20film&amp;amp;f=false|edition=illustrated|year=2003|publisher=McFarland|isbn=0786415754|page=52}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book7&amp;quot;&amp;gt;{{cite book|last=Landy|first=Marcia |title=Imitations of life: a reader on film &amp;amp; television melodrama|url=http://books.google.com/books?id=lgLJtSvfFd0C&amp;amp;pg=PA46&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEAQ6AEwBDgK#v=onepage&amp;amp;q&amp;amp;f=false|edition=illustrated|series=Contemporary film and television series|year=1991|publisher=Wayne State University Press|isbn=0814320651}}&amp;lt;/ref&amp;gt; Meyer planned nude scenes in this [[Mainstream#In film|mainstream film]].&amp;lt;ref name=&amp;quot;LA Times 1970-05-11&amp;quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=Crenna Assumes His Executive Role |last= Haber |first= Joyce |date=May 11, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt;  He informed female lead candidates that nudity would integral to their roles,&amp;lt;ref name=&amp;quot;LA Times 1970-05-11&amp;quot;/&amp;gt; and after casting interviews, considered Marianne McAndrew to be suitable.&amp;lt;ref name=&amp;quot;LA Times 1970-10-07&amp;quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=&amp;#039;Portnoy&amp;#039; Moves Off the Fox Lot |last= Haber |first= Joyce |date=October 7, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; He subsequently signed her for the lead role of Maggie Russell.&amp;lt;ref name=&amp;quot;Victoria Advocate&amp;quot;&amp;gt;{{cite news| location=[[Victoria, Texas]]| title=Show Beat|last= Kleiner |first=Dick |date=January 24, 1971|page = 11| work=&amp;#039;&amp;#039;[[The Victoria Advocate]]&amp;#039;&amp;#039; [[Newspaper Enterprise Association|NEA]] |accessdate=7 July 2010}}&amp;lt;/ref&amp;gt;  McAndrew, previously known for her work as the prim and proper [[Hello, Dolly! (film)#Principal cast|Irene Molloy]] in &amp;#039;&amp;#039;[[Hello, Dolly! (film)|Hello, Dolly!]]&amp;#039;&amp;#039;,&amp;lt;ref name=&amp;quot;Sarasota Herald-Tribune&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=rzwgAAAAIBAJ&amp;amp;sjid=SmYEAAAAIBAJ&amp;amp;pg=6311,3710205&amp;amp;dq=marianne-mcandrew+film+nudity&amp;amp;hl=en|title=Nudity has its place in films, says actress|last=Scott|first=Vernon|date=January 29, 1971|work=&amp;#039;&amp;#039;[[Sarasota Herald-Tribune]]&amp;#039;&amp;#039; [[UPI]]|publisher=Google News Archive|accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; accepted the role based upon her wish to change her own image and in order to gain more work within the industry.&amp;lt;ref name=&amp;quot;Sarasota Herald-Tribune&amp;quot;/&amp;gt;  She reported that during the filming itself, Meyers was &amp;quot;considerate and gentlemanly&amp;quot;.&amp;lt;ref name=&amp;quot;Victoria Advocate&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Known as &amp;quot;King of the Nudies&amp;quot;&amp;lt;ref name=&amp;quot;Toledo Blade, December 14, 1969&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=JAcVAAAAIBAJ&amp;amp;sjid=9AEEAAAAIBAJ&amp;amp;pg=6796,1123766&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Gal on the go|last=Meyers|first=Cynthia|date=December 14, 1969|work=[[Toledo Blade]]|publisher=Google News Archive|accessdate=9 July 2010}} {{Dead link|date=October 2010|bot=H3llBot}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Los Angeles Times, Nov 30, 1969&amp;quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/latimes/access/585084392.html?dids=585084392:585084392&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Nov+30%2C+1969&amp;amp;author=&amp;amp;pub=Los+Angeles+Times&amp;amp;desc=King+of+the+Nudies+on+Biggest+Film+Caper+Yet&amp;amp;pqatl=google|title=King of the Nudies on Biggest Film Caper Yet|last=Thomas|first=Kevin|date=November 30, 1969|work=[[Los Angeles Times]]|publisher=ProQuest Archiver|page=S18|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Eugene Register-Guard, October 19, 1969&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=c8IUAAAAIBAJ&amp;amp;sjid=IuEDAAAAIBAJ&amp;amp;pg=4884,4338282&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Sex Film Producer Gets Major Script|coauthors=[[Associated Press]]|date=October 19, 1969|work=[[Eugene Register-Guard]]|publisher=Google News Archive|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;chicago tribune February 16, 1969&amp;quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/chicagotribune/access/583320562.html?dids=583320562:583320562&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Feb+16%2C+1969&amp;amp;author=&amp;amp;pub=Chicago+Tribune&amp;amp;desc=Films&amp;amp;pqatl=google|title=The &amp;#039;skin-flicks&amp;#039; of producer Russ Meyer|last=Cross|first=Robert|date=February 16, 1969|work=[[Chicago Tribune]]|publisher=ProQuest Archiver|page=A8|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Albuquerque Tribune&amp;quot;&amp;gt;{{cite news|title=Albuquerque, New Mexico, October 01, 1963|date=October 1, 1963|work=[[Albuquerque Tribune]]|page=B7|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Mt Vernon Register News&amp;quot;&amp;gt;{{cite news|title=King Of The Nudies to Film &amp;#039;Dolls&amp;#039; Sequel|date=September 26, 1969|work=Mt Vernon Register News|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book9&amp;quot;&amp;gt;{{cite book|coauthors=Todd McCarthy and Charles Flynn|editor=Todd McCarthy and Charles Flynn|title=Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism|url=http://books.google.com/books?id=53UIAAAAIAAJ&amp;amp;q=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;dq=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;hl=en&amp;amp;ei=9900TIGcLIb-nAeRs9SDBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwAA|edition=illustrated|year=1973|publisher=E. P. Dutton|location=Russ Meyer: King of the Nudies|isbn=0525140905|pages=110 through 132}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book10&amp;quot;&amp;gt;{{cite book|last=Ebert|first=Roger|title=Roger Ebert&amp;#039;s Movie Yearbook 2010|url=http://books.google.com/books?id=-1aM7D_ymdAC&amp;amp;pg=PA555&amp;amp;dq=%22King+of+the+Nudies%22,+Russ+Meyer&amp;amp;hl=en&amp;amp;ei=9tg0TPesGJTlnAft3NCJBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=3&amp;amp;ved=0CDYQ6AEwAg#v=onepage&amp;amp;q=%22King%20of%20the%20Nudies%22%2C%20Russ%20Meyer&amp;amp;f=false|year=2009|publisher=Andrews McMeel Publishing|isbn=0740785362|page=555}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book4&amp;quot;&amp;gt;{{cite book|last=McDonough|first=Jimmy |title=Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film|url=http://books.google.com/books?id=iJoQi-OXBM4C&amp;amp;pg=PA426&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=3k8yTOSXEdT8nAfy7LGEBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEMQ6AEwBA#v=onepage&amp;amp;q&amp;amp;f=false|edition=reprint, illustrated|year=2006|publisher=Random House, Inc.|isbn=0307338444,|pages=278, 279, 280, 426}}&amp;lt;/ref&amp;gt; for his work in the [[Sexploitation film|sexploitation film genre]],&amp;lt;ref name=&amp;quot;book6&amp;quot;&amp;gt;{{cite book|last=Lisanti|first=Tom |title=Drive-in dream girls: a galaxy of B-movie starlets of the sixties|url=http://books.google.com/books?id=hwFbcgV_LDgC&amp;amp;pg=PA52&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwADgK#v=onepage&amp;amp;q=%22The%20Seven%20Minutes%22%2C%20film&amp;amp;f=false|edition=illustrated|year=2003|publisher=McFarland|isbn=0786415754|page=52}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;book7&amp;quot;&amp;gt;{{cite book|last=Landy|first=Marcia |title=Imitations of life: a reader on film &amp;amp; television melodrama|url=http://books.google.com/books?id=lgLJtSvfFd0C&amp;amp;pg=PA46&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEAQ6AEwBDgK#v=onepage&amp;amp;q&amp;amp;f=false|edition=illustrated|series=Contemporary film and television series|year=1991|publisher=Wayne State University Press|isbn=0814320651}}&amp;lt;/ref&amp;gt; Meyer planned nude scenes in this [[Mainstream#In film|mainstream film]].&amp;lt;ref name=&amp;quot;LA Times 1970-05-11&amp;quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=Crenna Assumes His Executive Role |last= Haber |first= Joyce |date=May 11, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt;  He informed female lead candidates that nudity would integral to their roles,&amp;lt;ref name=&amp;quot;LA Times 1970-05-11&amp;quot;/&amp;gt; and after casting interviews, considered Marianne McAndrew to be suitable.&amp;lt;ref name=&amp;quot;LA Times 1970-10-07&amp;quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=&amp;#039;Portnoy&amp;#039; Moves Off the Fox Lot |last= Haber |first= Joyce |date=October 7, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; He subsequently signed her for the lead role of Maggie Russell.&amp;lt;ref name=&amp;quot;Victoria Advocate&amp;quot;&amp;gt;{{cite news| location=[[Victoria, Texas]]| title=Show Beat|last= Kleiner |first=Dick |date=January 24, 1971|page = 11| work=&amp;#039;&amp;#039;[[The Victoria Advocate]]&amp;#039;&amp;#039; [[Newspaper Enterprise Association|NEA]] |accessdate=7 July 2010}}&amp;lt;/ref&amp;gt;  McAndrew, previously known for her work as the prim and proper [[Hello, Dolly! (film)#Principal cast|Irene Molloy]] in &amp;#039;&amp;#039;[[Hello, Dolly! (film)|Hello, Dolly!]]&amp;#039;&amp;#039;,&amp;lt;ref name=&amp;quot;Sarasota Herald-Tribune&amp;quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=rzwgAAAAIBAJ&amp;amp;sjid=SmYEAAAAIBAJ&amp;amp;pg=6311,3710205&amp;amp;dq=marianne-mcandrew+film+nudity&amp;amp;hl=en|title=Nudity has its place in films, says actress|last=Scott|first=Vernon|date=January 29, 1971|work=&amp;#039;&amp;#039;[[Sarasota Herald-Tribune]]&amp;#039;&amp;#039; [[UPI]]|publisher=Google News Archive|accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; accepted the role based upon her wish to change her own image and in order to gain more work within the industry.&amp;lt;ref name=&amp;quot;Sarasota Herald-Tribune&amp;quot;/&amp;gt;  She reported that during the filming itself, Meyers was &amp;quot;considerate and gentlemanly&amp;quot;.&amp;lt;ref name=&amp;quot;Victoria Advocate&amp;quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239213&amp;oldid=prev</id>
		<title>Smithy at 00:57, 10 March 2012</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239213&amp;oldid=prev"/>
		<updated>2012-03-10T00:57:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:57, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039; is [[1971]] drama film directed and produced by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; The film was based on the [[1969]] novel of the same name by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Irving Wallace&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039; is [[1971]] drama film directed and produced by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; The film was based on the [[1969]] novel of the same name by Irving Wallace. For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239212&amp;oldid=prev</id>
		<title>Smithy at 00:57, 10 March 2012</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=239212&amp;oldid=prev"/>
		<updated>2012-03-10T00:57:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:57, 10 March 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&#039;&#039;&#039;The Seven Minutes&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;&#039;&#039;&#039; is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/del&gt;1971 film directed by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039; is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1971&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] drama &lt;/ins&gt;film directed &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and produced &lt;/ins&gt;by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The film was based on the [[1969]] novel of the same name by [[Irving Wallace]]. &lt;/ins&gt;For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Plot==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After a teenager who purchased the erotic novel &#039;&#039;The Seven Minutes&#039;&#039; is charged for rape, an eager prosecutor who is against pornography (and preparing for an upcoming election) uses the scandal to declare the book as obscene and brings charges against the bookstore. The subsequent trial soon creates a heated debate about the issue of pornography vs. free speech. The young defense lawyer must also solve the mystery of the novel&#039;s true author.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Cast==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{| class=&quot;wikitable&quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|- bgcolor=&quot;CCCCCC&quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;! Actor !! Role&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Wayne Maunder || Mike Barrett&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| [[Marianne McAndrew]] || Maggie Russell&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Philip Carey || Elmo Duncan&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Jay C. Flippen || Luther Yerkes&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| [[Edy Williams]] || Faye Osborn&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Lyle Bettger || Frank Griffith&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| [[Yvonne De Carlo]] || Constance Cumberland&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Jackie Gayle || Norman Quandt&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Ron Randell || Merle Reid&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Charles Drake || Sargent Kellogg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| John Carradine || Sean O&#039;Flanagan&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Harold J. Stone || Judge Upshaw&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| James Inglehart || Clay Rutherford &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Tom Selleck || Phil Sanford&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Olan Soule || Harvey Underwood&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Charles Napier || Norman Quandt&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Wolfman Jack || Himself&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Production notes==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This was Meyer&#039;s second, and last, mainstream production for Twentieth-Century Fox. The film began production soon after the success of Meyer&#039;s highest grossing film, &#039;&#039;[[Beyond the Valley of the Dolls]]&#039;&#039;.&amp;lt;ref name=filmref&amp;gt;[http://www.filmreference.com/Directors-Lu-Mi/Meyer-Russ.html Russ Meyer at filmreference.com]&amp;lt;/ref&amp;gt; As with many of his movies, Meyers used several actors from his previous productions, including then-wife [[Edy Williams]], [[Charles Napier]], [[Henry Rowland]], and [[James Inglehart]]. Established actress [[Yvonne De Carlo]] makes an appearance along with veteran character actor [[Olan Soule]]. A young [[Tom Selleck]] also had a role in the film, and DJ Wolfman Jack made a cameo appearance.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Known as &quot;King of the Nudies&quot;&amp;lt;ref name=&quot;Toledo Blade, December 14, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=JAcVAAAAIBAJ&amp;amp;sjid=9AEEAAAAIBAJ&amp;amp;pg=6796,1123766&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Gal on the go|last=Meyers|first=Cynthia|date=December 14, 1969|work=[[Toledo Blade]]|publisher=Google News Archive|accessdate=9 July 2010}} {{Dead link|date=October 2010|bot=H3llBot}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Los Angeles Times, Nov 30, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/latimes/access/585084392.html?dids=585084392:585084392&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Nov+30%2C+1969&amp;amp;author=&amp;amp;pub=Los+Angeles+Times&amp;amp;desc=King+of+the+Nudies+on+Biggest+Film+Caper+Yet&amp;amp;pqatl=google|title=King of the Nudies on Biggest Film Caper Yet|last=Thomas|first=Kevin|date=November 30, 1969|work=[[Los Angeles Times]]|publisher=ProQuest Archiver|page=S18|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Eugene Register-Guard, October 19, 1969&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=c8IUAAAAIBAJ&amp;amp;sjid=IuEDAAAAIBAJ&amp;amp;pg=4884,4338282&amp;amp;dq=king-of-the-nudies&amp;amp;hl=en|title=Sex Film Producer Gets Major Script|coauthors=[[Associated Press]]|date=October 19, 1969|work=[[Eugene Register-Guard]]|publisher=Google News Archive|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;chicago tribune February 16, 1969&quot;&amp;gt;{{cite news|url=http://pqasb.pqarchiver.com/chicagotribune/access/583320562.html?dids=583320562:583320562&amp;amp;FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Feb+16%2C+1969&amp;amp;author=&amp;amp;pub=Chicago+Tribune&amp;amp;desc=Films&amp;amp;pqatl=google|title=The &#039;skin-flicks&#039; of producer Russ Meyer|last=Cross|first=Robert|date=February 16, 1969|work=[[Chicago Tribune]]|publisher=ProQuest Archiver|page=A8|accessdate=9 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Albuquerque Tribune&quot;&amp;gt;{{cite news|title=Albuquerque, New Mexico, October 01, 1963|date=October 1, 1963|work=[[Albuquerque Tribune]]|page=B7|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Mt Vernon Register News&quot;&amp;gt;{{cite news|title=King Of The Nudies to Film &#039;Dolls&#039; Sequel|date=September 26, 1969|work=Mt Vernon Register News|accessdate=8 July 2010}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book9&quot;&amp;gt;{{cite book|coauthors=Todd McCarthy and Charles Flynn|editor=Todd McCarthy and Charles Flynn|title=Kings of the Bs: working within the Hollywood system : an anthology of film history and criticism|url=http://books.google.com/books?id=53UIAAAAIAAJ&amp;amp;q=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;dq=%22Kings+of+the+B:+Working+within+the+Hollywood+system%22&amp;amp;hl=en&amp;amp;ei=9900TIGcLIb-nAeRs9SDBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwAA|edition=illustrated|year=1973|publisher=E. P. Dutton|location=Russ Meyer: King of the Nudies|isbn=0525140905|pages=110 through 132}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book10&quot;&amp;gt;{{cite book|last=Ebert|first=Roger|title=Roger Ebert&#039;s Movie Yearbook 2010|url=http://books.google.com/books?id=-1aM7D_ymdAC&amp;amp;pg=PA555&amp;amp;dq=%22King+of+the+Nudies%22,+Russ+Meyer&amp;amp;hl=en&amp;amp;ei=9tg0TPesGJTlnAft3NCJBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=3&amp;amp;ved=0CDYQ6AEwAg#v=onepage&amp;amp;q=%22King%20of%20the%20Nudies%22%2C%20Russ%20Meyer&amp;amp;f=false|year=2009|publisher=Andrews McMeel Publishing|isbn=0740785362|page=555}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book4&quot;&amp;gt;{{cite book|last=McDonough|first=Jimmy |title=Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film|url=http://books.google.com/books?id=iJoQi-OXBM4C&amp;amp;pg=PA426&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=3k8yTOSXEdT8nAfy7LGEBA&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEMQ6AEwBA#v=onepage&amp;amp;q&amp;amp;f=false|edition=reprint, illustrated|year=2006|publisher=Random House, Inc.|isbn=0307338444,|pages=278, 279, 280, 426}}&amp;lt;/ref&amp;gt; for his work in the [[Sexploitation film|sexploitation film genre]],&amp;lt;ref name=&quot;book6&quot;&amp;gt;{{cite book|last=Lisanti|first=Tom |title=Drive-in dream girls: a galaxy of B-movie starlets of the sixties|url=http://books.google.com/books?id=hwFbcgV_LDgC&amp;amp;pg=PA52&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CCwQ6AEwADgK#v=onepage&amp;amp;q=%22The%20Seven%20Minutes%22%2C%20film&amp;amp;f=false|edition=illustrated|year=2003|publisher=McFarland|isbn=0786415754|page=52}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;book7&quot;&amp;gt;{{cite book|last=Landy|first=Marcia |title=Imitations of life: a reader on film &amp;amp; television melodrama|url=http://books.google.com/books?id=lgLJtSvfFd0C&amp;amp;pg=PA46&amp;amp;dq=%22The+Seven+Minutes%22,+film&amp;amp;hl=en&amp;amp;ei=1V8yTJT5GJWEnQeugbXlAw&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=5&amp;amp;ved=0CEAQ6AEwBDgK#v=onepage&amp;amp;q&amp;amp;f=false|edition=illustrated|series=Contemporary film and television series|year=1991|publisher=Wayne State University Press|isbn=0814320651}}&amp;lt;/ref&amp;gt; Meyer planned nude scenes in this [[Mainstream#In film|mainstream film]].&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=Crenna Assumes His Executive Role |last= Haber |first= Joyce |date=May 11, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt;  He informed female lead candidates that nudity would integral to their roles,&amp;lt;ref name=&quot;LA Times 1970-05-11&quot;/&amp;gt; and after casting interviews, considered Marianne McAndrew to be suitable.&amp;lt;ref name=&quot;LA Times 1970-10-07&quot;&amp;gt;{{cite news| location=[[Los Angeles]]| title=&#039;Portnoy&#039; Moves Off the Fox Lot |last= Haber |first= Joyce |date=October 7, 1970 |page = E17| work=[[Los Angeles Times]] |accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; He subsequently signed her for the lead role of Maggie Russell.&amp;lt;ref name=&quot;Victoria Advocate&quot;&amp;gt;{{cite news| location=[[Victoria, Texas]]| title=Show Beat|last= Kleiner |first=Dick |date=January 24, 1971|page = 11| work=&#039;&#039;[[The Victoria Advocate]]&#039;&#039; [[Newspaper Enterprise Association|NEA]] |accessdate=7 July 2010}}&amp;lt;/ref&amp;gt;  McAndrew, previously known for her work as the prim and proper [[Hello, Dolly! (film)#Principal cast|Irene Molloy]] in &#039;&#039;[[Hello, Dolly! (film)|Hello, Dolly!]]&#039;&#039;,&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;&amp;gt;{{cite news|url=http://news.google.com/newspapers?id=rzwgAAAAIBAJ&amp;amp;sjid=SmYEAAAAIBAJ&amp;amp;pg=6311,3710205&amp;amp;dq=marianne-mcandrew+film+nudity&amp;amp;hl=en|title=Nudity has its place in films, says actress|last=Scott|first=Vernon|date=January 29, 1971|work=&#039;&#039;[[Sarasota Herald-Tribune]]&#039;&#039; [[UPI]]|publisher=Google News Archive|accessdate=6 July 2010}}&amp;lt;/ref&amp;gt; accepted the role based upon her wish to change her own image and in order to gain more work within the industry.&amp;lt;ref name=&quot;Sarasota Herald-Tribune&quot;/&amp;gt;  She reported that during the filming itself, Meyers was &quot;considerate and gentlemanly&quot;.&amp;lt;ref name=&quot;Victoria Advocate&quot;/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Reception==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;The Seven Minutes&#039;&#039; received a lukewarm reception from both audiences and critics and was Meyer&#039;s first commercial failure.&amp;lt;ref name=filmref /&amp;gt;&amp;lt;ref&amp;gt;{{cite news| last=Ebert| first=Roger| title=Russ Meyer: King of the Nudies| publisher = &#039;&#039;Film Comment&#039;&#039;| year =1973 | url =http://www.fmcinema.com/russmeyer/ebert.html | accessdate =2008-01-11}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;New York Times&#039;&#039; reviewer Roger Greenspun wrote of the film, &quot;I don&#039;t think that a court of law is the right Russ Meyer arena, and &#039;&#039;The Seven Minutes&#039;&#039;, which had started out pretty well, bogs down hopelessly in its courtroom legalisms and its absolutely non-cliff-hanging rush to unearth the real identity of the mythical J J Jadway&quot;, citing some problems with the film being its complicated plot and &quot;enormous cast of characters&quot;. In addressing the film&#039;s use of nudity, he wrote &quot;Meyers has never been so much concerned with undressing his girls (there are maybe five seconds of nudity in &quot;The Seven Minutes&quot;) as admiring their appetites, their overwhelming proportions (but not so much their seductive flesh), their often destructive and self-destructive wills.&quot;&amp;lt;ref name=&quot;nyt1&quot;/&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Variety&#039;&#039; wrote that Irving Wallace&#039;s original novel was a &quot;potboiler&quot; &quot;which averted the essence of the problem in resolving the story,&quot; and noted that Russ Meyer was himself a &quot;censor-exploited as well as a censor-exploiting filmmaker&quot;, who began with a story handicap and added a few of his own. They expanded that Meyer used &quot;cardboard-caricatures of his heavies&quot; which obscured issues, and included the &quot;regular time-out for the sexually-liberated dalliances which have been his stock in trade.&quot;&amp;lt;ref name=&quot;variety1&quot;/&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848|title=The Seven Minutes (plot synopsis)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848|title=The Seven Minutes (plot synopsis)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Russ Meyer films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Russ Meyer films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Smithy</name></author>
	</entry>
	<entry>
		<id>https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=70643&amp;oldid=prev</id>
		<title>Dekkappai: /* External links */ + AMG &amp; award nomination to prove &quot;notabity&quot; pfffFFFFFFFffffftttttt!!!!</title>
		<link rel="alternate" type="text/html" href="https://www.boobpedia.com/wiki/index.php?title=The_Seven_Minutes&amp;diff=70643&amp;oldid=prev"/>
		<updated>2008-08-09T04:55:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;External links: &lt;/span&gt; + AMG &amp;amp; award nomination to prove &amp;quot;notabity&amp;quot; pfffFFFFFFFffffftttttt!!!!&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:55, 9 August 2008&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{film|The Seven Minutes|style=infobox}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039;&#039;&#039; is a 1971 film directed by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Seven Minutes&#039;&#039;&#039;&#039;&#039; is a 1971 film directed by [[Russ Meyer]].&amp;lt;ref&amp;gt;Infobox data from {{cite book|last=Frasier|first=David K.|year=1998|title=Russ Meyer : The Life and Films : A Biography and A Comprehensive, Illustrated, and Annotated Filmography and Bibliography|publisher=McFarland &amp;amp; Co|location=Jefferson, N.C.|id=ISBN 0-7864-0472-8|pages=p. 209&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&amp;lt;/ref&amp;gt; For his role in the film, John Sarno was nominated for the New Male Star of the Year at the 1971 Golden Globe ceremony.&amp;lt;ref&amp;gt;{{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848~T4|title=The Seven Minutes (awards)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==External links==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* {{cite web |url=http://www.allmovie.com/cg/avg.dll?p=avg&amp;amp;sql=1:128848|title=The Seven Minutes (plot synopsis)|accessdate=August 9, 2008|last=Deming|first=Mark|publisher=All Movie Guide|language=English}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Russ Meyer films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Russ Meyer films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films|Seven Minutes]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dekkappai</name></author>
	</entry>
</feed>