Boobpedia - User contributions [en]

User:Brjatlick/sandbox

2026-05-26T04:37:51Z

Brjatlick: /* Ess */ er

User:Brjatlick/sandbox

2026-05-09T17:45:10Z

Brjatlick: /* Do */ Blondie Quinn

User:Brjatlick/sandbox

2026-05-09T17:44:37Z

Brjatlick: /* Eee2 */ +2

User:Brjatlick/sandbox

2026-04-18T04:44:07Z

Brjatlick: /* Eee2 */

User:Brjatlick/sandbox

2026-04-15T19:36:46Z

Brjatlick: /* Eee2 */

Dainty Wilder

2026-04-07T03:33:23Z

Brjatlick: deets

{{Biobox new
| name =
| photo = [[Image:Dainty Wilder_01.jpg|240px]]
| alias = Dainty (SuicideGirls)

| birth month = September
| birth day = 28
| birth year = 2001
| birth ref =
| birth location = Australia

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active = 2021-present
| ethnicity = White
| ethnicity2 =
| nationality = Australian
| nationality2 =

| measurements = 34-25-36
| bra/cup size = {{bra|34|D}}
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=2}}
| weight = {{weight|lb=105}}
| body type = Slim
| eye color = Hazel
| hair color = Brown
| hair color2 =
| hair length =

| underarm hair =
| pubic hair = n

| topless = y
| bush = y
| frontal = y
| pink =

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob = y
| hardcore = y
| anal = y
| dp =
| fisting =

| homepage = https://daintywilder.com/
| modelmayhem =
| myspace =
| twitter = DaintyWilder
| facebook =
| instagram = daintymilder

| iafd =
| imdb =
| afdb =
| egafd =
| bgafd =
}}

'''Dainty Wilder''' is an [[Australian]] [[adult model]] and [[webcam model]].

While at university, she started part-time camming as a side hustle, initially keeping it separate from her academic and personal circles. Her professional online journey began around 2021. Her first Instagram post (early 2021) featured her in a plaid skirt, marking the start of a feed focused on authentic, tattooed, lingerie, and lifestyle imagery. She transitioned her existing camming audience to OnlyFans around April 2021. Within her first 30 days on the platform, she earned over $100,000; by the end of her first year, she had surpassed $1 million in revenue, consistently pulling six-figure monthly earnings thereafter. She has repeatedly credited her pre-existing loyal subscribers from camming for accelerating this success.

== External links ==
{{official|
* {{allmylinks|daintywilder}}
* [https://ash.fans/dainty/ Dainty Wilder] links
----
* {{onlyfans|daintywilder}}
* {{myfreecams|DaintyWilder}}
* {{instagram|daintywilderlink}} Backup
* {{tiktok|daintywilder_official}}
* {{reddit|daintywilder}}
}}

* {{suicidegirls|dainty}}
* [https://www.freeones.com/dainty-wilder {{PAGENAME}} links] on [[FreeOnes]]
* {{babepedia}}

[[Category:Adult models]]

User:Brjatlick/sandbox

2026-04-07T01:51:05Z

Brjatlick: /* Do */

User:Brjatlick/sandbox

2026-04-07T01:50:45Z

Brjatlick: /* Do */

User:Brjatlick/sandbox

2026-03-29T06:03:37Z

Brjatlick: /* Eee2 */

User:Brjatlick/sandbox

2026-03-29T05:59:16Z

Brjatlick: /* E2 */

User:Brjatlick/sandbox

2026-02-24T02:16:00Z

Brjatlick: /* E2 */ link

Beverly Powers

2026-02-10T06:26:27Z

Brjatlick: /* Ministry */ or

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
'''Beverly Powers''' (aka '''Beverly Hills'''; born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/> Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/> On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/> She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/> After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/> Notably, unlike some other erotic entertainers who later became religious, Powers does not lament or deride her former career.

== Personal life ==
As of 2026 Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T06:26:11Z

Brjatlick: no lament

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
'''Beverly Powers''' (aka '''Beverly Hills'''; born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/> Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/> On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/> She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/> After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/> Notably, unlike some other erotic entertainers who later became religious, Powers does not lament her former career.

== Personal life ==
As of 2026 Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T06:24:15Z

Brjatlick:

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
'''Beverly Powers''' (aka '''Beverly Hills'''; born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
As of 2026 Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T06:23:33Z

Brjatlick:

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
'''Beverly Powers''' (born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
As of 2026 Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T06:22:51Z

Brjatlick: /* Personal life */

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
Beverly Powers (born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
As of 2026 Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T06:22:37Z

Brjatlick: /* Ministry */

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
Beverly Powers (born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/> She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
{{As of|2026}} Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T05:05:58Z

Brjatlick:

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Caucasian
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements = 37-24-34
| bra/cup size = {{bra|34|D}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=|in=}}
| weight = {{weight|lb=}}
| body type = slim
| eye color = Blue
| hair color = Brunette
| hair color2 =
| hair length =
| hair shape =
| underarm hair =
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless =
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter =

| facebook =
| myspace =
| youtube =
| dailymotion =
| formspring =
| instagram =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb = 0694500
| iafd =
| afdb =
| egafd =
| bgafd =
}}
Beverly Powers (born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/>She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
{{As of|2026}} Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]
* [https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

[[Category:Burlesque performers]]
[[Category:White]]

Beverly Powers

2026-02-10T05:05:08Z

Brjatlick: write up

{{Biobox new
| name =
| photo = [[File:Beverly Powers.jpg|240px]]
| alias = Miss Beverly Hills, Beverly Hills

| birth month = 8
| birth day = 7
| birth year = 1939
| birth ref =
| birth location = Los Angeles, California, USA

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| hair color = Brunette
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}}
Beverly Powers (born '''Beverly Jean Montgomery''' on August 7, 1939) is an American former burlesque dancer, actress, and ordained Christian minister.<ref name="IMDb">{{cite web |url=https://www.imdb.com/name/nm0694500/ |title=Beverly Powers |website=IMDb |access-date=2026-02-10}}</ref><ref name="bio">{{cite web |url=https://www.imdb.com/name/nm0694500/bio |title=Beverly Powers Biography |website=IMDb |access-date=2026-02-10}}</ref>

== Early life ==
Powers was born Beverly Jean Montgomery on August 7, 1939, in Los Angeles, California.<ref name="IMDb"/><ref name="bio"/>

== Burlesque and dance career ==
She began her career at age 17 as a chorus dancer at the Tropicana and Sands hotels in Las Vegas.<ref name="bio"/> By 1959, she had transitioned to burlesque as a striptease artist performing under the stage name '''Miss Beverly Hills'''. She headlined at the Largo Club on the Sunset Strip in Los Angeles.<ref name="bio"/><ref name="glamour">{{cite web |url=https://www.glamourgirlsofthesilverscreen.com/show/658/Miss+Beverly+Hills/index.html |title=Miss Beverly Hills |website=Glamour Girls of the Silver Screen |access-date=2026-02-10}}</ref>

== Acting career ==
Powers made her film debut in ''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961), playing a nightclub stripper credited as Miss Beverly Hills.<ref name="IMDb"/> She appeared in several films during the 1960s and 1970s, including three with [[Elvis Presley]]: ''[[Kissin' Cousins]]'' (1964) as Trudy, ''[[Viva Las Vegas]]'' (1964) as a showgirl (uncredited), and ''[[Speedway (film)|Speedway]]'' (1968) as Mary Ann Ashmond (as Miss Beverly Hills).<ref name="IMDb"/>Other notable film roles include Mrs. Phipps in ''[[The Comedy of Terrors]]'' (1963, as Beverly Hills), a burlesque dancer in ''[[Kisses for My President]]'' (1964), Sylvia in ''[[The Power (1968 film)|The Power]]'' (1968, as Miss Beverly Hills), Sheree in ''[[More Dead than Alive]]'' (1969), Harriet Williams in ''[[Invasion of the Bee Girls]]'' (1973), and an uncredited topless swimmer in ''[[Jaws (film)|Jaws]]'' (1975).<ref name="IMDb"/>On television, she appeared in multiple episodes of ''[[The Jack Benny Program]]'' (1964–1970, often as Cue Card Lady or similar roles), as well as guest spots on ''[[Emergency!]]'' (1972), ''[[The Mod Squad]]'' (1973), ''[[Barnaby Jones]]'' (1973), ''[[McMillan & Wife]]'' (1975), ''[[Bronk (TV series)|Bronk]]'' (1976), and ''[[Fantasy Island]]'' (1979).<ref name="IMDb"/>She retired from acting in the early 1980s after about 25 years in the industry.<ref name="maui2015">{{cite news |url=https://www.mauinews.com/news/local-news/2015/10/book-chronicles-journey-from-script-to-scripture |title=Book chronicles journey from script to Scripture |author= |date=October 5, 2015 |work=Maui News |access-date=2026-02-10}}</ref>

== Ministry ==
In 1987, Powers relocated from Southern California to Maui, Hawaii, where she founded [[The Living Ministry]], a nondenominational grassroots ministry.<ref name="bio"/><ref name="wordpress">{{cite web |url=https://beverlypowers.wordpress.com/about |title=About Beverly |website=Beverly J. Powers (WordPress) |access-date=2026-02-10}}</ref> Ordained as a licensed Christian minister, she became known as Reverend Beverly Powers (or "Rev. Bev").<ref name="bio"/>She served as pastor at the Sheraton-Maui Resort for five years and co-pastored at Lahuiokalani Congregational Church in Kaanapali for six years.<ref name="glamour"/> She has also worked as a chaplain at Maui Memorial Hospital and in Maui's Prison Ministry, performed over 2,700 weddings and vow renewals, and founded multiple churches across the Hawaiian Islands.<ref name="wordpress"/><ref name="maui2015"/>After 25 years of preaching, she retired from the pulpit but remained active in ministry as of the mid-2010s.<ref name="wordpress"/>

== Personal life ==
{{As of|2026}} Powers is widowed and has two grown sons.<ref name="maui2015"/> In 2014, she published her autobiography, ''Passing the Baton of Light: Saving a Family Tree'', which details her 25 years in Hollywood entertainment and her subsequent 25 years in ministry.<ref name="maui2015"/><ref>{{cite book |last=Powers |first=Beverly J. |title=Passing the Baton of Light: Saving a Family Tree |publisher=WestBow Press |year=2014 |isbn=978-1490854885}}</ref>

== Filmography ==

=== Film ===
*''[[Breakfast at Tiffany's (film)|Breakfast at Tiffany's]]'' (1961) – Nightclub Stripper (as Miss Beverly Hills)
*''[[The Comedy of Terrors]]'' (1963) – Mrs. Phipps (as Beverly Hills)
*''[[Kissin' Cousins]]'' (1964) – Trudy
*''[[Viva Las Vegas]]'' (1964) – Showgirl (uncredited)
*''[[Kisses for My President]]'' (1964) – Burlesque Dancer
*''[[The Power (1968 film)|The Power]]'' (1968) – Sylvia (as Miss Beverly Hills)
*''[[Speedway (film)|Speedway]]'' (1968) – Mary Ann Ashmond (as Miss Beverly Hills)
*''[[Brides of Blood]]'' (1968) – Carla Henderson
*''[[More Dead than Alive]]'' (1969) – Sheree
*''[[Invasion of the Bee Girls]]'' (1973) – Harriet Williams
*''[[Jaws (film)|Jaws]]'' (1975) – Topless Swimmer (uncredited)

=== Television ===
*''[[The Jack Benny Program]]'' (1964–1970) – Cue Card Lady / various (multiple episodes)
*''[[Emergency!]]'' (1972) – 1 episode
*''[[The Mod Squad]]'' (1973) – 1 episode
*''[[Barnaby Jones]]'' (1973) – 1 episode
*''[[McMillan & Wife]]'' (1975) – 1 episode
*''[[Bronk (TV series)|Bronk]]'' (1976) – 1 episode
*''[[Fantasy Island]]'' (1979) – 2 episodes

== References ==
{{reflist}}== External links =={{IMDb name|nm0694500}}
[https://beverlypowers.wordpress.com/ The Living Ministry – Beverly J. Powers]

==External Links==
* [http://burleskateer.tumblr.com/tagged/Beverly-Hills Burlesk As You Like It]
* [http://showgirldetritus.blogspot.com/2012/12/striptease-on-film-breakfast-at.html Show Girl Detritus]
* [http://vintage-erotica-forum.com/showpost.php?p=3829653&postcount=326 Gallery]

[[Category:Burlesque performers]]
[[Category:White]]

User:Brjatlick/sandbox

2026-01-02T06:54:19Z

Brjatlick: /* E2 */

Rockette Rose

2025-12-02T05:10:28Z

Brjatlick: She filmed one lesbian scene for Twisty's, "[https://www.tnaflix.com/asian-porn/Twistys-Cooking-Games/video6366998 Cooking Games]", with Alyssa Reece.

{{stub}}
{{Biobox new
| name =
| photo =[[Image:Rockette Rose.jpg|240px]]
| alias = Petite Bijou (before enhancement), RocketteRose, Rose Dawsome, LemonTea, VioletBau, noPumpkinface, Bubbltea

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| nationality = Canadian
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| imdb =
| iafd2 = 31e234d6-e3f8-45b5-b513-56bc517ff64f
| afdb =
| egafd =
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}}
'''Rockette Rose''' is a [[Canadian]] [[webcam model]] who models on [[MyFreeCams]].

She filmed one lesbian scene for Twisty's, "[https://www.tnaflix.com/asian-porn/Twistys-Cooking-Games/video6366998 Cooking Games]", with [[Alyssa Reece]].

{{official|
* {{myfreecams|noPumpkinface}}
* {{mfcshare|noPumpkinface}}
}}

[[Category:Webcam models]]
[[Category:Adult models]]
[[Category:Porn stars]]

Rockette Rose

2025-12-02T05:09:00Z

Brjatlick: she's back

{{stub}}
{{Biobox new
| name =
| photo =[[Image:Rockette Rose.jpg|240px]]
| alias = Petite Bijou (before enhancement), RocketteRose, Rose Dawsome, LemonTea, VioletBau, noPumpkinface, Bubbltea

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| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd2 = 31e234d6-e3f8-45b5-b513-56bc517ff64f
| afdb =
| egafd =
| bgafd =
}}
'''Rockette Rose''' is a [[Canadian]] [[webcam model]] who models on [[MyFreeCams]].

{{official|
* {{myfreecams|noPumpkinface}}
* {{mfcshare|noPumpkinface}}
}}

[[Category:Webcam models]]
[[Category:Adult models]]
[[Category:Porn stars]]

User:Brjatlick/sandbox

2025-11-21T09:00:52Z

Brjatlick: /* WY */

User:Brjatlick/sandbox

2025-11-21T08:58:48Z

Brjatlick:

Create

==Do==
;I'd do that
[[ActiveDidi]]
[[Agent Yolo]]
[[Aika]]
[[AkiraLisa]]
[[Alenaxoxo]]
[[Aletta Ocean]]
[[Alex Blake]]
[[Alina Li]]
[[Anetta Keys]]
[[Angela]]
[[AniButler]]
[[Anissa Kate]]
[[Anna Akana]]
[[Anna Bell Peaks]]
[[Anny Cross]]
[[Arayah]]
[[Ari Stone]]
[[Aria Alexander]]
[[Ariana Marie]]
[[Ariel A]]
[[Ashley Ros]]
[[Aspen Rae]]
[[Assuri-shy]]
[[Audrey Bitoni]]
[[Ayumi Anime]]
[[BabyBot]]
[[BeaBeatrice]]
[[Becca_Rider]]
[[BelleM]]
[[Cadey Mercury]]
[[Canela Skin]]
[[Capri Cavalli]]
[[Carmen Luvana]]
[[CherishLulu]]
[[Coconut Kitty]]
[[Cute_lee]]
[[DaintyWilder ]]
[[DaisyD]]
[[Dakota Skye]]
[[Dariej]]
[[Doll_lexi]]
[[Dream Ana]]
[[DreamsKate]]
[[Egome777]]
[[ElikaKiss]]
[[Elissa25]]
[[Elsa Jean]]
[[EmilyBloom]]
[[EroticEve]]
[[Eva Elfie]]
[[Florabella]]
[[Franceska Jaimes]]
[[Genesis Mia Lopez]] ([[Genesis]], [[Geniva]])
https://onlyfans.com/genesislopez
Twitter genesislopezig
IG Genesislopezofficial

[[Gina Valentina]]
[[Ginger Foster]]
[[glo-aisi]]
[[Gummybuns]]
[[Hailo Kitty]]
[[Harmony Wonder]]
[[Holly Hendrix]]
[[HoneyPotSpy]]
[[Jade Kush]]
[[JadisX]]
[[Jana Cova]]
[[JaylaBliss]]
[[Jenna Sativa]]
[[Jesse Jane]]
[[JessikaKate]]
[[Joyxs]]
[[Juliana Candy]]
[[Julie Moon]]
[[JulzLopez]]
[[Kascha Papillon]]
[[Katsumi]]
[[KeikoHot]]
[[Kenzie Reeves]]
[[KhimeraRose]]
[[Kimbae]]
[[KittenMoon]]
[[Kira Kisss]]
[[Klara Team]]
[[Kobe Tai]]
[[Luakathia]] ([[L_U_A]])
[[LaraLou]]
[[Larkin Lane]]
[[Lela Star]]
[[Lenka Gaborova]]
[[LexiVixi]]
[[Lili Jones]]
[[LillieCat]]
[[Lisa Chen]] (aka [[Leilee]])
[[LisaCummm]]
[[LittleBoo]]
[[LittleWetGirl]]
[[LolasLove]]
[[Love_Elli]]
[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

[[Sashaaa69]]
[[Scarlet Assian]]
[[SexyLittleVal ]](aka [[schoolbabyxx]]
[[SeyNova]]
[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
[[SophiaSins]]
[[Stacy Doll]]
[[Stacy x3]]
[[StacyLoli]]
[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
[[Xo_Morgan]]
[[xWildThingx]]
[[Yveline]]

[[Janna Pavlova]] ([[Pretty Potatoo]])
[[Isabella (webcam)]] ([[Monstera Deliciosaa]]) https://namethatporn.com/post/1139440-who-is-this-girl-who-appears-in-chaturbate-ads-on-pornhub.html http://www.webpussi.com/models/monstera-deliciosaa/

[[Gabriella Fox]]
[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
[[Ava Max]]
[[Bebe Rexha]]
[[Britney Spears]]
[[Brenda Song]]
[[Cara Delevingne]]
[[Christina Aguilera]]
[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
| birth day =
| birth year = 1991
| birth ref =
| birth location =

| death month =
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| natural tits ref =
| implant type =
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| height = {{height|ft=5|in=7}}
| weight = {{weight|lb=121}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = indiansweety1
| instagram =

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
I am: A Woman
Interested In: Women, Men, Couples, Trans
Location: Lost Kingdom
Last Broadcast: 19 hours ago
Language(s): English
Body Type: Slim
Smoke / Drink: Yes Yes
Body Decorations: Tatto

==E2==
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=========
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[[User:Brjatlick/sandbox2]]

=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==Major on-screen appearances==

===''Alien'' (1979)===

{{main|Alien (film)}}

In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building.<ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===

{{main|Aliens (film)}}

In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist.<ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
{{main|Alien³|Alien Resurrection}}

Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs.<ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films.<ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

==== ''Aliens vs. Predator: Requiem'' (2007) ====
In ''[[Aliens vs. Predator: Requiem]]'', technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Prometheus'' (2012) and ''Alien: Covenant'' (2017) ====
{{Main|Prometheus (film)|Alien: Covenant}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

===''Alien: Earth'' (2025 television series)===
{{Main|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era".<ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
{{Main|Predator: Badlands}}
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven.<ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:58:28Z

Brjatlick: /* Translation from Italian */

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| height = {{height|ft=5|in=7}}
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'''Helen Goddess''' is a [[webcam model]].

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=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==Major on-screen appearances==

===''Alien'' (1979)===

{{main|Alien (film)}}

In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building.<ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===

{{main|Aliens (film)}}

In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist.<ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
{{main|Alien³|Alien Resurrection}}

Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs.<ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films.<ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

==== ''Aliens vs. Predator: Requiem'' (2007) ====
In ''[[Aliens vs. Predator: Requiem]]'', technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Prometheus'' (2012) and ''Alien: Covenant'' (2017) ====
{{Main|Prometheus (film)|Alien: Covenant}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

===''Alien: Earth'' (2025 television series)===
{{Main|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era".<ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
{{Main|Predator: Badlands}}
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven.<ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration.<ref name="Ten Things"/>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:57:52Z

Brjatlick:

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{{Biobox new
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| height = {{height|ft=5|in=7}}
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'''Helen Goddess''' is a [[webcam model]].

==External links==
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</nowiki>

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=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==Major on-screen appearances==

===''Alien'' (1979)===

{{main|Alien (film)}}

In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building.<ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===

{{main|Aliens (film)}}

In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist.<ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
{{main|Alien³|Alien Resurrection}}

Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs.<ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films.<ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

==== ''Aliens vs. Predator: Requiem'' (2007) ====
In ''[[Aliens vs. Predator: Requiem]]'', technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Prometheus'' (2012) and ''Alien: Covenant'' (2017) ====
{{Main|Prometheus (film)|Alien: Covenant}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

===''Alien: Earth'' (2025 television series)===
{{Main|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era".<ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
{{Main|Predator: Badlands}}
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven.<ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration.<ref name="Ten Things"/>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

=Translation from Italian=
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:56:48Z

Brjatlick: /* Translation from Italian */ lvl

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=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==Major on-screen appearances==

===''Alien'' (1979)===

{{main|Alien (film)}}

In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building.<ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===

{{main|Aliens (film)}}

In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist.<ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
{{main|Alien³|Alien Resurrection}}

Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs.<ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films.<ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

==== ''Aliens vs. Predator: Requiem'' (2007) ====
In ''[[Aliens vs. Predator: Requiem]]'', technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Prometheus'' (2012) and ''Alien: Covenant'' (2017) ====
{{Main|Prometheus (film)|Alien: Covenant}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

===''Alien: Earth'' (2025 television series)===
{{Main|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era".<ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
{{Main|Predator: Badlands}}
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven.<ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration.<ref name="Ten Things"/>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

=Translation from Italian=
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:56:36Z

Brjatlick: /* On-screen appearances (selected) */

Create

==Do==
;I'd do that
[[ActiveDidi]]
[[Agent Yolo]]
[[Aika]]
[[AkiraLisa]]
[[Alenaxoxo]]
[[Aletta Ocean]]
[[Alex Blake]]
[[Alina Li]]
[[Anetta Keys]]
[[Angela]]
[[AniButler]]
[[Anissa Kate]]
[[Anna Akana]]
[[Anna Bell Peaks]]
[[Anny Cross]]
[[Arayah]]
[[Ari Stone]]
[[Aria Alexander]]
[[Ariana Marie]]
[[Ariel A]]
[[Ashley Ros]]
[[Aspen Rae]]
[[Assuri-shy]]
[[Audrey Bitoni]]
[[Ayumi Anime]]
[[BabyBot]]
[[BeaBeatrice]]
[[Becca_Rider]]
[[BelleM]]
[[Cadey Mercury]]
[[Canela Skin]]
[[Capri Cavalli]]
[[Carmen Luvana]]
[[CherishLulu]]
[[Coconut Kitty]]
[[Cute_lee]]
[[DaintyWilder ]]
[[DaisyD]]
[[Dakota Skye]]
[[Dariej]]
[[Doll_lexi]]
[[Dream Ana]]
[[DreamsKate]]
[[Egome777]]
[[ElikaKiss]]
[[Elissa25]]
[[Elsa Jean]]
[[EmilyBloom]]
[[EroticEve]]
[[Eva Elfie]]
[[Florabella]]
[[Franceska Jaimes]]
[[Genesis Mia Lopez]] ([[Genesis]], [[Geniva]])
https://onlyfans.com/genesislopez
Twitter genesislopezig
IG Genesislopezofficial

[[Gina Valentina]]
[[Ginger Foster]]
[[glo-aisi]]
[[Gummybuns]]
[[Hailo Kitty]]
[[Harmony Wonder]]
[[Holly Hendrix]]
[[HoneyPotSpy]]
[[Jade Kush]]
[[JadisX]]
[[Jana Cova]]
[[JaylaBliss]]
[[Jenna Sativa]]
[[Jesse Jane]]
[[JessikaKate]]
[[Joyxs]]
[[Juliana Candy]]
[[Julie Moon]]
[[JulzLopez]]
[[Kascha Papillon]]
[[Katsumi]]
[[KeikoHot]]
[[Kenzie Reeves]]
[[KhimeraRose]]
[[Kimbae]]
[[KittenMoon]]
[[Kira Kisss]]
[[Klara Team]]
[[Kobe Tai]]
[[Luakathia]] ([[L_U_A]])
[[LaraLou]]
[[Larkin Lane]]
[[Lela Star]]
[[Lenka Gaborova]]
[[LexiVixi]]
[[Lili Jones]]
[[LillieCat]]
[[Lisa Chen]] (aka [[Leilee]])
[[LisaCummm]]
[[LittleBoo]]
[[LittleWetGirl]]
[[LolasLove]]
[[Love_Elli]]
[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

[[Sashaaa69]]
[[Scarlet Assian]]
[[SexyLittleVal ]](aka [[schoolbabyxx]]
[[SeyNova]]
[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
[[SophiaSins]]
[[Stacy Doll]]
[[Stacy x3]]
[[StacyLoli]]
[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
[[Xo_Morgan]]
[[xWildThingx]]
[[Yveline]]

[[Janna Pavlova]] ([[Pretty Potatoo]])
[[Isabella (webcam)]] ([[Monstera Deliciosaa]]) https://namethatporn.com/post/1139440-who-is-this-girl-who-appears-in-chaturbate-ads-on-pornhub.html http://www.webpussi.com/models/monstera-deliciosaa/

[[Gabriella Fox]]
[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
[[Ava Max]]
[[Bebe Rexha]]
[[Britney Spears]]
[[Brenda Song]]
[[Cara Delevingne]]
[[Christina Aguilera]]
[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
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| birth year = 1991
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| weight = {{weight|lb=121}}
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| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
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| blowjob =
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| homepage =
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| twitter = indiansweety1
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| modelmayhem =
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| imdb =
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}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
I am: A Woman
Interested In: Women, Men, Couples, Trans
Location: Lost Kingdom
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Language(s): English
Body Type: Slim
Smoke / Drink: Yes Yes
Body Decorations: Tatto

==E2==
https://milovana.com/ 

https://whoisthathotadgirl.tumblr.com/ 

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=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==Major on-screen appearances==

===''Alien'' (1979)===

{{main|Alien (film)}}

In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building.<ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===

{{main|Aliens (film)}}

In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist.<ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
{{main|Alien³|Alien Resurrection}}

Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs.<ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films.<ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

==== ''Aliens vs. Predator: Requiem'' (2007) ====
In ''[[Aliens vs. Predator: Requiem]]'', technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Prometheus'' (2012) and ''Alien: Covenant'' (2017) ====
{{Main|Prometheus (film)|Alien: Covenant}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

===''Alien: Earth'' (2025 television series)===
{{Main|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era".<ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
{{Main|Predator: Badlands}}
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven.<ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration.<ref name="Ten Things"/>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==Translation from Italian==
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:55:49Z

Brjatlick: /* Origins and creator intent */

Create

==Do==
;I'd do that
[[ActiveDidi]]
[[Agent Yolo]]
[[Aika]]
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[[Cute_lee]]
[[DaintyWilder ]]
[[DaisyD]]
[[Dakota Skye]]
[[Dariej]]
[[Doll_lexi]]
[[Dream Ana]]
[[DreamsKate]]
[[Egome777]]
[[ElikaKiss]]
[[Elissa25]]
[[Elsa Jean]]
[[EmilyBloom]]
[[EroticEve]]
[[Eva Elfie]]
[[Florabella]]
[[Franceska Jaimes]]
[[Genesis Mia Lopez]] ([[Genesis]], [[Geniva]])
https://onlyfans.com/genesislopez
Twitter genesislopezig
IG Genesislopezofficial

[[Gina Valentina]]
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[[Hailo Kitty]]
[[Harmony Wonder]]
[[Holly Hendrix]]
[[HoneyPotSpy]]
[[Jade Kush]]
[[JadisX]]
[[Jana Cova]]
[[JaylaBliss]]
[[Jenna Sativa]]
[[Jesse Jane]]
[[JessikaKate]]
[[Joyxs]]
[[Juliana Candy]]
[[Julie Moon]]
[[JulzLopez]]
[[Kascha Papillon]]
[[Katsumi]]
[[KeikoHot]]
[[Kenzie Reeves]]
[[KhimeraRose]]
[[Kimbae]]
[[KittenMoon]]
[[Kira Kisss]]
[[Klara Team]]
[[Kobe Tai]]
[[Luakathia]] ([[L_U_A]])
[[LaraLou]]
[[Larkin Lane]]
[[Lela Star]]
[[Lenka Gaborova]]
[[LexiVixi]]
[[Lili Jones]]
[[LillieCat]]
[[Lisa Chen]] (aka [[Leilee]])
[[LisaCummm]]
[[LittleBoo]]
[[LittleWetGirl]]
[[LolasLove]]
[[Love_Elli]]
[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

[[Sashaaa69]]
[[Scarlet Assian]]
[[SexyLittleVal ]](aka [[schoolbabyxx]]
[[SeyNova]]
[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
[[SophiaSins]]
[[Stacy Doll]]
[[Stacy x3]]
[[StacyLoli]]
[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
[[Xo_Morgan]]
[[xWildThingx]]
[[Yveline]]

[[Janna Pavlova]] ([[Pretty Potatoo]])
[[Isabella (webcam)]] ([[Monstera Deliciosaa]]) https://namethatporn.com/post/1139440-who-is-this-girl-who-appears-in-chaturbate-ads-on-pornhub.html http://www.webpussi.com/models/monstera-deliciosaa/

[[Gabriella Fox]]
[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
[[Ava Max]]
[[Bebe Rexha]]
[[Britney Spears]]
[[Brenda Song]]
[[Cara Delevingne]]
[[Christina Aguilera]]
[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
| birth day =
| birth year = 1991
| birth ref =
| birth location =

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity =
| ethnicity2 =
| nationality =
| nationality2 =

| measurements =
| bra/cup size =
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=7}}
| weight = {{weight|lb=121}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = indiansweety1
| instagram =

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
I am: A Woman
Interested In: Women, Men, Couples, Trans
Location: Lost Kingdom
Last Broadcast: 19 hours ago
Language(s): English
Body Type: Slim
Smoke / Drink: Yes Yes
Body Decorations: Tatto

==E2==
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March 21, 2021

 
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A AlexIvy 
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O Kas 
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U Mel Fox 
R Rockette Rose 
N MissReinaT 
B PetiteMarie 
C LUA 
D Joyxs 
F VeronikaHil 
G Maya Di 
H Morrenna 
J Julia (MoonStarX) 
K Jul_la_la 
L GiaMazing 
M Morrenna 
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S LUA 
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V LissaWayne 
W NikiSkyler 
X LaraLou 
Y LolasLove 
Z LiliJones 

 
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---- 
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---- 
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Canela Skin 
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Julia (MoonStarX) 
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=========
==========
===========

https://blog.fitnyc.edu/precollegeprograms/2011/10/14/change/

https://www.pinterest.com/marypeleti/

Elly Tran Ha
 
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[http://vintage-erotica-forum.com/showthread.php?s=1a71474550b7949a7bc47a2e4106328d&p=109264#post109264 Lale Hansen thread] * [http://www.imagebam.com/gallery/8ae79de5cca88a7c03cfc0bb4cbf0383/ Claire Margarson pics] * [http://video.xnxx.com/video350547/claire_margarson_and_gang_vintage_clip anal at 4:58] * [http://drtuber.com/video/76801?aid=24 Sex-Addicted's sister?!?!] 7/86 - Littledove 6/92 - Nicole Simmons Tila Tequila Tera Patrick Kobe Tai Tia Bella Gauge Monique Alexander Katsumi Jana Cova Crissy Moran Carmen Luvana Seka Veronica Zemanova Veronica Simon Kascha Lenka Gaborova Anetta Keys [http://girls.twistys.com/galleries/weekly/25/video/valentinavaughn1/?nats=OTgyODozOjE Valentina Vaughn] Anna Romeo Tabitha Cash [http://www.errotica-archives.com/models/leila/ Leila Giallo]
 
 
 
[http://vintage-erotica-forum.com/t249394-p3-hustler-magazine-index-us-edition-to-1997.html Hustler to 1997] 
[http://vintage-erotica-forum.com/showthread.php?p=61563#post61563 Tanya Winn] aka "Michele: Hot Love" 
[http://vintage-erotica-forum.com/t7406-p6-nicole-simmons.html Nicole Simmons] aka "Paulette: Pounding Surf" 
[http://vintage-erotica-forum.com/showthread.php?p=1340240#post1340240 Josie in Pink Next Door] 
[http://vintage-erotica-forum.com/showthread.php?p=346560#post346560 Rachelle Arnott, aka Jessica James] - natives scratching at her tent 
[http://vintage-erotica-forum.com/showthread.php?p=3260270#post3260270 Anna Romeo] 
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[http://vintage-erotica-forum.com/showthread.php?p=3960695#post3960695 Ruby: Lonely at the Top] 
[http://vintage-erotica-forum.com/showthread.php?p=839803#post839803 Tina Cheri: Let's Play Two] 
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[http://vintage-erotica-forum.com/t13482-thaina-mark.html Thaina Mark] aka Hawaiian "Alicia"; [https://www.vporn.com/outdoor/thaina-mark-penthouse-paradise-revisited/325472/ vid] 
[http://vintage-erotica-forum.com/t133723-michelle-walker.html Michelle Walker] 

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[[Lola Thorne]]
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[[User:Brjatlick/sandbox2]]

=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==On-screen appearances (selected)==
===''Alien'' (1979)===
{{main|Alien (film)}}
The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building. <ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===
{{main|Aliens (film)}}
James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist. <ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs. <ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films. <ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

===''Alien: Earth'' (2025, television series)===
The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era". <ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven. <ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==Translation from Italian==
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:55:43Z

Brjatlick: /* WY */

Create

==Do==
;I'd do that
[[ActiveDidi]]
[[Agent Yolo]]
[[Aika]]
[[AkiraLisa]]
[[Alenaxoxo]]
[[Aletta Ocean]]
[[Alex Blake]]
[[Alina Li]]
[[Anetta Keys]]
[[Angela]]
[[AniButler]]
[[Anissa Kate]]
[[Anna Akana]]
[[Anna Bell Peaks]]
[[Anny Cross]]
[[Arayah]]
[[Ari Stone]]
[[Aria Alexander]]
[[Ariana Marie]]
[[Ariel A]]
[[Ashley Ros]]
[[Aspen Rae]]
[[Assuri-shy]]
[[Audrey Bitoni]]
[[Ayumi Anime]]
[[BabyBot]]
[[BeaBeatrice]]
[[Becca_Rider]]
[[BelleM]]
[[Cadey Mercury]]
[[Canela Skin]]
[[Capri Cavalli]]
[[Carmen Luvana]]
[[CherishLulu]]
[[Coconut Kitty]]
[[Cute_lee]]
[[DaintyWilder ]]
[[DaisyD]]
[[Dakota Skye]]
[[Dariej]]
[[Doll_lexi]]
[[Dream Ana]]
[[DreamsKate]]
[[Egome777]]
[[ElikaKiss]]
[[Elissa25]]
[[Elsa Jean]]
[[EmilyBloom]]
[[EroticEve]]
[[Eva Elfie]]
[[Florabella]]
[[Franceska Jaimes]]
[[Genesis Mia Lopez]] ([[Genesis]], [[Geniva]])
https://onlyfans.com/genesislopez
Twitter genesislopezig
IG Genesislopezofficial

[[Gina Valentina]]
[[Ginger Foster]]
[[glo-aisi]]
[[Gummybuns]]
[[Hailo Kitty]]
[[Harmony Wonder]]
[[Holly Hendrix]]
[[HoneyPotSpy]]
[[Jade Kush]]
[[JadisX]]
[[Jana Cova]]
[[JaylaBliss]]
[[Jenna Sativa]]
[[Jesse Jane]]
[[JessikaKate]]
[[Joyxs]]
[[Juliana Candy]]
[[Julie Moon]]
[[JulzLopez]]
[[Kascha Papillon]]
[[Katsumi]]
[[KeikoHot]]
[[Kenzie Reeves]]
[[KhimeraRose]]
[[Kimbae]]
[[KittenMoon]]
[[Kira Kisss]]
[[Klara Team]]
[[Kobe Tai]]
[[Luakathia]] ([[L_U_A]])
[[LaraLou]]
[[Larkin Lane]]
[[Lela Star]]
[[Lenka Gaborova]]
[[LexiVixi]]
[[Lili Jones]]
[[LillieCat]]
[[Lisa Chen]] (aka [[Leilee]])
[[LisaCummm]]
[[LittleBoo]]
[[LittleWetGirl]]
[[LolasLove]]
[[Love_Elli]]
[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

[[Sashaaa69]]
[[Scarlet Assian]]
[[SexyLittleVal ]](aka [[schoolbabyxx]]
[[SeyNova]]
[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
[[SophiaSins]]
[[Stacy Doll]]
[[Stacy x3]]
[[StacyLoli]]
[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
[[Xo_Morgan]]
[[xWildThingx]]
[[Yveline]]

[[Janna Pavlova]] ([[Pretty Potatoo]])
[[Isabella (webcam)]] ([[Monstera Deliciosaa]]) https://namethatporn.com/post/1139440-who-is-this-girl-who-appears-in-chaturbate-ads-on-pornhub.html http://www.webpussi.com/models/monstera-deliciosaa/

[[Gabriella Fox]]
[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
[[Ava Max]]
[[Bebe Rexha]]
[[Britney Spears]]
[[Brenda Song]]
[[Cara Delevingne]]
[[Christina Aguilera]]
[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
| birth day =
| birth year = 1991
| birth ref =
| birth location =

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity =
| ethnicity2 =
| nationality =
| nationality2 =

| measurements =
| bra/cup size =
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=7}}
| weight = {{weight|lb=121}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = indiansweety1
| instagram =

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
I am: A Woman
Interested In: Women, Men, Couples, Trans
Location: Lost Kingdom
Last Broadcast: 19 hours ago
Language(s): English
Body Type: Slim
Smoke / Drink: Yes Yes
Body Decorations: Tatto

==E2==
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:[https://xhamster.com/videos/jasmine-james-big-cock-massage-xh2nkvG https://xhamster.com/videos/jasmine-james-big-cock-massage-xh2nkvG Doctor Jasmine James]
 

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Trev Stone
Pro Sports Extra
March 21, 2021

 
Quordle (2/3) Harem 

A AlexIvy 
I Dream Ana -- ana.anasteisha19@gmail.com 
O Kas 
E Sarita 
U Mel Fox 
R Rockette Rose 
N MissReinaT 
B PetiteMarie 
C LUA 
D Joyxs 
F VeronikaHil 
G Maya Di 
H Morrenna 
J Julia (MoonStarX) 
K Jul_la_la 
L GiaMazing 
M Morrenna 
P Vina Sky 
S LUA 
T Kenzie Reeves 
V LissaWayne 
W NikiSkyler 
X LaraLou 
Y LolasLove 
Z LiliJones 

 
Harem: 

Rockette Rose 
MissReinaT 
Andrea Montoya 
Sarita 
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PetiteMarie 
AlexIvy 
Dream Ana 
LUA 
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Kas 
Aika 
Katsumi 
BelleM 
VictoriaColl 
Hellen Goddess 
RamonaTorres 
GiaMazing 
Morrenna 
Senise_Morel 
SereneSophie 
NikiSkyler 
LolasLove 

 

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SaraDimond 
LaraLou 
LissaWayne 
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ArianaMarie 
Kenzie Reeves 
Vina Sky 
---- 
ActiveDidi 
TeilaMun 
SeonMi 
JapaneseDream 
LindaMei 
---- 
Sweet_est777 (aka Nika33) 
AriStone 
Anne Caramelo 
Alice_NZ 
MissJadeStar 
PixiePixelized 
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LisaCummm 
MiuMiu 
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Emma Clarc 
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Bambidoll00 
AniButler 
Elsa Jean 
SaraPink 
Keiko_Hot 
Vero_H 
Yveline 
Juby_yubi 
Mia Magma 
Canela Skin 
VeronikaHil 
Panamera_888 
Nika Legran (aka RememberShe) 
LoveIsJessika 
SashaBy (aka SashaMasha) 
Denisa 
AkiraLisa 
Julia (MoonStarX) 
Alexa Flexy 
 

Harem across the street: 

MimiWat 
Jul_la_la 
ZennyRosse 
KittenMoon 
NatalyGreen 
Carmen Luvana 
Monique Alexander 
Jana Cova 
Veronica Zemanova 
Eva Elfie 
Ariel/Lilit A 
Emma_69 
Tiffany Houston 
Veronica Leal 
DiamondJo_ 
Alenaxoxo 
Canela Skin 
LeksWest 
Jane Wilde 
SaraiEve 
 

=========
==========
===========

https://blog.fitnyc.edu/precollegeprograms/2011/10/14/change/

https://www.pinterest.com/marypeleti/

Elly Tran Ha
 
Freudian Hat Trick contest Sigmund Freud believed we all go through three stages -- anal, oral, and genital. And so does the hat trick. For this contest, you must pick your ideal femme threesome -- one to go down on you, one to have the old-fashioned way, and one to take from behind.
 
[http://vintage-erotica-forum.com/showthread.php?s=1a71474550b7949a7bc47a2e4106328d&p=109264#post109264 Lale Hansen thread] * [http://www.imagebam.com/gallery/8ae79de5cca88a7c03cfc0bb4cbf0383/ Claire Margarson pics] * [http://video.xnxx.com/video350547/claire_margarson_and_gang_vintage_clip anal at 4:58] * [http://drtuber.com/video/76801?aid=24 Sex-Addicted's sister?!?!] 7/86 - Littledove 6/92 - Nicole Simmons Tila Tequila Tera Patrick Kobe Tai Tia Bella Gauge Monique Alexander Katsumi Jana Cova Crissy Moran Carmen Luvana Seka Veronica Zemanova Veronica Simon Kascha Lenka Gaborova Anetta Keys [http://girls.twistys.com/galleries/weekly/25/video/valentinavaughn1/?nats=OTgyODozOjE Valentina Vaughn] Anna Romeo Tabitha Cash [http://www.errotica-archives.com/models/leila/ Leila Giallo]
 
 
 
[http://vintage-erotica-forum.com/t249394-p3-hustler-magazine-index-us-edition-to-1997.html Hustler to 1997] 
[http://vintage-erotica-forum.com/showthread.php?p=61563#post61563 Tanya Winn] aka "Michele: Hot Love" 
[http://vintage-erotica-forum.com/t7406-p6-nicole-simmons.html Nicole Simmons] aka "Paulette: Pounding Surf" 
[http://vintage-erotica-forum.com/showthread.php?p=1340240#post1340240 Josie in Pink Next Door] 
[http://vintage-erotica-forum.com/showthread.php?p=346560#post346560 Rachelle Arnott, aka Jessica James] - natives scratching at her tent 
[http://vintage-erotica-forum.com/showthread.php?p=3260270#post3260270 Anna Romeo] 
[http://vintage-erotica-forum.com/showthread.php?p=2977950#post2977950 Blondi in Red] 
[http://vintage-erotica-forum.com/showthread.php?p=3960695#post3960695 Ruby: Lonely at the Top] 
[http://vintage-erotica-forum.com/showthread.php?p=839803#post839803 Tina Cheri: Let's Play Two] 
[http://vintage-erotica-forum.com/showpost.php?p=2986795&postcount=845 Tanya: The Tight Stuff] 
[http://vintage-erotica-forum.com/t13482-thaina-mark.html Thaina Mark] aka Hawaiian "Alicia"; [https://www.vporn.com/outdoor/thaina-mark-penthouse-paradise-revisited/325472/ vid] 
[http://vintage-erotica-forum.com/t133723-michelle-walker.html Michelle Walker] 

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Soya [http://xhamster.com/movies/1909294/tattooed_emo_babe_with_rosebud_butt_plug_teasing_her_pussy.html] 

 
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[[Lola Thorne]]
avatar
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[[Alylee]]
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[[Katelynn Koi]]
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[[User:Brjatlick/sandbox2]]

=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative.<ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

==Origins and creator intent==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

The company is not named in ''Alien'', and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref><ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design.<ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==On-screen appearances (selected)==
===''Alien'' (1979)===
{{main|Alien (film)}}
The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building. <ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===
{{main|Aliens (film)}}
James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist. <ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs. <ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films. <ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

===''Alien: Earth'' (2025, television series)===
The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era". <ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven. <ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==Translation from Italian==
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:55:11Z

Brjatlick: /* WY */ lvl

Create

==Do==
;I'd do that
[[ActiveDidi]]
[[Agent Yolo]]
[[Aika]]
[[AkiraLisa]]
[[Alenaxoxo]]
[[Aletta Ocean]]
[[Alex Blake]]
[[Alina Li]]
[[Anetta Keys]]
[[Angela]]
[[AniButler]]
[[Anissa Kate]]
[[Anna Akana]]
[[Anna Bell Peaks]]
[[Anny Cross]]
[[Arayah]]
[[Ari Stone]]
[[Aria Alexander]]
[[Ariana Marie]]
[[Ariel A]]
[[Ashley Ros]]
[[Aspen Rae]]
[[Assuri-shy]]
[[Audrey Bitoni]]
[[Ayumi Anime]]
[[BabyBot]]
[[BeaBeatrice]]
[[Becca_Rider]]
[[BelleM]]
[[Cadey Mercury]]
[[Canela Skin]]
[[Capri Cavalli]]
[[Carmen Luvana]]
[[CherishLulu]]
[[Coconut Kitty]]
[[Cute_lee]]
[[DaintyWilder ]]
[[DaisyD]]
[[Dakota Skye]]
[[Dariej]]
[[Doll_lexi]]
[[Dream Ana]]
[[DreamsKate]]
[[Egome777]]
[[ElikaKiss]]
[[Elissa25]]
[[Elsa Jean]]
[[EmilyBloom]]
[[EroticEve]]
[[Eva Elfie]]
[[Florabella]]
[[Franceska Jaimes]]
[[Genesis Mia Lopez]] ([[Genesis]], [[Geniva]])
https://onlyfans.com/genesislopez
Twitter genesislopezig
IG Genesislopezofficial

[[Gina Valentina]]
[[Ginger Foster]]
[[glo-aisi]]
[[Gummybuns]]
[[Hailo Kitty]]
[[Harmony Wonder]]
[[Holly Hendrix]]
[[HoneyPotSpy]]
[[Jade Kush]]
[[JadisX]]
[[Jana Cova]]
[[JaylaBliss]]
[[Jenna Sativa]]
[[Jesse Jane]]
[[JessikaKate]]
[[Joyxs]]
[[Juliana Candy]]
[[Julie Moon]]
[[JulzLopez]]
[[Kascha Papillon]]
[[Katsumi]]
[[KeikoHot]]
[[Kenzie Reeves]]
[[KhimeraRose]]
[[Kimbae]]
[[KittenMoon]]
[[Kira Kisss]]
[[Klara Team]]
[[Kobe Tai]]
[[Luakathia]] ([[L_U_A]])
[[LaraLou]]
[[Larkin Lane]]
[[Lela Star]]
[[Lenka Gaborova]]
[[LexiVixi]]
[[Lili Jones]]
[[LillieCat]]
[[Lisa Chen]] (aka [[Leilee]])
[[LisaCummm]]
[[LittleBoo]]
[[LittleWetGirl]]
[[LolasLove]]
[[Love_Elli]]
[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

[[Sashaaa69]]
[[Scarlet Assian]]
[[SexyLittleVal ]](aka [[schoolbabyxx]]
[[SeyNova]]
[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
[[SophiaSins]]
[[Stacy Doll]]
[[Stacy x3]]
[[StacyLoli]]
[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
[[Xo_Morgan]]
[[xWildThingx]]
[[Yveline]]

[[Janna Pavlova]] ([[Pretty Potatoo]])
[[Isabella (webcam)]] ([[Monstera Deliciosaa]]) https://namethatporn.com/post/1139440-who-is-this-girl-who-appears-in-chaturbate-ads-on-pornhub.html http://www.webpussi.com/models/monstera-deliciosaa/

[[Gabriella Fox]]
[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
[[Ava Max]]
[[Bebe Rexha]]
[[Britney Spears]]
[[Brenda Song]]
[[Cara Delevingne]]
[[Christina Aguilera]]
[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
| birth day =
| birth year = 1991
| birth ref =
| birth location =

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity =
| ethnicity2 =
| nationality =
| nationality2 =

| measurements =
| bra/cup size =
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=7}}
| weight = {{weight|lb=121}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = indiansweety1
| instagram =

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
I am: A Woman
Interested In: Women, Men, Couples, Trans
Location: Lost Kingdom
Last Broadcast: 19 hours ago
Language(s): English
Body Type: Slim
Smoke / Drink: Yes Yes
Body Decorations: Tatto

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A AlexIvy 
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O Kas 
E Sarita 
U Mel Fox 
R Rockette Rose 
N MissReinaT 
B PetiteMarie 
C LUA 
D Joyxs 
F VeronikaHil 
G Maya Di 
H Morrenna 
J Julia (MoonStarX) 
K Jul_la_la 
L GiaMazing 
M Morrenna 
P Vina Sky 
S LUA 
T Kenzie Reeves 
V LissaWayne 
W NikiSkyler 
X LaraLou 
Y LolasLove 
Z LiliJones 

 
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Sarita 
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Morrenna 
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NikiSkyler 
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---- 
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JapaneseDream 
LindaMei 
---- 
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Mia Magma 
Canela Skin 
VeronikaHil 
Panamera_888 
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Julia (MoonStarX) 
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Jul_la_la 
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KittenMoon 
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Emma_69 
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=========
==========
===========

https://blog.fitnyc.edu/precollegeprograms/2011/10/14/change/

https://www.pinterest.com/marypeleti/

Elly Tran Ha
 
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[http://vintage-erotica-forum.com/showthread.php?s=1a71474550b7949a7bc47a2e4106328d&p=109264#post109264 Lale Hansen thread] * [http://www.imagebam.com/gallery/8ae79de5cca88a7c03cfc0bb4cbf0383/ Claire Margarson pics] * [http://video.xnxx.com/video350547/claire_margarson_and_gang_vintage_clip anal at 4:58] * [http://drtuber.com/video/76801?aid=24 Sex-Addicted's sister?!?!] 7/86 - Littledove 6/92 - Nicole Simmons Tila Tequila Tera Patrick Kobe Tai Tia Bella Gauge Monique Alexander Katsumi Jana Cova Crissy Moran Carmen Luvana Seka Veronica Zemanova Veronica Simon Kascha Lenka Gaborova Anetta Keys [http://girls.twistys.com/galleries/weekly/25/video/valentinavaughn1/?nats=OTgyODozOjE Valentina Vaughn] Anna Romeo Tabitha Cash [http://www.errotica-archives.com/models/leila/ Leila Giallo]
 
 
 
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[http://vintage-erotica-forum.com/t7406-p6-nicole-simmons.html Nicole Simmons] aka "Paulette: Pounding Surf" 
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[http://vintage-erotica-forum.com/showthread.php?p=346560#post346560 Rachelle Arnott, aka Jessica James] - natives scratching at her tent 
[http://vintage-erotica-forum.com/showthread.php?p=3260270#post3260270 Anna Romeo] 
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[http://vintage-erotica-forum.com/showthread.php?p=839803#post839803 Tina Cheri: Let's Play Two] 
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[[Lola Thorne]]
avatar
[[Lacey Bloom]]
avatar
[[Heyashleytea]]
avatar
[[Addi]]
avatar
[[Florabella]]
avatar
[[Msmoncler]]
avatar
[[Itslo]]
avatar
[[Wififaerie]]
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[[Andremontoyaa]]
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[[Aedonflux]]
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[[Aphiademieux]]
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[[Novadior]]
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[[Lucy_goose]]
avatar
[[Missreinat]]
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[[Rylandbabylove]]
avatar
[[Clairemartin]]
avatar
[[Kirby]]
avatar
[[Alylee]]
avatar
[[Scout]]
avatar
[[Goldiefawn]]
avatar
[[Msamanda]]
avatar
[[Harley Bee]]
avatar
[[Servelua]]
avatar
[[Katelynn Koi]]
avatar
[[Ladyriassyn]]
avatar
[[Vitaminmia]]
avatar
[[Plutoprincess]]
avatar
[[Naomidee]]
avatar
[[Lana Ty]]
avatar
[[Dolllface]]
avatar
[[Tilly]]
avatar
[[Hannytv]]
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[[Roseroy]]
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[[Royalsexkitty]]
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[[Emma Starseed]]
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[[Ginnypotter]]
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[[Miss_charlee]]
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[[Kandyyykiss]]
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[[Arianafoxxx]]
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[[Alyssashy]]

[[User:Brjatlick/sandbox2]]

=WY=
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative. <ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

==Origins and creator intent==
The company that owns the ''Nostromo'' is not named in the film, and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref> <ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design. <ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==On-screen appearances (selected)==
===''Alien'' (1979)===
{{main|Alien (film)}}
The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building. <ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===
{{main|Aliens (film)}}
James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist. <ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs. <ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films. <ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

===''Alien: Earth'' (2025, television series)===
The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era". <ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven. <ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==Translation from Italian==
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

User:Brjatlick/sandbox

2025-11-21T08:54:38Z

Brjatlick: /* E2 */ WY

Create

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[[Luna Star]]
[[Make_It_Reina]]
[[Maliibu Miitch]]
[[Maria Rya]]
[[Mariamercada]]
[[Marianajeyss]]
[[Marley Brinx]]
[[Masturbabys]]
[[Megan Rain]]
[[Mel Fox]]/[[Andrea Montoya]]
[[Mia Magma]]
[[Michusaudade]]
[[MimiWat]] aka Girlfromrio
[[Mira_xo]]
[[Miss Alice]]
[[MissJadeStar]]
[[MissTanya]]
[[MiuMiu]]
[[MollyBoots]]
[[Monique Alexander]]
[[Moon_Star_X]]
[[Morrenna]]
[[MsMoncler]]
[[NatalyGreen]]
[[Niki Skyler]]
[[Nikki Eliot]]
[[Okssanna1]]
[[ParisLovely]]
[[Paula Fer]]
[[PetiteMarie]]
[[PisuVamp]]
[[RabbitJesss]]
[[Ramona Rios]]
[[RocketteRose]]
[[Roxana_Dream]]
[[RussianXXtasy]]
[[Sandra Shine]]
[[Sara Jean Underwood]]
[[Sarany]]

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[[Sia Siberia]]
[[Siena_baby]] ([[Stolnichaya]]
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[[Stacy Doll]]
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[[Teila Mun]]
[[Tiffany Houston]]
[[TigerlilyBae]]
[[UR_wet_DESIRE]]
[[Veronica Leal]]
[[Veronica Zemanova]]
[[Veronika Hil]]
[[Vina Sky]]
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[[xWildThingx]]
[[Yveline]]

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[[Tori Black]]
[[Zoey Kush]]

[[Ana de Armas]]
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[[Bebe Rexha]]
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[[Eva Mendes]]
[[Jessica Biel]]
[[Lalisa Manobal]] ("Lisa")
[[Leighton Meester]]
[[Mia Sara]]
[[Morena Baccarin]]
[[Nicole Scherzinger]]
[[Rachael Leigh Cook]]
[[Rihanna]]
[[Sara Hyland]]

[[Amanda Seyfried]]
[[Ashley Benson]]
[[Chloë Grace Moretz]]
[[Christina Ricci]]
[[Jaime Pressly]]
[[Jenna Ortega]]
[[Jessica Alba]]
[[Megan Fox]]
[[Izabella Miko]]

;Need to ask
:[[Diamond Jo]]
:[[Miss Alice‎]]

;No
:[[Alexandria Ivy]] ([[AlexIvy]])
:[[CutiePie60]] (aka [[TeilaMun]])
[[Fallingdevil]]
:[[HaleySweet18]]
:[[Luakathia]]
:[[MelissaDoll]]
:[[RocknXXtasy]]
:[[Seon_mi]]
:[[ShinyTheo]]

?

<nowiki>
{{Biobox new
| name = Helen Goddess
| photo =
| alias =

| birth month =
| birth day =
| birth year = 1991
| birth ref =
| birth location =

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity =
| ethnicity2 =
| nationality =
| nationality2 =

| measurements =
| bra/cup size =
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=7}}
| weight = {{weight|lb=121}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Black
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = indiansweety1
| instagram =

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Helen Goddess''' is a [[webcam model]].

==External links==
{{official|
* [https://hellengoddess.com]
* {{mfcshare|Helen_Goddess}}
* {{onlyfans|hellengoddess}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]
</nowiki>

==Sassyt33n==
Sassyt33n's Bio and Free Webcam

Onlyfans.com/sassyt33n
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Body Type: Slim
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Body Decorations: Tatto

==E2==
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---- 
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---- 
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=========
==========
===========

https://blog.fitnyc.edu/precollegeprograms/2011/10/14/change/

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[http://vintage-erotica-forum.com/showthread.php?s=1a71474550b7949a7bc47a2e4106328d&p=109264#post109264 Lale Hansen thread] * [http://www.imagebam.com/gallery/8ae79de5cca88a7c03cfc0bb4cbf0383/ Claire Margarson pics] * [http://video.xnxx.com/video350547/claire_margarson_and_gang_vintage_clip anal at 4:58] * [http://drtuber.com/video/76801?aid=24 Sex-Addicted's sister?!?!] 7/86 - Littledove 6/92 - Nicole Simmons Tila Tequila Tera Patrick Kobe Tai Tia Bella Gauge Monique Alexander Katsumi Jana Cova Crissy Moran Carmen Luvana Seka Veronica Zemanova Veronica Simon Kascha Lenka Gaborova Anetta Keys [http://girls.twistys.com/galleries/weekly/25/video/valentinavaughn1/?nats=OTgyODozOjE Valentina Vaughn] Anna Romeo Tabitha Cash [http://www.errotica-archives.com/models/leila/ Leila Giallo]
 
 
 
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[[User:Brjatlick/sandbox2]]

==WY==
{{Infobox fictional organization
| name = Weyland-Yutani
| image = Weyland_Yutani_Corp_Logo.svg
| caption = Logo of Weyland-Yutani as it appears in ''Aliens'' (1986)
| type = [[Publicly traded company]]
| creator = [[Ridley Scott]]
| creator2 = [[Dan O'Bannon]]
| first = ''[[Alien]]'' (1979)
| last = ''[[Predator: Badlands]]'' (2025)
| universe = ''[[Alien (franchise)|Alien]]''
| alias = *The Company
*The Corporation
| shortname = Weyland-Yutani
| founded = 2099 by Weyland Corp and Yutani Corporation
| founder = [[Peter Weyland|Sir Peter Weyland]] (canonical)
| founder2 = [[Bishop (Alien)|Charles Bishop Weyland]] and Ms. Cullen Yutani (spin-off)
| locations = *[[Tokyo]]
*[[London]]
*[[San Francisco]]
*[[Mare Tranquillitatis]]
*Thedus
| motto = ''Building Better Worlds''
}}
'''Weyland-Yutani''' (first shown as ''Weylan-Yutani'') is a fictional megacorporation that appears throughout the ''Alien'' franchise and later entered into crossover works that link the ''Alien'' and ''Predator'' universes. Often referred to in franchise material as "The Company", it is depicted as a massive multinational conglomerate with interests in starship construction, extrasolar colonization, biotechnology (including synthetic humans and androids), weapons research and resource exploitation. Across films, television and licensed tie-in media the Company is portrayed as an amoral, profit-driven organisation whose executives repeatedly prioritise research and corporate advantage over crew safety and human life; a recurring in-universe objective is the capture and study of living xenomorph specimens for the potential development of bio-weapons and proprietary technologies.<ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani (research notes / portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref>{{Cite web|url=https://www.thepopverse.com/film-alien-aliens-villain-was-always-weyland-yutani-capitalism-not-xenomorphs/|title=The real villain of the Alien franchise was always Weyland-Yutani - not the Xenomorphs|date=August 16, 2024|website=Popverse}}</ref>

==Fictional history and role in the franchise==
In franchise continuity the Company (variously styled as Weylan, Weyland, Yutani and as the merged corporate identity, Weyland-Yutani) is presented as a transnational corporation that, by the 22nd century, plays a decisive role in Earth- and colony-level governance, private enterprise, and colonisation projects. Canonical and promotional sources depict the Company as a major financier of colonial outposts and scientific research programs, and as an employer and contracting partner for interstellar vessels and research stations. The Company’s willingness to recover and weaponise extraterrestrial life-forms is a persistent source of conflict in the franchise narrative. <ref>{{cite web |url=https://www.people.com/alien-earth-release-schedule-where-to-watch-8383123 |title='Alien: Earth' Release Schedule |work=People |date=August 2025}}</ref>

''Aliens'' writer Joe Abbott contrasted the depiction of the military in ''Aliens'' to the 1954 science-fiction film ''[[Them!]]'' In both films, humans are beset by a monstrous invasion; in ''Them!'', the military is the hero despite its responsibility for the infestation. Abbott said its post-[[World War II]] American setting depicts a competent military and a state authority that demands (and receives) the compliance of its citizens. The image of the post-Vietnam military is tarnished and scrutinized; in ''Aliens'', it is ill-equipped, bumbling, and incapable of combating the threat posed by the alien creatures. Citizen cooperation can no longer be demanded or expected, and it is Ripley, an independent contractor from outside the state and military infrastructures, who saves the day.{{sfn|Abbott|1994|pp=23–25}} Unlike ''Them!'', the military is not at fault for creating the problem in ''Aliens''; it is the Weyland-Yutani corporation ("the company"). The power of the state has been superseded by the corporation, which also demands conformity for rewards and advancement and reflects a growing mistrust of [[corporatism]]; the company is represented by Burke, a self-interested opportunist.{{sfn|Abbott|1994|p=24}} Ripley is elevated throughout ''Aliens'' as she prioritizes the survival and safety of all humans while Burke is often willing to callously sacrifice human life in pursuit of the interests of the company.{{sfn|Abbott|1994|pp=24–25}}

==Origins and creator intent==
The company that owns the ''Nostromo'' is not named in the film, and is referred to by the characters as "the company". However, the name and logo of the company appears on several set pieces and props such as computer monitors and beer cans as "Weylan-Yutani".<ref name="McIntee, 15">McIntee, 15.</ref> Cobb created the name to imply a business alliance between Britain and Japan, deriving "Weylan" from the [[British Leyland Motor Corporation]] and "Yutani" from the name of his Japanese neighbor.<ref name="McIntee, 28">McIntee, 28.</ref> <ref>{{cite book |last1=Mollo |first1=John |first2=Ron |last2=Cobb |title=The Authorized Portfolio of Crew Insignias from the United States Commercial Spaceship Nostromo, Designs and Realizations |quote=One of the things I enjoyed most about "ALIEN" was its subtle satirical content. [...] "Weylan-Yutani" for instance is almost a joke, but not quite. I wanted to imply that poor old England is back on its feet and has united with the Japanese, who have taken over the building of spaceships the same way they have now with cars and supertankers. In coming up with a strange company name, I thought of British Leyland and [[Toyota]], but we couldn't use "Leyland-Toyota" in the film. Changing one letter gave me "Weylan", and "Yutani" was a Japanese neighbor of mine. [...] "Weylan-Yutani" now only appears on the beer can, underwear, and some stationary, so the joke sort of got lost.|author2-link=Ron Cobb}}</ref> The 1986 sequel, ''[[Aliens (film)|Aliens]],'' named the company "Weyland-Yutani",<ref name="McIntee, 28" /><ref name="aliens">{{cite AV media |people=[[James Cameron|Cameron, James]] (Director) |title=[[Aliens (film)|Aliens]] |medium=[[DVD]] |publisher=[[20th Century Fox]] |location=Beverly Hills, California |date=2003}}</ref> and it has remained a central aspect of the franchise.

The name and some early insignia associated with the Company were devised during production of Ridley Scott's 1979 film ''Alien''. Concept artist Ron Cobb and costume/designer John Mollo produced a small "portfolio" of crew insignia and background elements for the USCSS ''Nostromo''; in those materials Cobb described the coinage of the name (originally spelled ''Weylan-Yutani'') as a playful mash-up inspired by British Leyland and Toyota, and explained design experiments with an interlocking W/Y logo before Ridley Scott opted for an Egyptian wing motif for much of the film’s ship-decoration. Cobb's notes and the portfolio have been cited in retrospective discussions of the film's design. <ref>{{cite web |url=https://www.speculativeidentities.com/public/assets/research/uk-7/The-Authorized-Portfolio-of-Crew-Insignias-from-The-UNITED-STATES-COMMERCIAL-SPACESHIP-NOSTROMO-Concepts-and-Derivations.pdf |title=The Authorized Portfolio of Crew Insignias (Ron Cobb & John Mollo) (PDF) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno">{{cite web |url=https://www.denofgeek.com/movies/the-xenomorph-isnt-the-scariest-monster-in-alien/ |title=The Xenomorph Isn't the Scariest Monster in Alien |work=Den of Geek |date=30 April 2024}}</ref>

=== Marcusean interpretation ===
In ''Industrial Society and the Science Fiction Blockbuster'' (2016), Mark T. Decker argues that the recurring portrayal of the company throughout the ''Alien'' franchise reflects themes drawn from [[Herbert Marcuse]]’s critique of advanced industrial society.<ref name="Decker36–39">Decker, Mark T. ''Industrial Society and the Science Fiction Blockbuster''. McFarland & Company, 2016, pp. 36–37, 39.</ref> Decker contends that the franchise engages with Marcuse’s concept of the “performance principle,” the idea that industrial systems subordinate human life to economic productivity, efficiency, and competitive output. According to Decker, Weyland–Yutani’s actions illustrate Marcuse’s view that efficiency and repression converge in capitalist society.<ref name="Decker36–39" /> The corporation’s willingness to risk—or sacrifice—the lives of the ''Nostromo'' crew, colonial marines, or mining-prison populations is framed as a rational extension of its pursuit of valuable bioweapons. The economic potential of the xenomorph repeatedly outweighs any regard for human safety or autonomy.
Alien³ and Disposable Populations

Decker identifies ''Alien³'' as one of the franchise’s clearest depictions of Marcuse’s performance principle.<ref name="Decker36–39" /> The film’s setting, Fiorina “Fury” 161—a decommissioned lead-smelting facility and prison—embodies a population the corporation considers economically negligible. Weyland–Yutani maintains only a minimal staff and inmate presence to avoid the financial costs associated with total abandonment. The prisoners’ lives hold value for the company only insofar as they represent a partially recoverable asset.
The sudden appearance of a xenomorph transforms the corporation’s behavior. After years of minimal contact, Fury 161 begins receiving direct and urgent communication once the company detects a potentially valuable specimen. Decker argues that this shift illustrates Marcuse’s claim that individuals become expendable or important solely according to their usefulness in an economic calculus.

Across multiple installments, the depiction of Weyland–Yutani reflects several Marcusean themes, including:
One-dimensionality, in which characters internalize the corporation’s pragmatic worldview.
Social stratification, shown through the expendability of workers, prisoners, and soldiers.
Instrumental rationality, where decisions are reduced to cost–benefit analyses.
The fusion of efficiency and repression, exemplified by the corporation’s pursuit of the xenomorph at the expense of human life.

Decker concludes that the franchise uses Weyland–Yutani not merely as an antagonist, but as a vehicle for critiquing industrial society’s transformation of individuals into assets, liabilities, or expendables within a broader system of economic performance.<ref name="Decker36–39" />

''Alien Resurrection'' briefly alludes to the demise of the Weyland–Yutani Corporation, stating in s DVD extra that it was purchased by Wal-Mart. Decker interprets this not as a departure from the franchise’s critique but as an indication that the performance principle persists regardless of whether its agent is corporate or governmental.<ref name="Decker36–39" /> In his reading, the fourth film shifts the critique from corporate malfeasance to government malfeasance without altering the underlying structural forces driving exploitation, experimentation, and instrumental rationality.

==On-screen appearances (selected)==
===''Alien'' (1979)===
{{main|Alien (film)}}
The Company name and house brands appear in background props in Ridley Scott's original film. The best-documented example is a fictional canned beer labelled "Aspen" which, on screen, bears the company name and has been used by later publicity and tie-in projects as an early instance of the Company identity (spelled in early materials as "Weylan-Yutani"). The product and other background uses of the name established the Company as part of the film's diegetic world-building. <ref>{{cite web |url=https://www.space.com/angel-city-brewery-alien-beer |title=Angel City Brewery releases Weyland-Yutani's Aspen Beer |work=Space.com |date=16 August 2024}}</ref><ref>{{cite web |url=https://fontsinuse.com/uses/10058/aspen-beer-can-prop-from-alien |title=Aspen Beer can prop from Alien (design notes) |work=Fonts In Use |date=20 August 2015}}</ref>

===''Aliens'' (1986)===
{{main|Aliens (film)}}
James Cameron's sequel expanded the franchise's corporate background and increased the prominence of Company imagery and plot influence; in ''Aliens'' the Company (now widely credited onscreen as "Weyland-Yutani") is explicitly involved in the colonisation project at Hadley's Hope and in corporate directives that endanger human life in pursuit of alien specimens. Visual branding associated with the Company appears on equipment, vehicles and uniforms throughout the film; later franchise histories treat ''Aliens'' as the moment when the Company became a major recurring antagonist. <ref name="Ten Things">{{cite web |url=https://screenrant.com/aliens-weyland-yutani-company-trivia/ |title=Aliens: 10 Things You Never Knew About The Weyland-Yutani Corporation |work=ScreenRant |date=16 July 2021}}</ref>

===''Alien³'' (1992) and ''Alien: Resurrection'' (1997)===
Company branding recurs in subsequent sequels (for example in on-screen printed materials and prop art). Some home-video and tie-in sources note small diegetic references to the Company name in various languages and formats in those films' production designs. <ref>{{cite web |url=https://www.propstore.com/product/alien-resurrection-1997/dr-wren-j-e-freeman-animatronic-bust/ |title=Dr Wren animatronic bust (Prop Store listing) |work=Prop Store |accessdate=2025-11-08}}</ref>

===''Alien vs. Predator'' (2004) and the Weyland character===
Cross-franchise media introduced a human founder figure for one antecedent corporate entity: in ''Alien vs. Predator'' the role of Charles Bishop Weyland (portrayed by Lance Henriksen) is presented as the founder of Weyland Industries, a company whose name is retroactively connected to the Weyland-Yutani identity in tie-in materials. The casting of Henriksen (who earlier appeared in the franchise as the android "Bishop") was an explicit production choice that created a connective motif between films. <ref>{{cite web |url=https://www.imdb.com/title/tt0370263/ |title=Alien vs. Predator (2004) - full cast & crew |work=IMDb}}</ref>

===''Alien: Earth'' (2025, television series)===
The 2025 television series ''Alien: Earth'' (FX / FX on Hulu), created by Noah Hawley, re-establishes the Company as an active corporate force in the franchise's near-future setting; promotional coverage and episode synopses for the series identify Weyland-Yutani as one of the major corporations whose actions and technologies shape the show's setting, and a Weyland-Yutani vessel (the USCSS ''Maginot'') is central to the series' opening events. Coverage of the show and interviews with its creators and producers discuss the Company’s thematic role as a modern corporate power within the show's "Corporate Era". <ref>{{cite web |url=https://people.com/alien-earth-episode-release-schedule-11790324 |title='Alien: Earth' Release Schedule (People) |work=People |date=August 2025}}</ref><ref>{{cite web |url=https://nerdist.com/article/alien-earth-ms-yutani-ceo-weyland-yutani/ |title=EARTH Finally Introduces Ms. Yutani, CEO of Weyland-Yutani |work=Nerdist |date=19 August 2025}}</ref>

===''Predator: Badlands'' (2025)===
The 2025 film ''Predator: Badlands'', directed by Dan Trachtenberg, includes explicit diegetic ties to the Weyland-Yutani identity: contemporary reporting and interviews around the film's release confirm that a principal character (Thia, played by Elle Fanning) is a synthetic created by Weyland-Yutani, and that the Company motif is used to provide connective tissue between Predator material and the wider shared franchise milieu. Filmmakers have discussed wanting the connection to feel integrated rather than overtly crossover-driven. <ref>{{cite news |url=https://www.gamesradar.com/entertainment/sci-fi-movies/dan-trachtenberg-says-he-wanted-predator-badlands-connection-to-alien-to-be-more-elegant-than-past-universe-movies-but-that-doesnt-mean-it-wont-grow-into-a-bigger-thing/ |title=Dan Trachtenberg says he wanted Predator: Badlands' connection to Alien to be 'more elegant' |work=GamesRadar |date=4 November 2025}}</ref><ref>{{cite web |url=https://ew.com/elle-fanning-freaked-out-predator-badlands-costar-double-jointed-elbows-11844345/ |title=Elle Fanning freaked out 'Predator: Badlands' costar with this unique talent |work=Entertainment Weekly |date=6 November 2025}}</ref>

==Design, spelling and logos==
Early production materials for ''Alien'' show the name spelled ''Weylan-Yutani'' (a spelling used on in-film props such as the Aspen Beer can), while later productions standardised on the hyphenated form ''Weyland-Yutani''. Ron Cobb's design notes describe experiments with a W/Y monogram (an "industrial looking" interlock) and the Egyptian wing device that appears in Ridley Scott's finished production; later films and tie-ins adapt one or other of these visual devices according to their production design requirements. <ref>{{cite web |url=https://www.speculativeidentities.com/research/weylan-yutani |title=Weylan-Yutani research (Ron Cobb / John Mollo portfolio) |work=Speculative Identities |accessdate=2025-11-08}}</ref><ref name="Xeno"/>

==Cultural reception and analysis==
Weyland-Yutani is widely cited (by critics, scholars and fans) as a prominent example of the "evil megacorporation" trope in science fiction: an organisation that embodies anxieties about corporate power, unregulated private research, and utilitarian approaches to ethics. Commentators identify the Company as a narrative device that externalises contemporary concerns about corporate influence over science, warfare and space exploration. <ref name="Ten Things"/>

==Translation from Italian==
Several writers have described the Company as the “true” antagonist of the three franchises, since unlike the Xenomorphs and the Yautja, Weyland-Yutani acts from pure greed rather than instinct. The Company is consistently portrayed as displaying the worst aspects of corporate capitalism, willing to sacrifice ethics and human lives to satisfy its lust for power.<ref>Martin Parker, "Manufacturing Bodies: Flesh, Organization, Cyborgs", in John Hassard, Ruth Holliday, Hugh Willmott (eds.), ''Body and Organization'', SAGE, 2000, p. 78, ISBN 0761959181</ref><ref name="bruno">Bruno de Brito Serra, "Disposable Assets: Weyland-Yutani's Special Brew of Business Ethics", in Jeffrey A. Ewing & Kevin S. Decker (eds.), ''Alien and Philosophy: I Infest, Therefore I Am'', John Wiley & Sons, 2017, pp. 39–47, ISBN 1119280850.</ref> According to feminist scholar [[Judith Newton]], Weyland-Yutani represents [[capitalism]] in its most grotesque, greedy, and dehumanized form. She notes the symbolism of the starship Nostromo’s computer, “Mother,” and the admiration the android [[Ash (Alien)|Ash]] expresses for the Xenomorph.<ref>Judith Newton, "Feminism and Anxiety in ''Alien''", in Annette Kuhn (ed.), ''Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema'', Verso, 1990, pp. 83–84, ISBN 0860919935</ref> It has been proposed that, in praising the “purity” of the Xenomorph, Ash is in fact describing the Company’s ideal employee.<ref name="Pharr2002">{{Cite book |title=No Cure for the Future: Disease and Medicine in Science Fiction and Fantasy |series=Contributions to the Study of Science Fiction and Fantasy |chapter=Synthetics, Humanity, and the Life Force in the ''Alien'' Quartet |author=Mary Pharr |editor=Gary Westfahl and George Edgar Slusser |publisher=Greenwood Publishing Group |year=2002 |pages=134–135 |isbn=0-313-31707-0}}</ref>

The Company’s presence in the franchise has generally been well received by science-fiction fans, appearing on numerous lists of the best fictional corporations or organizations.<ref>{{Cite web|url=https://gizmodo.com/15-evil-corporations-in-science-fiction-5217560|title=15 Evil Corporations in Science Fiction|website=Gizmodo|date=2009-04-18|language=en|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.cracked.com/article_18643_6-evil-corporations-in-movies-with-terrible-business-plans.html|title=6 Evil Corporations in Movies (With Terrible Business Plans)|author=Rohan Ramakrishnan|website=Cracked.com|date=2010-08-01|language=en|access-date=2023-12-09}}</ref><ref>{{Cite news|first=Wook|last=Kim|url=https://entertainment.time.com/2012/06/08/bad-company-top-10-evil-corporations-in-movies/|title=Weyland-Yutani Corporation, ''Aliens'' {{!}} Bad Company: Top 10 Evil Corporations in Movies|work=Time|date=2012-06-07|access-date=2023-12-09}}</ref><ref>{{Cite web|url=https://www.mtv.com/news/3duw64/evil-movie-corporations|title=The 15 Most Evil Movie Corporations|website=MTV|language=en|access-date=2023-12-09|archive-date=9 December 2023|archive-url=https://web.archive.org/web/20231209075238/https://www.mtv.com/news/3duw64/evil-movie-corporations|url-status=dead}}</ref>

== Creation ==
While conceptualizing the Company, [[Ridley Scott]] drew inspiration from the ''[[Big Brother (Nineteen Eighty-Four)|Big Brother]]'' of ''[[Nineteen Eighty-Four]]'' by [[George Orwell]], envisioning it as an organization that prioritizes aberrant technological progress over the safety of its employees.<ref>Laurence F. Knapp & Andrea F. Kulas, ''Ridley Scott: Interviews'', Univ. Press of Mississippi, 2005, pp. 44–47, ISBN 157806726X</ref>

The name was created by one of the artists on the ''Alien'' project, [[Ron Cobb]]: in an interview, he explained that he imagined a hypothetical commercial merger between the [[United Kingdom]] and [[Japan]]. He initially combined the automobile manufacturers [[British Leyland|Leyland]] and [[Toyota]], later modifying the names since they could not be used directly in the film, while “Yutani” came from the surname of Cobb’s then-neighbor. The Company is never spoken aloud in the film, but its early spelling, “Weylan-Yutani,” appears on a beer can, on uniforms, and even on [[Ellen Ripley]]’s underwear. At [[Ridley Scott]]’s insistence, costume designer [[John Mollo]] created the winged Company logo based on ancient Egyptian depictions of the [[Winged sun|winged solar disk]].<ref>[[John Mollo]] & [[Ron Cobb]], ''The Authorized Portfolio of Crew Insignias from The United States Commercial Spaceship Nostromo: Designs and Realizations'', 1980, Limited Edition Collector's Kit</ref>

In ''[[Aliens]]'', director [[James Cameron]] drew inspiration from the practices of the 16th-century [[Dutch West India Company]] in portraying the relationship between Weyland-Yutani and the [[United States Marine Corps]]. Like the Company in the film, the Dutch West India Company aligned itself with military forces to expand its commercial interests.<ref name="alienscommentario">{{Cite video |title=Aliens audio commentary |medium=DVD |location=Alien Quadrilogy (Aliens) |publisher=Twentieth Century Fox Home Entertainment |date=2003}}</ref>

== Appearances ==
=== Canonical saga ===
[[File:ExpoSYFY - Alien (aspen beer).jpg|thumb|Aspen Beer can used in ''Alien'', showing the early spelling "Weylan-Yutani" without the final ''d''.]]
==== ''Alien'' (1979) ====
{{See also|Alien}}
In the year 2122, the Company becomes aware of an abandoned alien spacecraft on the planetoid [[LV-426]]. Hoping to capture an alien life-form to expand its portfolio of [[biological weapon]] research, it secretly assigns the android Ash to infiltrate the starship ''Nostromo'' crew and divert them to the planetoid to recover an organism. Ash fails after being exposed, and the [[Xenomorph]] brought aboard the ''Nostromo''—ultimately destroyed—is ejected into space by the sole survivor, Lieutenant [[Ellen Ripley]].

==== ''Aliens'' (1986) ====
{{See also|Aliens}}
In 2179, fifty-seven years later, Weyland-Yutani executive Carter Burke secretly orders a group of colonists on LV-426 to investigate the alien ship. They are swiftly overwhelmed by Xenomorph hordes and their queen. The Company dispatches a squad of Marines—along with Ellen Ripley—to investigate. Unbeknownst to them, Burke intends to bring Xenomorphs to Earth. His plan fails, and the colony along with the hive is destroyed when the atmosphere processor explodes.

==== ''Alien³'' (1992) ====
{{See also|Alien³}}
Later that same year, the Company discovers that Ripley has crash-landed on the prison planet Fiorina 161 and has become the [[Host (biology)|host]] of a Xenomorph queen embryo. They send a representative to persuade her to surrender and trust that they will destroy the embryo. Disbelieving them, Ripley commits suicide.

==== ''Alien Resurrection'' (1997) ====
{{See also|Alien Resurrection}}
By 2379, two centuries after the events on Fiorina 161, it is revealed that Weyland-Yutani has gone bankrupt. The film’s [[director's cut]] reveals that the corporation is eventually absorbed by [[Walmart]].

==== ''Prometheus'' (2012) ====
{{See also|Prometheus (film)}}
In 2093, [[Peter Weyland]], founder of the Weyland Corporation, sends the starship ''Prometheus'' to the moon LV-223 to investigate an abandoned base of an alien race known as the [[Engineers (Alien)|Engineers]], hoping their remnants may grant him immortality.

==== ''Alien: Covenant'' (2017) ====
{{See also|Alien: Covenant}}
Ten years after ''Prometheus'', the ''Covenant'', another Weyland Corporation starship transporting colonists to a new world, intercepts a distress signal. The mission discovers that it was broadcast by one of the surviving crewmembers of the ''Prometheus''.

==== ''Alien: Earth'' (2025) ====
{{See also|Alien: Earth}}
In the TV series, the ''Maginot'', a deep-space research vessel of Weyland-Yutani, crashes on Earth—specifically in the city of New Siam, owned by a rival corporation, Prodigy. Prodigy seizes the ship’s contents, including Xenomorph eggs, while Weyland-Yutani mobilizes to recover the samples. The series depicts the Company as represented by a young woman bearing the surname Yutani.

=== Spin-offs ===
==== ''Alien vs. Predator'' (2004) ====
{{See also|Alien vs. Predator (film)}}
In 2004, [[Bishop (Alien)|Charles Bishop Weyland]], founder of Weyland Industries, travels to [[Bouvet Island]] to investigate a [[pyramid]] housing a Xenomorph queen.

==== ''Aliens vs. Predator: Requiem'' (2007) ====
{{See also|Aliens vs. Predator: Requiem}}
Technology stolen from a [[Yautja]] warrior is delivered to Cullen Yutani.

==== ''Predator: Badlands'' (2025) ====
{{See also|Predator: Badlands}}
Company androids named Thia and Tessa are dispatched to the most dangerous planet in the universe, Genna, to locate and capture the young [[Yautja]] warrior Dek and the monstrous Kalisk.

==References==
{{reflist}}

===Works cited===
{{Refbegin|colwidth=35em}}
* {{cite journal| first=Joe |last=Abbott |title=They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron |journal=Literature/Film Quarterly |publisher=[[Salisbury University]] |location=[[Salisbury, Maryland]] |volume=22|issue=1 |pages=21–27| date=1994 |jstor=43796613 |url= https://www.jstor.org/stable/43796613 |access-date=November 19, 2020 }}
* {{cite book |last=McIntee |first=David |author-link=David A. McIntee |title=Beautiful Monsters: The Unofficial and Unauthorized Guide to the Alien and Predator Films |publisher=[[Telos Publishing]] |year=2005 |location=Surrey |pages=10–44, 208, 251, 258–260 |isbn=1-903889-94-4}}

{{Refend}}

{{Drafts moved from mainspace|date=November 2025}}

{{Draft categories|
[[Category:Fictional companies]]
}}

Alice NZ

2025-10-04T08:36:56Z

Brjatlick: updated

{{Otheruses4|New Zealand webcam model|British-French porn star|Miss Alice Wild}}
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'''Miss Alice''' is a New Zealand [[webcam model]]. She has been in the [[MyFreeCams]] top 100 many times, and in the top 20 several times.

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[[Category:Webcam models]]
[[Category:Hourglass]]

Alice NZ

2025-10-01T00:47:10Z

Brjatlick: Alice Posse

{{Otheruses4|New Zealand webcam model|British-French porn star|Miss Alice Wild}}
{{Biobox new
| name = Alice NZ
| photo = [[Image:MissAlice.jpg|240px|Miss Alice]]
| alias = Alice Posse Miss Alice MissAlice 18 Miss Alice 94

| birth month = May
| birth day = 5
| birth year = 1994
| birth ref = <ref>https://profiles.myfreecams.com/Alice_NZ</ref>
| birth location = New Zealand

| death month =
| death day =
| death year =
| death ref =
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| years active =
| ethnicity = White
| ethnicity2 =
| nationality = New Zealander
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| measurements =
| bra/cup size = {{bra|32|C}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=6}}
| weight = {{weight|lb=116}}
| body type = Slim
| eye color = {{eyecolor|Blue}}
| hair color = Blonde
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
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| topless = y
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| myspace =
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| modelmayhem =
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}}

'''Miss Alice''' is a New Zealand [[webcam model]]. She has been in the [[MyFreeCams]] top 100 many times, and in the top 20 several times.

== External links ==
{{official|
* {{chaturbate|alicenz}}
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* {{mfcshare|Alice_NZ}}
* {{myfreecams|Alice_NZ}}
* {{onlyfans|alicenz}}
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}}
* {{babepedia|Miss Alice 94}}
* {{freeones}}

[[Category:Webcam models]]
[[Category:Hourglass]]

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2025-10-01T00:40:45Z

Brjatlick: Miss Alice MissAlice 18 Miss Alice 94

{{Otheruses4|New Zealand webcam model|British-French porn star|Miss Alice Wild}}
{{Biobox new
| name = Alice NZ
| photo = [[Image:MissAlice.jpg|240px|Miss Alice]]
| alias = Miss Alice MissAlice 18 Miss Alice 94

| birth month = May
| birth day = 5
| birth year = 1994
| birth ref = <ref>https://profiles.myfreecams.com/Alice_NZ</ref>
| birth location = New Zealand

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = New Zealander
| nationality2 =

| measurements =
| bra/cup size = {{bra|32|C}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=6}}
| weight = {{weight|lb=116}}
| body type = Slim
| eye color = {{eyecolor|Blue}}
| hair color = Blonde
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage = https://my.bio/alicenz
| blog =
| livejournal =
| twitter = alicenz_
| twitter2 = MissAlice_94
| instagram = alice_posse
| instagram2 = choose.yr.fighter_alice

| myspace =
| youtube =
| tiktok = aliceposse
| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Miss Alice''' is a New Zealand [[webcam model]]. She has been in the [[MyFreeCams]] top 100 many times, and in the top 20 several times.

== External links ==
{{official|
* {{chaturbate|alicenz}}
* {{fansly|AliceNZ}}
* {{manyvids|493690/alicenz}}
* {{mfcshare|Alice_NZ}}
* {{myfreecams|Alice_NZ}}
* {{onlyfans|alicenz}}
* {{twitch|alice_posse}}
}}
* {{babepedia|Miss Alice 94}}
* {{freeones}}

[[Category:Webcam models]]
[[Category:Hourglass]]

MissAlice 18

2025-10-01T00:39:23Z

Brjatlick: Alice NZ

#redirect[[Alice NZ]]

Miss Alice 94

2025-10-01T00:37:57Z

Brjatlick: Alice NZ

#redirect[[Alice NZ]]

AliceNZ

2025-10-01T00:35:11Z

Brjatlick: Alice NZ

#redirect[[Alice NZ]]

MissAlice

2025-10-01T00:35:02Z

Brjatlick: Alice NZ

#redirect[[Alice NZ]]

Miss Alice

2025-10-01T00:34:35Z

Brjatlick: Brjatlick moved page Miss Alice to Alice NZ over redirect: Final name she is dedicated to.

#REDIRECT [[Alice NZ]]

Alice NZ

2025-10-01T00:34:35Z

Brjatlick: Brjatlick moved page Miss Alice to Alice NZ over redirect: Final name she is dedicated to.

{{Otheruses4|New Zealand webcam model|British-French porn star|Miss Alice Wild}}
{{Biobox new
| name = Miss Alice
| photo = [[Image:MissAlice.jpg|240px|Miss Alice]]
| alias = Alice_NZ

| birth month = May
| birth day = 5
| birth year = 1994
| birth ref = <ref>https://profiles.myfreecams.com/Alice_NZ</ref>
| birth location = New Zealand

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = New Zealander
| nationality2 =

| measurements =
| bra/cup size = {{bra|32|C}}
| natural tits = y
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=6}}
| weight = {{weight|lb=116}}
| body type = Slim
| eye color = {{eyecolor|Blue}}
| hair color = Blonde
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage = https://my.bio/alicenz
| blog =
| livejournal =
| twitter = alicenz_
| twitter2 = MissAlice_94
| instagram = alice_posse
| instagram2 = choose.yr.fighter_alice

| myspace =
| youtube =
| tiktok = aliceposse
| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Miss Alice''' is a New Zealand [[webcam model]]. She has been in the [[MyFreeCams]] top 100 many times, and in the top 20 several times.

== External links ==
{{official|
* {{chaturbate|alicenz}}
* {{fansly|AliceNZ}}
* {{manyvids|493690/alicenz}}
* {{mfcshare|Alice_NZ}}
* {{myfreecams|Alice_NZ}}
* {{onlyfans|alicenz}}
* {{twitch|alice_posse}}
}}
* {{babepedia|Miss Alice 94}}
* {{freeones}}

[[Category:Webcam models]]
[[Category:Hourglass]]

User:Brjatlick/sandbox2

2025-07-17T06:54:18Z

Brjatlick: 2

Just an extra sandbox

User:Brjatlick/sandbox

2025-07-17T06:53:56Z

Brjatlick: 2

Maria Della Rosa

2025-07-13T05:25:27Z

Brjatlick: /* External links */ * {{muselink|Maria_}}

{{Biobox new
| name =
| photo = [[File:MimiWat.png]]
| alias = MimiWat, Girlfromrio

| birth month =
| birth day =
| birth year =
| birth ref =
| birth location = Brazil

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = Latina
| ethnicity2 =
| nationality = Brazilian
| nationality2 =

| measurements =
| bra/cup size =
| natural tits = n
| natural tits ref =
| implant type =
| pierced nipples =

| height = {{height|ft=5|in=3}}
| weight = {{weight|lb=110}}
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Blond
| hair color2 =
| hair length = Mid
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = girlfromrioxx
| instagram = mariadellaros

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Maria Della Rosa''' (born in Brazil) is a [[Brazilian]] [[webcam model]].

She has been in the top 200 for the [[MyFreeCams]] "Miss MFC" rankings several times.

== External links ==
{{official|
* {{muselink|Maria_}}
* {{onlyfans|mariadellarosa}}
* {{myfreecams|Maria_}}
* {{mfcshare|Maria_}}
}}

[[Category:Webcam models]]
[[Category:Hourglass]]
[[Category:Missile boobs]]

Vera Bambi

2025-07-13T05:24:33Z

Brjatlick: * {{muselink|verabambi}}

{{Biobox new
| name =
| photo = [[Image:Vera Bambi_01.jpg|240px]]
| alias = Vera Baby, Sliver Suicide

| birth month = 8
| birth day = 1
| birth year = 1991
| birth ref = <ref name='vb'> http://web.archive.org/web/20160213223542/https://verabambi.com/faq/</ref>
| birth location = Toronto, Ontario, Canada

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active = 2011-present
| ethnicity = White
| ethnicity2 =
| nationality = Canadian
| nationality2 =

| measurements = 36-26-37<ref name='vb'/>
| bra/cup size = {{bra|32|DD}}<ref name='mm'>http://www.modelmayhem.com/sliversuicide</ref>
| natural tits = N
| natural tits ref = <ref name='vb'/>
| implant type = Silicone
| pierced nipples = Y

| height = {{height|ft=5|in=6}}<ref name='mm'/>
| weight = {{weight|lb=110}}<ref name='mm'/>
| body type = Slim
| eye color = {{eyecolor|Hazel}}
| hair color = Brown
| hair color2 =
| hair length = Medium
| hair shape =
| underarm hair = N
| pubic hair =
| blood =

| playmatemonth =
| playmateyear =
| petmonth =
| petyear =

| topless = Y
| bush =
| frontal =
| pink =

| solo =
| solodildo =
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage = http://verabambi.com/
| blog =
| twitter = VeraBambiLIVE
| instagram = verabambilive
| instagram2 = verabambibeauty
| facebook = verabambilive
| onlyfans = verabambi
| onlyfansfree = verabambilive
| myfreecams = VeraBambi
| twitch = verabambi
| tiktok = verabambilive

| modelmayhem =
| onemodelplace =
| deviantart =
| youtube = VeraBambiTV

| imdb = 8825829
| tmdb = 3008679
| afdb =
| egafd =
| bgafd =
}}

'''Vera Bambi''' is a [[Canadian]] [[glamour model]], [[cosplay model]], and [[vlogger]]. She used to be a Suicide Girl, having joined the site on her 19th birthday. Bambi has 356cc silicone gel implants.

==External Links==
* {{babepedia|Vera Baby}}
* {{freeones|Vera Baby}}
* {{muselink|verabambi}}

==References==
{{reflist}}

[[Category:Nude models]]
[[Category:Glamour models]]
[[Category:Cosplay models]]
[[Category:Implant size less than 500cc]]
[[Category:Open about enhancement]]
[[Category:SuicideGirls models]]
[[Category:Tattoos]]

Haley

2025-05-17T04:08:22Z

Brjatlick: 420

{{Biobox new
| name =
| photo = [[File:Haley MFC from Insta.jpg|300px]]
| alias = HALEY Haley420

| birth month =
| birth day =
| birth year =
| birth ref =
| birth location = America

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements =
| bra/cup size = D
| natural tits =
| natural tits ref =
| implant type =
| pierced nipples =

| height =
| weight =
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Red
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = Haley420xxx
| instagram = h4ley20

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Haley''' is an [[American]] [[webcam model]].

She has been in the top 500 for the [[MyFreeCams]] "Miss MFC" rankings many times, making it into the top 50 several times.

== External links ==
{{official|
* {{onlyfans|haley420}}
* {{myfreecams|HALEY}}
* {{mfcshare|HALEY}}
}}

[[Category:Webcam models]]

User:Brjatlick

2025-05-17T02:46:41Z

Brjatlick: plus one

Here I am.

#[[Andrea Montoya]] ([[Mel Fox]])
#[[Bambi Doll]]
#[[Candy Lisa]]
#[[Diamond Jo]]
#[[Ex0ticMermaid]]
#[[GiaMazing]]
#[[Haley]]
#[[Hellen Goddess]]
#[[Joey Kim]]
#[[Kasandra Vergara]] ([[Kas]])
#[[Luakathia]]
#[[Lusianne]] ([[BloodElfLu]])
#[[Maria Della Rosa]]
#[[Maya Di]]
#[[Michelle Walker]]
#[[Miss Alice]]
#[[MissReinaT]]
#[[Naomi Swann]]
#[[Rita Moreno]]
#[[Sarita Swtt]]
#[[Sassyteen]] ([[BelleM]])
#[[Scarlet Assian]]
#[[Slemgem]]
#[[Thaina Mark]]
#[[VitaminMia]]
#[[Zenyda]]

[[/sandbox]]

All the pics I got permission from models to upload:

[[File:Nipples-joey-kim-Zwjy2B2s.jpg]]
[[File:MissReinaT for BP2.jpg]]
[[File:Andrea Montoya x.jpg]]
[[File:Sarita Swtt.jpg]]
[[File:MimiWat.png]]
[[File:Candy Lisa.jpg]]
[[File:Bambi Doll arch.jpg]]
[[File:BELu.jpg]]
[[File:Ex0ticMermaid.jpg]]
[[File:GiaMazing.jpg]]
[[File:Helen Goddess-MFC-202111142052 poster.jpg]]
[[File:Haley MFC from Insta.jpg]]

Haley

2025-05-17T02:38:21Z

Brjatlick: 300

{{Biobox new
| name =
| photo = [[File:Haley MFC from Insta.jpg|300px]]
| alias = HALEY

| birth month =
| birth day =
| birth year =
| birth ref =
| birth location = America

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements =
| bra/cup size = D
| natural tits =
| natural tits ref =
| implant type =
| pierced nipples =

| height =
| weight =
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Red
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = Haley420xxx
| instagram = h4ley20

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Haley''' is an [[American]] [[webcam model]].

She has been in the top 500 for the [[MyFreeCams]] "Miss MFC" rankings many times, making it into the top 50 several times.

== External links ==
{{official|
* {{onlyfans|haley420}}
* {{myfreecams|HALEY}}
* {{mfcshare|HALEY}}
}}

[[Category:Webcam models]]

Haley

2025-05-17T02:38:11Z

Brjatlick: lk

{{Biobox new
| name =
| photo = [[File:Haley MFC from Insta.jpg]]
| alias = HALEY

| birth month =
| birth day =
| birth year =
| birth ref =
| birth location = America

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements =
| bra/cup size = D
| natural tits =
| natural tits ref =
| implant type =
| pierced nipples =

| height =
| weight =
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Red
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = Haley420xxx
| instagram = h4ley20

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Haley''' is an [[American]] [[webcam model]].

She has been in the top 500 for the [[MyFreeCams]] "Miss MFC" rankings many times, making it into the top 50 several times.

== External links ==
{{official|
* {{onlyfans|haley420}}
* {{myfreecams|HALEY}}
* {{mfcshare|HALEY}}
}}

[[Category:Webcam models]]

Haley

2025-05-17T02:38:01Z

Brjatlick: phoro

{{Biobox new
| name =
| photo = File:Haley MFC from Insta.jpg
| alias = HALEY

| birth month =
| birth day =
| birth year =
| birth ref =
| birth location = America

| death month =
| death day =
| death year =
| death ref =
| death location =

| years active =
| ethnicity = White
| ethnicity2 =
| nationality = American
| nationality2 =

| measurements =
| bra/cup size = D
| natural tits =
| natural tits ref =
| implant type =
| pierced nipples =

| height =
| weight =
| body type = Slim
| eye color = {{eyecolor|Brown}}
| hair color = Red
| hair color2 =
| hair length = Long
| hair shape = straight
| underarm hair = n
| pubic hair = Shaved
| blood =

| topless = y
| bush = y
| frontal = y
| pink = y

| solo = y
| solodildo = y
| solofisting =

| lesbian =
| lesbiandildo =
| lesbianfisting =

| blowjob =
| hardcore =
| anal =
| dp =
| fisting =

| bondage =
| watersports =
| fistingmen =

| homepage =
| blog =
| livejournal =
| twitter = Haley420xxx
| instagram = h4ley20

| myspace =
| youtube =
| xpeeps =

| modelmayhem =
| onemodelplace =
| deviantart =
| flickr =

| imdb =
| iafd =
| afdb =
}}

'''Haley''' is an [[American]] [[webcam model]].

She has been in the top 500 for the [[MyFreeCams]] "Miss MFC" rankings many times, making it into the top 50 several times.

== External links ==
{{official|
* {{onlyfans|haley420}}
* {{myfreecams|HALEY}}
* {{mfcshare|HALEY}}
}}

[[Category:Webcam models]]